Stomp and Swerve: American Music Gets Hot, 1843-1924 (repost)
Stomp and Swerve: American Music Gets Hot, 1843-1924 By David Wondrich
Publisher: Chi..ca..go Rev..iew Pre..ss 2003 | 256 Pages | ISBN: 155652496X | EPUB | 4 MB
Publisher: Chi..ca..go Rev..iew Pre..ss 2003 | 256 Pages | ISBN: 155652496X | EPUB | 4 MB
Hot American music, says Wondrich, has drive and swerve. Drive is the strong rhythmic component that gets the feet stomping. Swerve is the spontaneous bending of tempo, swinging of the beat, and embellishment of the musical line. Beginning with the minstrels who played "Negro" music on stage in blackface in a spirit of parody, Wondrich traces the evolution of hot music into ragtime ("Coon" music, it was called), blues, and jazz. Scottish and Irish music influenced minstrel music, just as Afro-Caribbean music influenced the blues and jazz–the acme of hot music. Unknown rural people and people in the (noncriminal) "Underworld" developed these musical styles, and the "Topworld" embraced this music as it came to reflect on general social conditions. Much later hot music is preserved on sound recordings, which Wondrich references while discussing major performers and composers. Aside from his use of vernacular expletives to express strong opinions, Wondrich provides good guidance as the music gets hotter.