Live '88 is the second live album by the English rock band Supertramp released in October 1988 on A&M Records. Originally recorded on two track cassette direct from the sound board for Rick Davies' use, Live '88 features the 4 piece lineup of the group augmented by additional players including Mark Hart (later a permanent member of the group and a future member of Crowded House) playing guitar and singing songs originally sung by Roger Hodgson. Live '88 was initially not intended for a commercial release, but Davies was so pleased with the vibe of the performances he authorized A&M to put it out.
Live '88 was only available in print very briefly. The album features two cover songs, "Hoochie Coochie Man" by Willie Dixon and "Don't You Lie To Me (I Get Evil)"…

It Was the Best of Times is the third live album by the English rock band Supertramp, released in April 1999. The album was recorded in September 1997 at the Royal Albert Hall, London, England, UK during the "It's About Time" tour (set up in support of the Some Things Never Change studio album). The band includes vocalist/guitarist/keyboardist Mark Hart performing songs originally sung by Roger Hodgson. Supertramp are also augmented by additional players added for this album and tour which later would also take part in the recording of Slow Motion, the follow-up studio album released in 2002.

Retrospectacle – The Supertramp Anthology, also known as Gold in the U.S., is the first comprehensive compilation album by the English rock band Supertramp, released in October 2005. As Supertramp's first career retrospective, Retrospectacle contains a compilation of the most popular songs, live tracks and favourite album tracks from all of their albums from Supertramp to Slow Motion, including the live albums Paris and It Was the Best of Times. It was released as either a single disc or a double album.

With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. Although their previous records had some popular success, they never even hinted at the massive sales of Breakfast in America. Then again, Supertramp's earlier records weren't as pop-oriented as Breakfast. The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits "The Logical Song," "Take the Long Way Home," and "Goodbye Stranger." Supertramp still had a tendency to indulge themselves occasionally, but Breakfast in America had very few weak moments. It was clearly their high-water mark.

Originally a European compilation, The Very Best of Supertramp is the closest thing to a definitive overview of the '70s pop-prog group. Certainly, there will be hardcore fans who will notice some favorite album cuts missing – after all, despite their considerable success on the pop charts, Supertramp was as much an album rock band as ELP or Genesis – but all the hits are here, from "Bloody Well Right" to "It's Raining Again," as well as a sizable portion of their blockbuster Breakfast in America. That alone will make it worthwhile for all casual fans, but what's really nice about the collection is that it flows very smoothly, even if it isn't in chronological order. There have been other Supertramp compilations, but The Very Best of Supertramp stands head and shoulders above the rest.

The Very Best of Supertramp 2 is a best of album by the English rock band Supertramp originally released by A&M Records in November 1992. This compilation features 13 tracks from their five "prime" albums Crime of the Century, Crisis? What Crisis?, Even in the Quietest Moments…, Breakfast in America and …Famous Last Words… as well as the title track from their 1987 album Free as a Bird. The cover depicts the starry backdrop and grate from the cover of Crime of the Century, the hand carrying the glass from the cover of Breakfast in America, and the orange umbrella from Crisis? What Crisis?

.With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world…

With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world…

Crime of the Century is the third studio album by the English rock band Supertramp, released in September 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in many countries, most notably in the UK, Canada and Germany where it peaked in the Top 5 while also making the Top 20 in Australia and France…

Free as a Bird is the ninth studio album by the English rock band Supertramp, released in October 1987. The album was a turn of direction of sorts, with most of the songs stepping back from their progressive rock sound, employing synthesised dance beats and rhythms…

With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world…

Supertramp came into their own on their third album, 1974's Crime of the Century, as their lineup gelled but, more importantly, so did their sound. The group still betrayed a heavy Pink Floyd influence, particularly in its expansive art rock arrangements graced by saxophones, but Supertramp isn't nearly as spooky as Floyd – they're snarky collegiate elitists, an art rock variation on Steely Dan or perhaps a less difficult 10cc, filled with cutting jokes and allusions, best heard on "Bloody Well Right."…

Indelibly Stamped, Supertramp's second album, was an improvement on their debut, although the group did have a tendency to indulge themselves in long-winded instrumental sections…

Free as a Bird is the ninth studio album by the English rock band Supertramp, released in 1987. The album was a turn of direction of sorts, with most of the songs stepping back from their progressive rock sound, employing synthesised dance beats and rhythms…

When vocalist-guitarist Roger Hodgson left Supertramp after 1982's …famous last words…, few could have guessed that the band would continue and solidify its pop-oriented songcraft, let alone re-embrace its progressive-rock roots on 1985's underrated Brother Where You Bound. With vocalist-keyboardist Rick Davies firmly in control – he wrote all the music and lyrics – the album examined tensions at the tail end of the Cold War…