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Chor der J.S. Bach-Stiftung - Haydn: Missa in tempore belli, Hob. XXII9 «Paukenmesse» (2022)

Posted By: delpotro
Chor der J.S. Bach-Stiftung - Haydn: Missa in tempore belli, Hob. XXII9 «Paukenmesse» (2022)

Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Haydn: Missa in tempore belli, Hob. XXII9 «Paukenmesse» (2022)
WEB FLAC (tracks) - 188 Mb | MP3 CBR 320 kbps - 86 Mb | Digital booklet | 00:36:57
Classical, Sacred, Choral | Label: J.S. Bach-Stiftung

Haydn’s Missa in tempore belli (Mass in Time of War) ‒ a classical work for our times. Indeed, his faith was never of the bleak, incessantly penitential kind, but cheerful, reconciled and trusting, and it was in this spirit that he composed his sacred works, too. (Georg August Griesinger on Joseph Haydn, 1810).

Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Kantaten No. 32 (2020)

Posted By: delpotro
Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Kantaten No. 32 (2020)

Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Kantaten No. 32 (2020)
XLD Rip | FLAC (tracks+log+.cue) - 325 Mb | MP3 CBR 320 kbps - 140 Mb | 01:01:06
Classical, Sacred, Choral | Label: J.S. Bach-Stiftung

Liebster Jesu, mein Verlangen (Dearest Jesus, my desire), BWV 32, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata (Concerto in Dialogo) in Leipzig for the first Sunday after Epiphany and first performed it on 13 January 1726 as part of his third cantata cycle.

Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Messe h-Moll, BWV 232 (2017)

Posted By: delpotro
Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Messe h-Moll, BWV 232 (2017)

Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Messe h-Moll, BWV 232 (2017)
EAC Rip | FLAC (tracks+log+.cue) - 507 Mb | MP3 CBR 320 kbps - 233 Mb | Digital booklet | 01:40:03
Classical, Sacred, Choral | Label: J.S. Bach-Stiftung

The Mass in B Minor, hailed in 1818 as the “greatest musical composition of all times and all cultures” by its first publisher, Hans-Georg Nägeli of Zurich, is today revered as one of the greatest works in the history of classical music. Not only has the composition substantially shaped the contemporary relevance of Johann Sebastian Bach, but it also underpins his standing as a pre-eminent artist of universal appeal.