The funk was first felt half a century ago. Bursting out of the kaleidoscope of late-sixties America, its spirit was so irrepressible, its joy so irresistible, that it transformed pop music and the world. This album is a celebration of that endless future. Of dance music with real drums, real horns, real whoops, real yelps. This is for everyone ready to feel the rhythm, feel the spirit, feel the noise, feel the funk.

2007 two CD set, the soundtrack to one of the year's most highly-anticipated films. Todd Haynes' I'm Not There is a meta-biographical film that re-imagines the life of Bob Dylan, who is portrayed by six different actors including Cate Blanchett! Performers on the album who sink their teeth into Dylan covers include Eddie Vedder, Sonic Youth, Stephen Malkmus, Mason Jennings, Willie Nelson, Mark Lanegan, Antony, Jack Johnson, Cat Power, John Doe, Sufjan Stevens, Ramblin' Jack Elliot, Iron & Wine and many others. Features two versions of the title track: the previously officially unreleased Dylan version and a new version from Sonic Youth. Columbia.

Silva Screen Records presents new digital recordings performed by The City of Prague Philharmonic conducted by Nic Raine featuring Crouch End Festival Chorus (Choir Master - David Temple), also the Westminster Philharmonic Orchestra, plus The Philharmonia Orchestra conducted by Carl Davis, Neil Richardson and Kenneth Alwyn. The two CD set of twenty-eight tracks, over 130 minutes of music including such selections - "THE BRIDE OF FRANKENSTEIN" (1935-Franz Waxman) - "THE THING" (1951-Dimitri Tiomkin) - "THE EXORCIST" (1973-Mike Oldfield) - "HALLOWEEN" (1978-John Carpenter) - "THE HAUNTING" (1999-Jerry Goldsmith) evokes a string of horror and tension. As usual a few stand outs - "THE DEVIL RIDES OUT" (1968-James Bernard) Bernard's inexorable music may be simply stated, but the orchestration is venomous. This track is surely one of the most formidable and succinct realisations of the satanic in music. "SIX SENSE" (1999-James Newton Howard) this composer adopts a potent blend of richly realised Americana to subtly underscore events, never overtly signposting every narrative twist and turn.

To coincide with the 50th anniversary of Island Records, UMTV releases a 3CD set of classic Island hits plus a number of unique cover versions from current Island Artists. Founded by the legendary Chris Blackwell, Island has been long renowned as the most musically influential record label and has been consistently successful over the years. One of their earliest hits "My Boy Lollipop" by Millie is included, as well as a host more hits and cover versions, including an exclusive version of "Monkey Man" by Amy Winehouse. The album is sure to appeal to Island Records aficionados as well as all music fans.

Wow - they don't make 'em like this anymore. A semi-legitimate compilation at best and mastered from vinyl, Hippie Goddesses is a collection of psych-pop tunes from the late '60s and early '70s, all fronted by women. The women's liberation movement and the sexual revolution were in full swing, and this collection is sort of a distillation of those newfound attitudes. Of course, attitudes toward women have undergone many changes since that time, and most of these tunes are dated to the point that they would probably horrify any self-respecting riot grrrl at the end of the 20th century. That's a big part of the reason why this is such a great collection.

Recorded live at Wembley Arena, London, 20/6/86. Dire Straits, Phil Collins, Big Country, Elton John, Paul McCartney, Tina Turner, Joan Armatrading, Rod Stewart, Howard Jones, Midge Ure, Level 42.

In the first half of the 1960s, Colpix and Dimension were record-label offshoots of Columbia Pictures; Colpix tended toward teen idols, while Dimension was mainly an outlet for the compositions of the Gerry Goffin/Carole King songwriting team. This 40-song double CD includes all the major hits on the labels by the Marcels, James Darren, Shelley Fabares, Paul Petersen, Little Eva, the Cookies, and Carole King herself, as well as quite a few rarities. Although the compilers have done a thorough job, the jumble of disparate styles – sappy teen-idol pop, rhythm and blues, girl groups, soul, even a garage band – makes for tough end-to-end listening. Several of the sides by Darren and Petersen are unbearably cloying; the ones by Fabares, Teddy Randazzo, and Sandy Stewart are barely any better. The hits by Little Eva and the Cookies, on the other hand, are great dynamic girl-group performances. And some of the rarities are pretty cool – Carole King's odd, almost folk-rockish flop single "He's a Bad Boy," Earl-Jean's original version of "I'm Into Something Good" (covered for a hit by Herman's Hermits), the Girlfriends' "My One and Only, Jimmy Boy" (the best Wall of Sound girl-group record not produced by Phil Spector), the little-anthologized Top Ten soul hit "Hey Girl" by Freddie Scott, rare sides by Lou Christie and Duane Eddy, a silly Beatle parody by Sonny Curtis, and extremely rare (if not terribly good) singles by David Jones and Michael Nesmith before they joined the Monkees.

La rumba es una y todas. Bastarda e impura. Una gracia divina. Un efervescente estado de ánimo. “EL VENTILADOR” es un merecido homenaje a este estilo, reuniendo las joyas de este género, algunas de ellas ocultas en la caja fuerte de las discográficas durante mucho tiempo, rarezas que ven la luz del día (o de la noche) tras permanecer en el olvida durante décadas.Este disco además es el primer volumen de una nueva colección, “RUMBA CLASSICS”, una serie que quiere hacer justicia a este estilo que con seguridad ocupará su lugar en la historia de la música.

EIGHTEEN AND I LIKE IT… if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground ’70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul!

Get ready to be transported to a world of cinematic wonder with the Vintage Collection: Best of Movies soundtrack album! This meticulously curated collection of iconic film scores and themes is a must-listen for any movie enthusiast.

Pressed here onto black vinyl with the original crow etching included, this is the original soundtrack to the 1994 film, the Crow.
Featuring tracks from rock legends such as Stone Temple Pilots, Rage Against the Machine and the Cure, this soundtrack is often considered as one of the greatest film soundtracks of all time. The album was met with widespread critical acclaim upon release and charted at no.1 upon release on the billboard 200 chart. The album has since gone on to be certified x3 platinum in the US by the RIAA.

Lost In Translation was the soundtrack to Sofia Coppola’s Academy Award winning movie of the same name. The soundtrack earned supervisor / composers Brian Reitzell and Kevin Shields a BAFTA nomination. It featured five Kevin Shields tracks (one of which was a My Bloody Valentine track) it also featured artists including; Air, Death in Vegas, Squarepusher and The Jesus and Mary Chain.

As the historic festival marks its 40-year anniversary, Rhino presents Woodstock 40, six-CD boxed set that features the most comprehensive collection ever available of artists that performed at the original festival, sequenced in chronological order of performance, featuring 38 previously unreleased recordings, including the Grateful Dead, The Who, Tim Hardin, Jefferson Airplane, Country Joe & The Fish, and others. Also box includes 80-page book with extensive liner notes, photos and the complete and accurate set lists.

3 CD Set, 60 great tracks. Mott The Hoople, Roxy Music, Electric Light Orchestra, The Sweet, Bay City Rollers, Smokie, Mud, Suzi Quatro, Steeleye Span, Madness, XTC, Blondie, The Hollies, Deep Purple, Hot Chocolate, The Isley Brothers, Earth Wind & Fire, Boney M, David Essex, Middle Of The Road, Dr. Hook, Gladys Knight & The Pips, T-Connection and more, and more.

With Pale Shades Of Grey, we complete the trilogy Egon started with Forge Your Own Chains and followed with Tickets for Doomsday – another batch of rare, largely uncompiled – and sometimes barely heard – heavy psych-rock. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer.