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Margret Koll - Silent Dance (2022) [Official Digital Download]

Posted By: ciklon5
Margret Koll - Silent Dance (2022) [Official Digital Download]

Margret Koll - Silent Dance (2022) [Official Digital Download]
FLAC (tracks), Lossless [24bit-96kHz] | 56:09 | 1,08 Gb
Genre: Classical / Label: Accent

Since 2020, Margret Koell, a proven specialist in historical harps, has been in possession of a Welsh triple harp. It is a copy of an instrument by the famous harp maker Evans, whose original from 1736 is kept in the Victoria and Albert Museum in London.This wonderful harp was the occasion for the present recording with works by the two famous British composers John Dowland and Henry Purcell. Despite the long harp tradition on the British Isles, there is no original literature for the harp from this period. Margret Koell had to resort to literature for lute or keyboard instruments, which she makes sound on the harp without major changes.

Accentus, Christophe Grapperon & Eloïse Bella Kohn - Saint-Saëns - Hahn: À la lumière (2022) [Official Digital Download]

Posted By: delpotro
Accentus, Christophe Grapperon & Eloïse Bella Kohn - Saint-Saëns - Hahn: À la lumière (2022) [Official Digital Download]

Accentus, Christophe Grapperon & Eloïse Bella Kohn - Saint-Saëns - Hahn: À la lumière (2022)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 53:21 minutes | 475 MB
Classical, Choral | Label: Alpha Classics, Official Digital Download

Ever since its creation more than twenty-five years ago, the Accentus chamber choir has ardently championed the a cappella repertory: under its conductor and founder Laurence Equilbey, it has produced an impressive discography that sets the benchmark in this music. For this new recording, the first for Alpha, she hands over direction of the ensemble to Christophe Grapperon, its associate conductor since 2013: ‘It can never be said often enough: the a cappella repertory is a Holy Grail of vocal music! It is a sensory experience directly accessible to everyone, but demanding and often atypical for the listener.'