![Masayuki Takayanagi Quintet - Flower Girl (Vinyl Reissue) (1969/2019) [24bit/96kHz]](https://pixhost.icu/avaxhome/1f/92/007a921f_medium.jpg)
Masayuki Takayanagi Quintet - Flower Girl (Vinyl Reissue) (1969/2019) [24bit/96kHz]
![Masayuki Takayanagi Quintet - Flower Girl (Vinyl Reissue) (1969/2019) [24bit/96kHz]](https://pixhost.icu/avaxhome/1f/92/007a921f.jpg)
Masayuki Takayanagi Quintet - Flower Girl (Vinyl Reissue) (1969/2019)
Vinyl Rip | FLAC (tracks) 24-bit/96 kHz Time - 40:01 minutes | 822 MB | Artwork - 49 MB
Cool Jazz | Label: Craftman Records
Vinyl Rip | FLAC (tracks) 24-bit/96 kHz Time - 40:01 minutes | 822 MB | Artwork - 49 MB
Cool Jazz | Label: Craftman Records
Replica reissue of one of the rarest free jazz LP ever made: Masayuki Takayanagi's Flower Girl. Supposedly released in a limited run of 100 copies in 1968, this incredibly rare record - released as a promotional album, and never marketed - gets its first vinyl reissue via Craftman Records. Japan's leading jazz guitarist Masayuki Takayanagi is one of the first to pursue free jazz music in Japan, and its activity has not been confined to the framework of jazz, but even a pioneer who pioneered the world of experimental improvisation is there. On the other hand, he is greedily working on music in all fields of the world, one of which is Bossa Nova. Half a century after the recording, it is a pleasant cool jazz album that can be enjoyed even without any prior knowledge, and at the same time, one of Bosonanova's early days in Japan with the first song "so Deep and So Blue" You can also touch And in the midst of a period of high economic growth, it is also a hidden attraction of this work that you can feel the existence of one person's willingness to try to mature culture as well as economic development, / 1968 recording, Composed by Sion Tomita (Torita Tomita) and arranged by Kiyoshi Yamaya. Performed = Masayuki Takayanagi Quintet (Takayanagi Masayuki (g), Sato Toshio (g), Mitobe Akira (vib), Kuwahara Eijiro (b), Hino Motohiko (ds))
Tracklist:
A1 – So Deep And So Blue (03:23)
A2 – Faraway Land (04:34)
A3 – Prologue To Summer (03:27)
A4 – Night Flight (04:36)
A5 – Love Wave (04:44)
B1 – Flower Girl (03:30)
B2 – Sablier (05:14)
B3 – So Soft (04:08)
B4 – Tan Tan (03:28)
B5 – Blues For Narcisse (03:02)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2020-07-28 21:34:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Masayuki Takayanagi Quintet / Flower Girl
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.35 dB -16.97 dB 3:22 01-So Deep And So Blue
DR15 -0.10 dB -17.47 dB 4:34 02-Faraway Land
DR13 -2.66 dB -18.02 dB 3:27 03-Prologue To Summer
DR15 -1.18 dB -17.86 dB 4:36 04-Night Flight
DR13 -3.88 dB -21.04 dB 4:42 05-Love Wave
DR12 -4.04 dB -18.59 dB 3:27 06-Flower Girl
DR15 -0.10 dB -16.98 dB 5:14 07-Sablier
DR13 -4.41 dB -20.84 dB 4:08 08-So Soft
DR13 -2.46 dB -17.87 dB 3:28 09-Tan Tan
DR14 -1.71 dB -18.48 dB 3:04 10-Blues For Narcisse
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2746 kbps
Codec: FLAC
================================================================================
log date: 2020-07-28 21:34:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Masayuki Takayanagi Quintet / Flower Girl
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.35 dB -16.97 dB 3:22 01-So Deep And So Blue
DR15 -0.10 dB -17.47 dB 4:34 02-Faraway Land
DR13 -2.66 dB -18.02 dB 3:27 03-Prologue To Summer
DR15 -1.18 dB -17.86 dB 4:36 04-Night Flight
DR13 -3.88 dB -21.04 dB 4:42 05-Love Wave
DR12 -4.04 dB -18.59 dB 3:27 06-Flower Girl
DR15 -0.10 dB -16.98 dB 5:14 07-Sablier
DR13 -4.41 dB -20.84 dB 4:08 08-So Soft
DR13 -2.46 dB -17.87 dB 3:28 09-Tan Tan
DR14 -1.71 dB -18.48 dB 3:04 10-Blues For Narcisse
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2746 kbps
Codec: FLAC
================================================================================
Vinyl records:
CARTRIDGE: Audio-Technica AT-OC9ML/II (April 2017-present) or AT-150MLX (rips prior to April 2017), Nagaoka MP-500 (rips prior to July 2016)
TURNTABLE: Technics SL-1200mk5
PHONO STAGE: Lehmann Audio Black Cube Statement
RECORD CLEANING MACHINE: Record Doctor V (vacuum RCM)
RECORD CLEANING LIQUID: Audio Intelligent Enzymatic Formula (3 min soak) then Super Cleaner (1.5 min soak) or Premium One-Step Formula no. 6 (6 min soak)
STYLUS CLEANING: Onzow Zerodust
Cassettes:
PLAYER: Nakamichi BX-300
Dolby B is used if noted on the cassette.
Computer:
SOUND CARD: Apogee Duet 2 for Mac
SOUND MONITORING: InEar StageDiver SD-4 (Small)
RECORDING SOFTWARE: Adobe Audition CC
OS: Mac OS X 10.9 "Mavericks"
POST-PROCESSING SOFTWARE: iZotope RX 6 Declicker, Denoiser
Vinyl: iZotope DeClicker and Audition's built-in declicker plugin were used to eliminate clicks and pops. Manual declicking is used. iZotope DeNoiser was used to reduce any low-frequency rumble (below 40 Hz)
Cassettes: stereo imbalance is normalized if it's apparent. Otherwise, left as is.
Everything is normalized to -0.1 dB, as is without any compression applied.
CARTRIDGE: Audio-Technica AT-OC9ML/II (April 2017-present) or AT-150MLX (rips prior to April 2017), Nagaoka MP-500 (rips prior to July 2016)
TURNTABLE: Technics SL-1200mk5
PHONO STAGE: Lehmann Audio Black Cube Statement
RECORD CLEANING MACHINE: Record Doctor V (vacuum RCM)
RECORD CLEANING LIQUID: Audio Intelligent Enzymatic Formula (3 min soak) then Super Cleaner (1.5 min soak) or Premium One-Step Formula no. 6 (6 min soak)
STYLUS CLEANING: Onzow Zerodust
Cassettes:
PLAYER: Nakamichi BX-300
Dolby B is used if noted on the cassette.
Computer:
SOUND CARD: Apogee Duet 2 for Mac
SOUND MONITORING: InEar StageDiver SD-4 (Small)
RECORDING SOFTWARE: Adobe Audition CC
OS: Mac OS X 10.9 "Mavericks"
POST-PROCESSING SOFTWARE: iZotope RX 6 Declicker, Denoiser
Vinyl: iZotope DeClicker and Audition's built-in declicker plugin were used to eliminate clicks and pops. Manual declicking is used. iZotope DeNoiser was used to reduce any low-frequency rumble (below 40 Hz)
Cassettes: stereo imbalance is normalized if it's apparent. Otherwise, left as is.
Everything is normalized to -0.1 dB, as is without any compression applied.
Thanks to the Original customer!