Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

In theory, The Bridge: A Tribute to Neil Young was a perfect concept, since most alternative bands of the late '80s owed the singer/songwriter a heavy debt. In practice, it wasn't entirely satisfying. Some groups, like Bongwater's collage of "Mr. Soul," made their interpretations self-consciously distinctive, while others, like Soul Asylum and Loop, played it close to the original. But the best moments came when a band played the song like it was their own. Listen to Sonic Youth's rampaging "Computer Age," Dinosaur Jr.'s faithful "Lotta Love," or The Pixies' gorgeous take on "Winterlong" for proof.

Any doubts as to the continuing relevance of Sonic Youth upon their jump to major-label status were quickly laid to rest by Goo, their follow-up to the monumental Daydream Nation. While paling in the shadow of its predecessor, the record is nevertheless a defiant call to arms against mainstream musical values; the Geffen logo adorning the disc is a moot point – Goo is, if anything, a portrait of Sonic Youth at their most self-indulgently noisy and contentious, covering topics ranging from Karen Carpenter ("Tunic") to UFOs ("Disappearer") to dating Jesus' mom ("Mary-Christ"). Even Public Enemy's Chuck D joins the fracas on the single "Kool Thing," which teeters on the brink of a cultural breakthrough but falls just shy of the mark; the same could be said of Goo itself – by no means a sellout, it nevertheless lacks the coherence and force of the group's finest work, and the opportunity to violently rattle the mainstream cage slips by.

Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released in October by Enigma Records as a double album. Daydream Nation was the group's last record before signing to a major label. Daydream Nation has since been widely considered to be Sonic Youth's greatest work, and an influence on the alternative and indie rock genres. It was chosen by the Library of Congress to be preserved in the National Recording Registry in 2005.

In mulling over their career, it’s staggering to realize that Sonic Youth not only delivered a healthy slab of releases as a unit but also have a myriad of shelved material still waiting for broader ears. While the group’s current Bandcamp abode lays out a generous amount of it, a bunch more has yet to surface. And it’s a massive mountain to chip away at in the sense of the group output alone; individual members’ projects are a whole other game, needless to say. "In/Out/In" ably delivers a new slab of mostly-unheard Sonic righteousness, with a scope on the post 2000-era band in especially zoned/exploratory regions.

Album formatted collection of underheard Sonic rarities from the legendary band’s 2000-2010 era, most for the first time on any physical format. Essential for the band’s hardcore fans and for enthusiasts of instrumental rock.

Any doubts as to the continuing relevance of Sonic Youth upon their jump to major-label status were quickly laid to rest by Goo, their follow-up to the monumental Daydream Nation…

"Our Sister lp was released on June 1st and by June 4th we were on tour and somehow joined by hero Iggy Pop for our London Town & Country encore. This show a few weeks later, was recorded nearly halfway through our Summer tour of Europe on June 21, 1987 and our only Italian concert of 1987's journey at Big Club.. Italy would grow to be one of our favorite places to visit and it still is to this day."