The Shadows are easily the most popular and influential British instrumental group of all time. Their career started in the late 50's as Cliff Richard's backing band and they consistently hit the singles charts well into the 80's. Lead guitarist Hank Marvin is cited by many modern pickers as a major influence. Throughout the latter part of their career, they released many instrumental covers and interpretations of classic themes.

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The success of the Austin Powers movies rekindled an interest in everything groovy, swinging and mod. The Instro Hipsters a Go-Go responded in kind, serving up fun but mostly forgotten instrumentals from the '60s and early '70s that sound equally good in a bachelor pad or discotheque. Instro Hipsters a Go-Go, Vol. 3 is a Wall of Sound made up of twangy surf guitars, tumbling drums, flourishes of strings and brass, and funky organs, especially on classic instrumentals like "Cherokee" and "Raunchy," which have been given mod makeovers here by the Mitch Murray Clan and the Ray McVay Sound. Harry Stoneham's "Mogul/I Spy/The Avengers" nods to the spy movie and TV show fetish of the time, while Shocking Blue's "Ackla Ragh"'s trippy sitars allude to the '60s and '70s fascination with Indian music. Though it's more eclectic than some other volumes in this series, this collection makes for very entertaining mood music that still conjures up this swinging, stylish era.

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With melting ice caps in the Arctic causing catastrophic environmental issues, it’s hard to believe that we’ve had to spend so much time convincing each other that climate change is real. Lead for the Planet shifts the focus to how we, the members of Team Humanity, are going to organize to solve the twin issues of climate change and energy evolution. The book channels a broad range of social science perspectives, from anthropology to psychology to economics, to help decision-makers explore how Team Humanity can get this thing done.

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The second of three volumes devoted to Andrés Isasi’s complete string quartets is again performed by the composer’s foremost champions, the Isasi Quartet, who premièred all the works on this recording. String Quartet No 4 in D major reveals his vibrant and imaginative use of textures and his affiliations with the music of Dvořák. Though unfinished, the 1921 String Quartet No 3 in E minor fuses melodic richness and serenity. Each of the three smaller pieces shows contrast and warmth, not least the beautifully eloquent Prelude in A major.

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