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The Oldest Profession / Le plus vieux métier du monde (1967)

Posted By: RSU75
1080p (FullHD) / BluRay IMDb
The Oldest Profession / Le plus vieux métier du monde (1967)

The Oldest Profession (1967)
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress. 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! 5) "Paris Today": Two girls pick up clients by driving around in a car...

The Oldest Profession / Le plus vieux métier du monde (1967)

Posted By: RSU75
1080p (FullHD) / BDRip IMDb
The Oldest Profession / Le plus vieux métier du monde (1967)

The Oldest Profession / Le plus vieux métier du monde (1967)
BDRip 1080p | MKV | AVC, 1792x1080, ~ 4.0 Mbps | 1hr 55mn | 4.52 GB | French (Français): DTS, 2 ch, 1510 kbps
BDRip 720p | MKV | AVC, 1192x720, ~ 2.9 Mbps | 1hr 55mn | 2.76 GB | French (Français): AC3, 2 ch, 448 kbps
Subtitles: English
Genre: Comedy, Drama
Director: Claude Autant-Lara, Mauro Bolognini, Philippe de Broca, Jean-Luc Godard, Franco Indovina, Michael Pfleghar

A collection of sketches on prostitution through the ages.

I, Dalio (2015)

Posted By: Without
720p (HD) / WEBRip IMDb
I, Dalio (2015)

I, Dalio ()
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you?