Evgeny Zarafiants - Beethoven & Chopin (2017)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 105:41 minutes | Scans NOT included | 2,92 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Scans NOT included | 2,71 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Scans NOT included | 2,14 GB
Esoteric is proud to introduce a new hybrid SACD recording to celebrate the brand's 30th Anniversary
This recording of piano works is the third title from ESOTERIC label, produced by bringing together the knowhow of ESOTERIC and Octavia Records, with the goal being a high-quality DSD recording primarily targeting audiophiles. The resulting recording promises a new level of excitement by bringing to the listener not only high sound quality, but also the captivating musical power embodied in the original works themselves.
The world of Evgeny Zarafiants is one of the tremendously beautiful resonance and the highly spiritual sound that deeply touches his listeners' hearts and strikes the chord with his audience, thus adding even more to his reputation as "The Poet of the Piano".
Evgeny Zarafiants was born in 1959 in Novosibirsk, Russia, and raised by musician parents. At the age of eight, he entered the Russia's most prestigious Central Music School at the Moscow State Conservatory, where he received the elite education for musically gifted children. There he studied along with Mikhail Pletnev and Ivo Pogorelich, both of them his schoolmates. In 1975 he went on to study at the Gnessin State Musical College and later graduated with top honors from each of the following: the Orsk Music Academy, the Glinka Conservatoire and the Glinka Conservatoire Graduate School. During that time he won the prizes at numerous piano competitions including the All-Russian Piano Competition.
It was, however, in 1995 that he rose to international prominence after winning the second prize at the Pogorelich International Piano Solo Competition in Pasadena, California.
He then moved to Croatia to teach at Mirković Music Academy and the Music Academy of Zagreb and has staged numerous concerts since, mainly in Germany and Japan.
In 2004 he played Tchaikovsky's Piano Concerto No.1 with the Russian Philharmonic Orchestra, in 2005 - Beethoven's Piano Concerto No. 3 with the Prague Philharmonic Orchestra and in 2006 - Rachmaninov's Piano Concerto No. 2 with the Zagreb Philharmonic Orchestra.
In 2007 he achieved a major success by staging the recital at the Tokyo Kioi Hall celebrating his ten year anniversary in Japan and by performing throughout Japan.
Over the last few years he has also held recitals at the Tokyo Bunka Kaikan Small Hall, Kobe Asahi Hall, Oji Hall and Gotanda Music Hall, all of which have been received with a great admiration.
Tracklist:
01. Beethoven: Piano Sonata No.14 -1.Adagio sostenuto
02. Beethoven: Piano Sonata No.14 -2.Allegretto
03. Beethoven: Piano Sonata No.14 -3.Presto agitato
04. Beethoven: Piano Sonata No.26 -1.Adagio-Allegro
05. Beethoven: Piano Sonata No.26 -2.Andante espressivo
06. Beethoven: Piano Sonata No.26 -3.Vivacissimamente
07. Chopin: Ballade No.1
08. Chopin: Scherzo No.1
09. Chopin: Scherzo No.2
10. Chopin: Ballade No.1 "one point"
11. Chopin: Scherzo No.1 "one point"
Produced and Recorded by Tomoyoshi Ezaki. Executive Producer: Motoaki Ohmachi.
Recorded on January 24-25, 2017 at Inagi Municipal i Plaza, Tokyo.
Assistant Engineer: Masashi Minakawa. Mastering at EXTON Studio, Tokyo.
Piano Tuner: Osamu Adachi.
Evgeny Zarafiants - piano
The Chopin tracks were recorded using two sets of different microphones. On the back cover of the disc sleeve, there is a track list. You can choose between multiple microphone setup ("multi") and one-point microphone setup ("one point") for the two Chopin SACD layer tracks. For "multi" tracks, we set the microphone at audience listening position, and blended hall ambience recorded with another set of microphones. For "one point" tracks, we set the microphone at player's position without using ambient microphone to capture more direct sound from the piano.
Definitive sound quality sought from the DSD recording stage to the clock generator, lines, and power cables used in mastering.
The highest quality ESOTERIC products were used for the power cables and line cables used on the AD converter, the rubidium clock generator, and the hard disk drive. To reduce noise interference, devices were removed from racks and matched with compatible insulators. Our uncompromising approach was also extended to working times. Mastering was done late at night to ensure a more stable power supply.
Definitive sound quality sought from the DSD recording stage to the clock generator, lines, and power cables used in mastering.
The highest quality ESOTERIC products were used for the power cables and line cables used on the AD converter, the rubidium clock generator, and the hard disk drive. To reduce noise interference, devices were removed from racks and matched with compatible insulators. Our uncompromising approach was also extended to working times. Mastering was done late at night to ensure a more stable power supply.
foobar2000 2.1 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: Evgeny Zarafiants(piano) / Beethoven&Chopin
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -12.90 dB -28.47 dB 7:51 01-Beethoven:Piano Sonata No.14 -1.Adagio sostenuto
DR14 -10.01 dB -26.52 dB 3:11 02-Beethoven:Piano Sonata No.14 -2.Allegretto
DR13 -5.20 dB -21.00 dB 8:19 03-Beethoven:Piano Sonata No.14 -3.Presto agitato
DR15 -5.94 dB -25.05 dB 8:26 04-Beethoven:Piano Sonata No.26 -1.Adagio-Allegro
DR15 -7.89 dB -26.52 dB 4:51 05-Beethoven:Piano Sonata No.26 -2.Andante espressivo
DR12 -5.99 dB -21.98 dB 6:33 06-Beethoven:Piano Sonata No.26 -3.Vivacissimamente
DR13 -5.28 dB -22.30 dB 12:29 07-Chopin:Ballade No.1
DR13 -5.39 dB -22.52 dB 13:57 08-Chopin:Scherzo No.1
DR13 -5.28 dB -22.41 dB 13:40 09-Chopin:Scherzo No.2
DR13 -5.30 dB -22.41 dB 12:29 10-Chopin:Ballade No.1 "one point"
DR13 -5.30 dB -22.58 dB 13:57 11-Chopin:Scherzo No.1 "one point"
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
––––––––––––––––––––––––––––––––––––––––
Analyzed: Evgeny Zarafiants(piano) / Beethoven&Chopin
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -12.90 dB -28.47 dB 7:51 01-Beethoven:Piano Sonata No.14 -1.Adagio sostenuto
DR14 -10.01 dB -26.52 dB 3:11 02-Beethoven:Piano Sonata No.14 -2.Allegretto
DR13 -5.20 dB -21.00 dB 8:19 03-Beethoven:Piano Sonata No.14 -3.Presto agitato
DR15 -5.94 dB -25.05 dB 8:26 04-Beethoven:Piano Sonata No.26 -1.Adagio-Allegro
DR15 -7.89 dB -26.52 dB 4:51 05-Beethoven:Piano Sonata No.26 -2.Andante espressivo
DR12 -5.99 dB -21.98 dB 6:33 06-Beethoven:Piano Sonata No.26 -3.Vivacissimamente
DR13 -5.28 dB -22.30 dB 12:29 07-Chopin:Ballade No.1
DR13 -5.39 dB -22.52 dB 13:57 08-Chopin:Scherzo No.1
DR13 -5.28 dB -22.41 dB 13:40 09-Chopin:Scherzo No.2
DR13 -5.30 dB -22.41 dB 12:29 10-Chopin:Ballade No.1 "one point"
DR13 -5.30 dB -22.58 dB 13:57 11-Chopin:Scherzo No.1 "one point"
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
Thanks to the Original ripper!
Uncompressed SACD ISO size > 4,25 GB
>