Clark drops his original score for Australian arthouse zombie film 'We Bury the Dead'. Directed by Zak Hilditch and now screening in the USA.

Chris Clark is an English electronic musician, performing under the mononym Clark. He is currently signed to Warp Records. "Deak Peak" features vocal/choral recordings. The daring, innovative breadth of his artistic imagination is given full licence in the sense of expansive space each track so effortlessly conjures, no doubt helped by his previous soundtrack work and sounding more euphoric than he has in a long time.

Clark chases up his excellent 2012 LP "Iradelphic" with a new self-titled full length, his seventh LP for Warp. Building on the techno/rave directions of his immersive Phosphor live show and his recent "Superscope" 12”, Clark utilises sound as a structure to create towering sensory spaces that are rich in heady melodies. The theatrical release features ‘Winter Linn’ early on, spreading out a snail-speed frazzled chug that grows and consumes all in its path, whereas ‘Unfurla’ juxtaposes hulking drum kicks against sickly sweet melodic keys. Similarly dramatic is ‘The Grit In The Pearl’ which retains all Clark’s trademark meticulous touches whilst injecting a slick drum jack to create a intoxicating big room favourite.

A surprise winter companion piece to Sus Dog and an album of two halves - one beat driven and stripped, and one more spacious, dreamy and intimate. Whilst Chris impatiently waited for Sus Dog's release, he wanted to do something novel to promote the record. He started making new, related music for some video vignettes. Thus avoiding having to post selfies whilst still feeling like a legitimate human being. These short clips turned into a bit of an obsessive mission, and Cave Dog was born.

Executive produced by Thom Yorke, Chris Clark’s latest album is warm and gratifying, offering the veteran electronic musician’s fragile falsetto as a graceful counterpoint to his intricate production.

An anthology set featuring a remastered edition of the 2006 Body Riddle on the first disc, with a specially compiled collection of new material, unheard archive tracks and sought after fan rarities on the second disc.

With the remastered edition of Clark’s seminal 3rd album Body Riddle comes a compilation gathering rare and unreleased material from an incredibly fruitful period of his career. Featuring tracks from his 2006 EP Throttle Furniture, as well as several throttleclark com releases and songs resurfaced from the archives, 05-10 adds another angle to the story of what is considered one of the highlights in Clark’s discography.

Clark’s soundtrack for Adam Egypt Mortimer’s psychological horror thriller Daniel Isn’t Real is a darkly euphoric dreamscape that evokes both rapture and dread. The Brighton-based British musician’s mutated orchestra score, released by Deutsche Grammophon, plays its part in telling the tale of the mayhem unleashed after college freshman Luke is taken captive by his charismatic imaginary childhood friend, the increasingly malevolent Daniel.