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Arnold Schoenberg - Uhl, BOB, Blunier - Orchesterwerke (2009) {Hybrid-SACD // ISO & HiRes FLAC}

Posted By: luckburz

Date: 27 Apr 2013 09:16:44

Arnold Schoenberg - Uhl, BOB, Blunier - Orchesterwerke (2009) {Hybrid-SACD // ISO & HiRes FLAC}

Arnold Schoenberg - Orchesterwerke
Manuela Uhl / Beethoven Orchester Bonn / Stefan Blunier
SACD ISO: 3,50 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1,01 GB | Full Artwork | 5% Rec. Info
Label/Cat#: MDG "Gold" # 937 1584-6 | Country/Year: Germany 2009
Genre: Classical | Style: Early 20th Century

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

SACD

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16908361[0x1020049]: Album Title: Schnberg: Orchesterwerke
16908361[0x1020049]: Album Artist: Manuela Uhl, BeethovenOrchesterBonn, Stefan Blunie
16908361[0x1020049]: Disc Version: 01.20
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SACD

–– 9:57:28,01 subdir "Schoenberg- M Uhl, BOB, Blunier - Orchesterwerke0". Script ver.: 2012.05.18
–- Extraction of Edit Master.dff started at 9:57:28,02
–- Extraction of Edit Master.dff finished at 10:04:15,16
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–- Ready to Convert EM to .caf with Gain={6.00}
–- "Manuela Uhl, BeethovenOrchesterBonn, Stefan Blunier - Schonberg Orchesterwerke.dff" to .caf with GAIN=6.00 started at 10:07:01,10
–- Saracon ErrorLevel:0
–- "Manuela Uhl, BeethovenOrchesterBonn, Stefan Blunier - Schonberg Orchesterwerke.dff" to .caf with GAIN=6.00 finished at 10:30:56,85
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–- Searching *.caf for the max Peak finished at 10:31:28,50
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–- Converting EM .caf to flac finished at 10:37:20,77
1 Datei(en) verschoben.
–- Writing tags started at 10:37:20,82
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–– 10:37:48,99 subdirectory processing finished

Dynamic

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2012-10-15 10:06:53

––––––––––––––––––––––––––––––––––––––––
Analyzed: Manuela Uhl, BeethovenOrchesterBonn, Stefan Blunier / Schönberg: Orchesterwerke
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -6.26 dB -29.90 dB 2:25 01-5 Orchesterstücke op. 16 - I. Vorgefühle
DR17 -18.63 dB -42.60 dB 5:09 02-5 Orchesterstücke op. 16 - II. Vergangenes
DR14 -24.56 dB -47.02 dB 3:52 03-5 Orchesterstücke op. 16 - III. Sommermorgen an einem See
DR11 -6.27 dB -30.79 dB 2:02 04-5 Orchesterstücke op. 16 - IV. Peripetie
DR14 -7.95 dB -30.46 dB 4:11 05-5 Orchesterstücke op. 16 - V. Das obligate Rezitativ
DR15 -7.48 dB -33.19 dB 4:09 06-6 Lieder op. 8 - Natur (Heinrich Hart)
DR14 -7.03 dB -26.00 dB 3:45 07-6 Lieder op. 8 - Das Wappenschild (Des Knaben Wunderhorn)
DR14 -14.71 dB -34.27 dB 1:45 08-6 Lieder op. 8 - Sehnsucht (Des Knaben Wunderhorn)
DR13 -8.12 dB -27.51 dB 4:25 09-6 Lieder op. 8 - Nie war ich, Herrin, müd' … (Petrarca)
DR13 -13.01 dB -32.38 dB 6:35 10-6 Lieder op. 8 - Voll jener Süsse … (Petrarca)
DR13 -11.00 dB -30.70 dB 5:14 11-6 Lieder op. 8 - Wenn Vöglein klagen .. (Petrarca)
DR12 -21.92 dB -39.84 dB 3:17 12-Notturno (1896) for Harp, Solo-Violin and String Orchestra in A flat major
DR15 -11.60 dB -31.67 dB 9:16 13-Prelude and Fugue BWV 552 in E flat major - Prelude. Allegro
DR17 -6.68 dB -32.28 dB 6:36 14-Prelude and Fugue BWV 552 in E flat major - Fugue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

CD Info:

