«Joined Forces: Audience Participation in Theatre. Performing Urgencies #3» by Rimini Protokoll,Jan Sowa,Dominique Nduhu
«Joined Forces: Audience Participation in Theatre. Performing Urgencies #3» by Rimini Protokoll,Jan Sowa,Dominique Nduhura,Antoine Pickels,Justine Boutens,Elena Basteri,Miriam Tscholl,Roger Bernat,Roberto Fratini Serafide,Ophelia Patricio Arrabal,Ana Vujanović,Tobi Müller,Helgard Haug,Stefan Kaegi,Daniel Wetzel,van iBooks.,Tea Tupajić,Tom Sellar,Adelheid Roosen,Wojtek Ziemilski,Adam Czirak,Johanna Freiburg,Bastian Trost,Gob Squad
English | ISBN: 9783895814495 | EPUB | 2.9 MB
English | ISBN: 9783895814495 | EPUB | 2.9 MB
The nineteenth century was a century of actors. The twentieth century was a century of directors. The twenty-first century is a century of spectators. With Jacques Rancière's The Emancipated Spectator (2009) being the most discussed theatre-related text of the last decade, there is an increase in scholarly and curatorial interest in the most mysterious, potentially dangerous and, in fact, most important participant of the performance, who stays silent, motionless, and hidden in darkness: the audience. And similarly, artists desire to finally 'meet the spectators': to let them speak, get into a dialogue with them, invite them to involve themselves in pursuing the performance.