Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Richard Bennett - Albums Collection 2004-2021 (6CD)

Posted By: Designol
Richard Bennett - Albums Collection 2004-2021 (6CD)

Richard Bennett - Albums Collection 2004-2021 (6CD)
EAC | FLAC | Image (Cue&Log) ~ 1.46 Gb | Mp3 (CBR320) ~ 615 Mb | Scans ~ 300 Mb
Instrumental Pop/Rock, Easy Listening, Guitar Jazz, Country | Time: 04:27:42

Richard Bennett is an American guitarist, sideman, session musician, and record producer. As a touring sideman, he performed with Neil Diamond for 17 years, and Mark Knopfler since 1994. As a session player, he has worked with artists ranging from Billy Joel and Barbra Streisand to Rodney Crowell and Vince Gill. He has produced Grammy award winning artists like Steve Earle, Emmylou Harris, and Marty Stuart.

John Harle, Neville Marriner, Academy of St Martin in the Fields - Saxophone Concertos (1991)

Posted By: ArlegZ
John Harle, Neville Marriner, Academy of St Martin in the Fields - Saxophone Concertos (1991)

John Harle, Neville Marriner, Academy of St Martin in the Fields - Saxophone Concertos (1991)
EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 71:00 | Scans included
Classical | Label: EMI Classics | # CDC 7 54301 2 | Recorded: 1990

Though the saxophone has never found a regular place in the orchestra it has nevertheless captured the interest of a long line of composers; a square peg doesn't need to fit into any orchestral round hole when it is centre-stage. It is, too, one of the instruments whose technique has been advanced by players of jazz—a field in which John Harle remains active. There are now exponents of awesome ability, worthy of the attention of serious composers such as, in this recording, Bennett—who is also given to crossing the musical tracks.