Arnold Schönberg (1874-1951) - Orchesterwerke

5 Orchesterstücke op. 16
Notturno for Harp, Violin and
Strings; 6 Lieder op. 8;
Prelude and Fugue BWV 552
(Bach/Schönberg)

Manuela Uhl - Beethoven Orchester Bonn - Stefan Blunier

Label: MDG
Series: Gold
Catalog#: 937 1584-6
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: Germany
Released: 2009
Genre: Classical

Tracklist:

1 - I. Vorgefühle (5 Orchesterstücke op. 16) 2:31
2 - II. Vergangenes (5 Orchesterstücke op. 16) 5:14
3 - III. Sommermorgen an einem See (5 Orchesterstücke op. 16) 3:55
4 - IV. Peripetie (5 Orchesterstücke op. 16) 2:05
5 - V. Das obligate Rezitativ (5 Orchesterstücke op. 16) 4:27
6 - Natur (6 Lieder op.8) 4:14
7 - Das Wappenschild (6 Lieder op.8) 3:50
8 - Sehnsucht (6 Lieder op.8) 1:49
9 - Nie ward ich, Herrin, müd'… (6 Lieder op.8) 4:26
10 - Voll jener Süsse… (6 Lieder op.8) 6:42
11 - Wenn Vöglein klagen… (6 Lieder op.8) 5:24
12 - A flat major (Notturno [1896] for Harp, Solo-Violin and String Orchstra) 3:23
13 - Prelude. Allegro (Bach: Prelude and Fugue BWV 552 E flat major) 9:16
14 - Fugue (Bach: Prelude and Fugue BWV 552 E flat major) 6:36

Fascinating Format
What a program! On his first recording as the conductor of the Beethoven Orchestra of Bonn, Stefan Blunier offers us a look at four important phases in the life of the composer Arnold Schönberg. The selection ranges from the late-romantic Notturno through the Orchestral Songs op. 8 to the atonal Orchestral Pieces op. 16 and the highly romantic transcription of the Prelude and Fugue BWV 552 by Johann Sebastian Bach. Premiere Performance Schönberg’s Notturno for harp, solo violin, and string orchestra was long regarded as lost. Its existence was documented only by a newspaper notice: in its edition of 15 March 1896 the Neue musikalische Presse of Vienna reported that the “very highly appealing” composition had been premiered by the Polyhymnia amateur string orchestra of Vienna under the Schönberg pupil Alexander Zemlinsky. The work was later identified and edited on the basis of original fingerings in the violoncello part. The Beethoven Orchestra of Bonn has now recorded this work for the first time. Selective suspension. Schönberg had already left behind late-romantic harmony when he composed his Six Orchestral Songs op. 8 during 1903-05, but his first vocal compositions for a large body of instruments were not yet free of all tonality. Schönberg himself later spoke of a “state of suspense.” In his selection of poems Schönberg, like Mahler, employed texts from the anthology Des Knaben Wunderhorn. In addition, he set poems by Petrarch and Heinrich Hart – material aplenty for the young soprano Manuela Uhl, who has already earned her place in the Berlin Opera ensemble. Transcriptional Tradition Schönberg’s composition of the Five Orchestral Pieces op. 16 in 1909 documented his arrival to atonality. Schönberg explained his new manner of composition as follows in a letter to Richard Strauss: “No architecture, no structure. Merely an uninterrupted alternation of colors, rhythms, and moods.” No matter how progressive Schönberg’s pursuit of twelve-tone technique might have been, he continued to occupy himself with the
transcription of earlier music, above all that of Bach. His arrangement of the grand Prelude and Fugue in E flat major from 1929 makes for a surprise while also showing how very much this great innovator was rooted in the tradition of the nineteenth century. A fascinating program, fascinatingly presented! mdg.de

Disclaimer:

Some of the here presented SACDs had signs of wear. I cannot guarantee that all will play without any errors, because the program to rip SACDs has no error detection. It rips the disc or not, that's it. I do open the converted stereo FLAC file(s) in Adobe Audition and do a visible check for loud glitches in both spectral and wave view. Same with the MCH. But although i do my very best, it can happen that i do not see an error. Unfortunately i do not have the time and setup atm to do the required listening test every time and with all discs. So if errors appear, please mention them here. Maybe i can fix them, maybe not. Sorry about that & many thanks for your understanding.

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