Harrington, Thornton, Adderley - Remembering Dinah - A Salute to Dinah Washington (1996/2020) [Official Digital Download]

Posted By: pyatak
Harrington, Thornton, Adderley - Remembering Dinah - A Salute to Dinah Washington (1996/2020) [Official Digital Download]

Harrington, Thornton, Adderley, Betts, Blythe, Cobb - Remembering Dinah - A Salute to Dinah Washington (1996/2020) [Official Digital Download]
FLAC (tracks) 24-bit/44.1 kHz | Front Cover | Time - 01:12:07 minutes | 741 MB
Jazz | Label: IN+OUT Records, Official Digital Download

Dinah Washington was at once one of the most beloved and controversial singers of the mid-20th century – beloved to her fans, devotees, and fellow singers; controversial to critics who still accuse her of selling out her art to commerce and bad taste. Her principal sin, apparently, was to cultivate a distinctive vocal style that was at home in all kinds of music, be it R&B, blues, jazz, middle of the road pop – and she probably would have made a fine gospel or country singer had she the time. Hers was a gritty, salty, high-pitched voice, marked by absolute clarity of diction and clipped, bluesy phrasing. Washington's personal life was turbulent, with seven marriages behind her, and her interpretations showed it, for she displayed a tough, totally unsentimental, yet still gripping hold on the universal subject of lost love. She has had a huge influence on R&B and jazz singers who have followed in her wake, notably Nancy Wilson, Esther Phillips, and Diane Schuur, and her music is abundantly available nowadays via the huge seven-volume series The Complete Dinah Washington on Mercury.

Born Ruth Lee Jones, she moved to Chicago at age three and was raised in a world of gospel, playing the piano and directing her church choir. At 15, after winning an amateur contest at the Regal Theatre, she began performing in nightclubs as a pianist and singer, opening at the Garrick Bar in 1942. Talent manager Joe Glaser heard her there and recommended her to Lionel Hampton, who asked her to join his band. Hampton says that it was he who gave Ruth Jones the name Dinah Washington, although other sources claim it was Glaser or the manager of the Garrick Bar. In any case, she stayed with Hampton from 1943 to 1946 and made her recording debut for Keynote at the end of 1943 in a blues session organized by Leonard Feather with a sextet drawn from the Hampton band. With Feather's "Evil Gal Blues" as her first hit, the records took off, and by the time she left Hampton to go solo, Washington was already an R&B headliner. Signing with the young Mercury label, Washington produced an enviable string of Top Ten hits on the R&B charts from 1948 to 1955, singing blues, standards, novelties, pop covers, even Hank Williams' "Cold, Cold Heart." She also recorded many straight jazz sessions with big bands and small combos, most memorably with Clifford Brown on Dinah Jams but also with Cannonball Adderley, Clark Terry, Ben Webster, Wynton Kelly, and the young Joe Zawinul (who was her regular accompanist for a couple of years).

In 1959, Washington made a sudden breakthrough into the mainstream pop market with "What a Diff'rence a Day Makes," a revival of a Dorsey Brothers hit set to a Latin American bolero tune. For the rest of her career, she would concentrate on singing ballads backed by lush orchestrations for Mercury and Roulette, a formula similar to that of another R&B-based singer at that time, Ray Charles, and one that drew plenty of fire from critics even though her basic vocal approach had not changed one iota. Although her later records could be as banal as any easy listening dross of the period, there are gems to be found, like Billie Holiday's "Don't Explain," which has a beautiful, bluesy Ernie Wilkins chart conducted by Quincy Jones. Struggling with a weight problem, Washington died of an accidental overdose of diet pills mixed with alcohol at the tragically early age of 39, still in peak voice, still singing the blues in an L.A. club only two weeks before the end. (Richard S. Ginell, AMG)

TRACKLIST

1. Jan Harrington - Evil Gal Blues
2. Nat Adderley - Just Friends
3. Jan Harrington - I Thought About You
4. Lilly Thornton - What a Difference a Day Made
5. Lilly Thornton - All of Me
6. Nat Adderley - If I Had You
7. Lilly Thornton - Love Walked In
8. Jan Harrington - Willow Weep for Me
9. Lilly Thornton - For All We Know
10. Keter Betts - Olé
11. Lilly Thornton - Sometimes I'm Happy
12. Lilly Thornton - Teach Me Tonight
13. Nat Adderley - Centerpiece
14. Nat Adderley - Salty Pappa Blues
15. Jan Harrington - Makin' Whoopee
16. Jan Harrington - Bye Bye Blues / Rue Chaptal

foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2020-05-23 11:51:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jan Harrington / Remembering Dinah: A Salute to Dinah Washington (1-5)
Keter Betts / Remembering Dinah: A Salute to Dinah Washington (6)
Lilly Thornton / Remembering Dinah: A Salute to Dinah Washington (7-12)
Nat Adderley / Remembering Dinah: A Salute to Dinah Washington (13-16)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR19 -1.16 dB -24.87 dB 4:39 01-Evil Gal Blues
DR16 -1.39 dB -22.14 dB 4:57 03-I Thought About You
DR17 -1.12 dB -23.60 dB 4:08 08-Willow Weep for Me
DR13 -1.05 dB -18.94 dB 4:10 15-Makin' Whoopee
DR19 -1.07 dB -23.02 dB 4:19 16-Bye Bye Blues / Rue Chaptal
DR16 -1.06 dB -24.43 dB 3:08 10-Olé
DR12 -1.15 dB -18.34 dB 3:27 04-What a Difference a Day Made
DR13 -1.07 dB -19.60 dB 2:52 05-All of Me
DR14 -1.09 dB -18.09 dB 2:26 07-Love Walked In
DR12 -1.09 dB -17.46 dB 4:36 09-For All We Know
DR14 -1.07 dB -19.18 dB 4:09 11-Sometimes I'm Happy
DR14 -1.05 dB -20.68 dB 4:30 12-Teach Me Tonight
DR20 -1.05 dB -22.72 dB 6:34 02-Just Friends
DR19 -1.19 dB -25.41 dB 7:10 06-If I Had You
DR15 -1.21 dB -18.96 dB 7:12 13-Centerpiece
DR14 -1.05 dB -19.10 dB 3:58 14-Salty Pappa Blues
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1552 kbps
Codec: FLAC
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