Darkness explores the symbolic depth of the bass and baritone voice as a vessel for humanity’s most profound questions. Across works by Schumann, Wolf, Strauss, Martin and Brahms, the album traces a wide emotional and spiritual landscape shaped by themes of death, transience, loneliness, melancholy and, ultimately, transcendence.

Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud - the hybrid sounds of the Mediterranean in the early 20th century.

'Love Or Lack Thereof', a live album of my past love and heartbreak songs, reimagined and performed as jazz / soul records. Plus a new song too.

Working together with Uzbek label Maqom Soul, we deliver an LP counterpart to Anvar Kalandarov's mixtape of the same title from early last year, compiling specially picked & fully licensed individual belters from the ex-soviet studios of Central Asian republics between 1978 and 1989.

We're delighted to announce the forthcoming release of Donizetti Songs Volume 7 on Friday 20 March.

In this fifth volume of the complete organ works of Johann Pachelbel, Matthew Owens continues his revelatory exploration of a composer who stood at the crossroads of German musical traditions.

Dreaming Out Loud is the debut studio album by American pop rock band OneRepublic. The album was released on November 20, 2007, by Interscope Records.

n Faded Sepia is the first album by the Trio Garibaldi. It brings together works by composers Lowell Liebermann, Dorothy Chang, and Stephen Chatman, not to mention an evocation of Duke Ellington through original arrangements by Yuri Kuriyama.

Shaped by years of collaboration, Buckshot Blues captures guitarist Steve Kovalcheck's trio chemistry with the famed drummer Jeff Hamilton and bassist Jon Hamar. It highlights the trio's unique blend of precision, spontaneity, and playfulness through 13 mostly original tunes. Filled with soulful grooves and expressive blues inflections, Kovalcheck's melodic clarity and improvisational storytelling shines through as he pays tribute to mentors and friends through titles such as "Donald's Juke Joint," for pianist Donald Brown, or "Bright Child," in memory of organist Akiko Tsuruga, their bandmate who was lost too soon. The result is a vibrant, heartfelt recording that celebrates the spirit of the tradition while carving out a sound that distinctly belongs to this gifted trio of friends.

The Ravel Paris 2025 album, set to be release on September 12, presents the symphonic works of the composer (1875–1937), celebrated worldwide in this anniversary year.

European Quartet: All We Need Is Love is a 2026 jazz album by tenor saxophonist Walt Weiskopf and his Danish European Quartet, featuring Carl Winther (piano), Andreas Lang (double bass), and Anders Mogensen (drums). It features original compositions like the title track, alongside standards such as "Love Letters" and "When I Fall In Love".

This recording explores the musical world of the confraternities of the laudesi — active in the Venice region around 1500 — and their rich repertoire of devotional songs in Italian. These works often celebrate the Virgin Mary and Christ’s Passion and bear witness to an aesthetic deeply rooted in popular fervour, frequently combining homophonic writing with a direct expressiveness aimed at the common folk and influenced by Franco-Flemish songs. Le Miroir de Musique take their inspiration from the musicians of the Scuole Grandi of the Venetian Renaissance and recreate a sound-world that lay at the crossroads of spirituality and nascent humanism.

The Westerlies are a NYC-based, Seattle-native brass quartet (two trumpets, two trombones) known for blending jazz, folk, chamber music, and Americana.

Tirakat brings together Jakarta-based trio Ali and Lebanese composer and multi-instrumentalist Charif Megarbane in a collaboration shaped by long-standing cultural exchange between Indonesia and the Arab world. Ali’s blend of 1970s Indonesian psychedelic funk, Melayu traditions, disco grooves and Arab melodic forms meets Charif’s long-running exploration of cross-regional sound, rooted in a shared musical vocabulary rather than genre.

The day belongs to the night. The four songs on side A came about in November 2022 for a winter solstice celebration at Oslo Badstuforening. Our take on this was that the solstice invites reflections on the relationship between night and day. Does the day spring out of the darkness of the preceding night or does the night follow and swallow the light of the day? Is it Saturday Night or Sunday Morning? Are we running from the past or catching up with the future? Moving from A to B, Lidskjalv has existed as a demo since the 90s. Many versions have been made, but this is the first proper recording of the song.