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Ten Skies (2004)

Posted By: MirrorsMaker
SD / DVDRip IMDb
Ten Skies (2004)

Ten Skies (2004)
Ten shots of skies.

Los (2001)

Posted By: MirrorsMaker
SD / DVDRip IMDb
Los (2001)

Los (2001)
Los Angeles is depicted in 35 stationary shots, each 2 1/2 minutes long, in this non-narrative film.

El Valley Centro (1999)

Posted By: MirrorsMaker
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El Valley Centro (1999)

El Valley Centro (1999)
Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley. Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.

Deseret (1995)

Posted By: MirrorsMaker
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Deseret (1995)

Deseret (1995)
This is multifaceted look at the landscape and history of Utah (or Deseret, as the Mormon Church prefers to call it). Benning condenses 93 news stories from the New York Times from 1852 to 1992 (read offscreen by Fred Gardner) and sets them against contemporary Utah landscapes, the shots changing with each sentence.

One Way Boogie Woogie 2012 (2012)

Posted By: MirrorsMaker
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One Way Boogie Woogie 2012 (2012)

One Way Boogie Woogie (2012)
In summer 2011, James Benning returned to his hometown of Milwaukee to make a third version of his seminal 1977 film 'One Way Boogie Woogie'. In 1977 he filmed 60 locations in Milwaukee’s industrial valley each for 60 seconds, creating short, minimal, playful narratives. In 2004 he remade the film as Twenty Seven Years Later, with the same 60 camera positions. This 2012 installation version, presents 18 locations similar to, and reminiscent of, the original.

Faces (2011)

Posted By: MirrorsMaker
1080p (FullHD) / WEB-DL IMDb
Faces (2011)

Faces (2011)
James Benning’s "remake" of John Cassavetes’s Faces (1968) is an unexpected venture into the world of found footage filmmaking. As Benning explains, he’s reconstructed Cassavetes’s Faces in such a way that it’s comprised entirely of shots of single faces, each actor and actress is on screen as long as he or she is in the original and each scene is exactly as long as it is in the original. This reconstruction, he notes, remains steadfastly true to its title

American Dreams: Lost and Found (1984)

Posted By: MirrorsMaker
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American Dreams: Lost and Found (1984)

American Dreams (Lost and Found) (1984)
Scrolling excerpts from the diary of George Wallace's would-be assassin Arthur Bremer at screen bottom, Hank Aaron cards and ephemera from his entire career up top, and alternating audio clips of popular songs and highlights from the news throughout Aaron's career.

11 x 14 (1977)

Posted By: MirrorsMaker
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11 x 14 (1977)

11 x 14 (1977)
65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

13 Lakes (2004)

Posted By: MirrorsMaker
SD / WEBRip IMDb
13 Lakes (2004)

13 Lakes (2004)
Shots of 13 great lakes in the USA, with each shot containing half water and half sky or land.

RR (2007)

Posted By: MirrorsMaker
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RR (2007)

RR (2007)
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Four Corners (1998)

Posted By: MirrorsMaker
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Four Corners (1998)

Four Corners (1997)
James Benning's "Four Corners" uses a specific geographical location to pose larger questions about the United States. Here, the geographic and wholly imaginary place Four Corners, that favorite tourist destination where Colorado, New Mexico, Arizona, and Utah meet, becomes a kind of theoretical ground zero, the site from which Benning can give voice to other, pointedly unofficial American stories.