Cutting the Body: Representing Woman in Baudelaire's Poetry, Truffaut's Cinema, and Freud's Psychoanalysis by Eliane DalMolin
Cutting the Body: Representing Woman in Baudelaire's Poetry, Truffaut's Cinema, and Freud's Psychoanalysis by Eliane DalMolin
English | Aug. 21, 2000 | ISBN: 047211073X | 232 Pages | PDF | 22 MB
English | Aug. 21, 2000 | ISBN: 047211073X | 232 Pages | PDF | 22 MB
This book is about how poets, filmmakers, and psychoanalysts look upon the female body, how they examine it as if dissecting it–at times relishing it, at others anguishing over its fragmentation. Eliane DalMolin examines how Charles Baudelaire, François Truffaut, and Sigmund Freud, based on their inheritance of lyricism, shaped and perpetuated a cultural understanding of women that they continued to represent in late romantic images, despite their respective innovative talents and influences in bringing about three decisive cultural moments: modernism, New Wave cinema, and psychoanalysis.