Avid Media Composer for Final Cut Pro Users (by Class on Demand)
Avid Media Composer for Final Cut Pro Users (by Class on Demand)
English | Working Files Included | Audio: aac, 44100 Hz, stereo | Video: h264, yuv420p, 960x600, 25.00 fps | 3.61GB
Genre: E-learning
English | Working Files Included | Audio: aac, 44100 Hz, stereo | Video: h264, yuv420p, 960x600, 25.00 fps | 3.61GB
Genre: E-learning
Learn the essentials of Media Composer® 5 & 6 with Class on Demand expert, Steve Hullfish. This series of lessons, designed for Final Cut Pro users, will guide you through the features and workflows needed to complete projects using Avid® Media Composer®. By using your knowledge of Final Cut Pro, you’ll become comfortable with Media Composer 5 and 6’s powerful interface.
Although this training was created with Avid® Media Composer® 5, the techniques and procedures shown in these lessons apply to the newly released Avid® Media Composer® 6.
LESSONS:
1.0 Fundamental Differences Between FCP and MC
1.1 Media Management
1.2 Modality
1.3 Importing the Project Media
2.0 Media Composer® Basics
2.1 Starting a Project
2.2 Interface Overview
2.3 Intro to User Settings
2.4 Overview of Settings
2.5 Keyboard Settings
2.6 Working with Bins
2.7 Assembling Shots in a Sequence
2.8 Working with the Timeline
2.9 Exploring Timeline Options
3.0 Ingesting Media
3.1 Ingesting File-Based Media Using AMA
3.2 Standard Importing
3.3 Capturing from Tape
4.0 Editing a Sequence
4.1 Trimming Basics
4.2 Dynamic Trim Techniques
4.3 Slip and Slide
4.4 Using Fit-to-Fill
4.5 Creating Subclips
4.6 Nesting Sequences
4.7 Using Locators to Edit
5.0 Audio
5.1 Level and Pan Adjustments
5.2 Audio Tool
5.3 EQ Tool
5.4 Audio Plug-ins and Filters
6.0 Advanced Settings
6.1 Workspaces and Toolsets
6.2 Import and Export Settings
7.0 Creating Effects
7.1 Effects Mode
7.2 Adding and Removing Effects
7.3 Saving Effects
7.4 Effects Parameters
7.5 Adding Effects on Filler
7.6 Nesting
7.7 Rendering
8.0 Advanced Effects
8.1 Timewarp Effects
8.2 Stabilizing Shots
8.3 Intraframe Effects
8.4 Third-Party Plug-Ins
9.0 Color Correction Mode
9.1 Interface
9.2 Automatic Color Correction
9.3 Color Correcting with Hue Offset Wheels
9.4 Color Correcting with Curves and Sliders
9.5 Keyframing Color Correction
10.0 Delivering the Finished Work
10.1 The Digital Cut Tool
10.2 File-Based Delivery
10.3 Avid DVD by Sonic®
10.4 Sorenson Squeeze
11.0 Mastering Project Management
11.1 The Media Tool
11.2 Consolidate, Transcode and Decompose
11.3 Attic-Backups
12.0 Migrating to Media Composer®
12.1 Unique Features of Media Composer®
12.2 Comparing Features
13.0 Multicam Editing
13.1 Multicam Editing
13.2 Multicam Demonstration
13.3 Fine Tuning the Edit
14.0 Script-Based Editing
14.1 ScriptSync®
14.2 Editing from a Lined Script
1.0 Fundamental Differences Between FCP and MC
1.1 Media Management
1.2 Modality
1.3 Importing the Project Media
2.0 Media Composer® Basics
2.1 Starting a Project
2.2 Interface Overview
2.3 Intro to User Settings
2.4 Overview of Settings
2.5 Keyboard Settings
2.6 Working with Bins
2.7 Assembling Shots in a Sequence
2.8 Working with the Timeline
2.9 Exploring Timeline Options
3.0 Ingesting Media
3.1 Ingesting File-Based Media Using AMA
3.2 Standard Importing
3.3 Capturing from Tape
4.0 Editing a Sequence
4.1 Trimming Basics
4.2 Dynamic Trim Techniques
4.3 Slip and Slide
4.4 Using Fit-to-Fill
4.5 Creating Subclips
4.6 Nesting Sequences
4.7 Using Locators to Edit
5.0 Audio
5.1 Level and Pan Adjustments
5.2 Audio Tool
5.3 EQ Tool
5.4 Audio Plug-ins and Filters
6.0 Advanced Settings
6.1 Workspaces and Toolsets
6.2 Import and Export Settings
7.0 Creating Effects
7.1 Effects Mode
7.2 Adding and Removing Effects
7.3 Saving Effects
7.4 Effects Parameters
7.5 Adding Effects on Filler
7.6 Nesting
7.7 Rendering
8.0 Advanced Effects
8.1 Timewarp Effects
8.2 Stabilizing Shots
8.3 Intraframe Effects
8.4 Third-Party Plug-Ins
9.0 Color Correction Mode
9.1 Interface
9.2 Automatic Color Correction
9.3 Color Correcting with Hue Offset Wheels
9.4 Color Correcting with Curves and Sliders
9.5 Keyframing Color Correction
10.0 Delivering the Finished Work
10.1 The Digital Cut Tool
10.2 File-Based Delivery
10.3 Avid DVD by Sonic®
10.4 Sorenson Squeeze
11.0 Mastering Project Management
11.1 The Media Tool
11.2 Consolidate, Transcode and Decompose
11.3 Attic-Backups
12.0 Migrating to Media Composer®
12.1 Unique Features of Media Composer®
12.2 Comparing Features
13.0 Multicam Editing
13.1 Multicam Editing
13.2 Multicam Demonstration
13.3 Fine Tuning the Edit
14.0 Script-Based Editing
14.1 ScriptSync®
14.2 Editing from a Lined Script
Approx. Run Time: 4 hours
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Avid Media Composer for Final Cut Pro Users (by Class on Demand)
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