The Kalpataru Tree sound is sculpted with a sacred intention of healing through inspiring imagination. Distilled from the souls peak experiences into sonic form, etheric realms unfold riding along a dub backbone. Music in devotion to the mystery. A prayer of sound in resonance with dream like unfoldings of this present reality unfolding. A distillation of the souls quandaries in sonic form, The Only Now We've Ever Had is meant to be listened to from start to finish. His 7th Studio Album to date, veteran chill out artist Kalpataru Tree revisions his musical roots of psydub electronica into untethered territories of genreless musical expressions.

Nico Muhly and The Tallis Scholars present ‘No Resting Place’, a collection of world premiere recordings of works that Muhly wrote for The Tallis Scholars over the last 10 years, by invitation of their director Peter Phillips. Phillips says that Muhly ‘immediately understood our particular sound.

Ashley Solomon and Florilegium are joined by violinist Rachel Podger, soprano Elizabeth Watts and recorder player Hannah Parry on Telemann: Ino Cantata and Double Concertos.

In Dialogos, Holland Baroque and Constantinople embark on a musical journey inspired by one of history’s most remarkable encounters: the meeting between Saint Francis of Assisi and Sultan Malik al-Kamil during the Fifth Crusade in 1219. Eight centuries later, their gesture of openness and mutual respect becomes the creative spark for this collaboration — a meeting not of faiths or institutions, but of human voices and mutual respect.

Produced by Yves Rothman and Lawrence Rothman, 'Irreversible' marks the follow-up to their critically lauded 2024 debut 'The Future Is Our Way Out'. Recorded live at Lawrence's home studio, the eleven-song LP reveals a band profoundly transformed by their countless hours on the road and instilled with a newfound fearlessness.

‘The subject of Mazeppa has inspired Mme Clémence de Grandval to write a truly remarkable score, the success of which will cause a stir in the musical world.’ It was with these flattering words that the press greeted the premiere of the five-act opera by one of the women composers most frequently performed in late nineteenth-century France. For her career was regularly marked by flattering reviews and lasting successes, spanning all genres, from chamber music to oratorio and opera.

Following critical acclaim from The New York Times, Gramophone and BBC Music Magazine for his album Forgotten Sounds, clarinetist Graeme Steele Johnson returns to Delos with WindSync. “A major force in the American chamber music landscape,” the wind quintet has performed throughout the United States and abroad, presenting largely self-generated repertoire – commissioned by the group or arranged in-house. On this album, the musicians trace the stylistic diversity of American music back to a single source: not a founding father but a French mademoiselle, Nadia Boulanger.

In the shadows of history, the works of Mieczysław Weinberg and Erich Korngold emerge as profound testaments to the resilience of the human spirit.

This new recording brings together violinist Gil Shaham,conductor Eric Jacobsen and the Virginia Symphony Orchestra in a program exploring the violin concerto as a vehicle for cultural memory and continuity.

Born in 2016, the Sypniewski Trio brings together Magdalena, Anna and Caroline Sypniewski. For “Origines”, their first album, the three sisters return both to the birth of the string trio and to the origins of their own ensemble.

Paavo Järvi and the Tonhalle-Orchester Zürich continue their complete cycle of Mahler symphonies with the Seventh, considered one of his most complex and challenging symphonies: “The Mahler we encounter in Symphony No. 7 is more complex, darker and more philosophical than the Mahler we know from his previous works,” says Paavo Järvi.

For his third solo album for Alpha, keyboard polyglot Anthony Romaniuk returns to the piano, exploring the seven modes: derived from the major scale, the basis of ancient Greek music but nowadays endemic in folk, jazz and beyond, each one containing a world of character and mood.

The empathy between Robert and Clara Schumann, Joseph Joachim and Johannes Brahms engendered one of Romanticism’s most fruitful artistic friendships. With the aim of mining the precious jewels of that unique intimacy, three great artists have devised a programme in the form of a poetic conversation; here chamber music once more becomes shared human emotion in its purest expression.

Extra Stars is Gregory Uhlmann's solo debut on International Anthem. It's a deep and gorgeous expansion of the LA-based multi-instrumentalist producer / composer's rhythmic ambient side, as nascently explored in his much-lauded duo with Meg Duffy, his trio work with Josh Johnson and Sam Wilkes, and in the gentler moments of SML (the improvising trance-jazz unit of which he is a member).

This captivating new recording by violinist Viviane Hagner brings together two composers whose music, at first glance, seems to come from very different worlds-yet reveals striking artistic affinities. Max Bruch, a pillar of German Romanticism, and Alexandre Tansman, a cosmopolitan Polish composer who spent much of his life in France, share a gift for melody and expressive nuance.Hagner, joined by the Poznan Philharmonic Orchestra under conductor Lukasz Borowicz, offers radiant performances of Bruch's Konzertstück and the beloved Kol Nidrei, alongside Tansman's rarely heard Violin Concerto and Cinq Pièces pour violon et petit orchestre. Recorded in July 2025 at the Poznan Philharmonic Hall, the album highlights the rich cultural threads linking German and Polish musical traditions, as well as the composers' shared appreciation for their Jewish heritage.With her luminous tone and keen musical insight, Viviane Hagner brings these works to life with both emotional depth and precision. This album is an invitation to rediscover two remarkable composers-and to experience the beauty and breadth of a repertoire that deserves far wider recognition.