Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Released in conjunction with an NBC-TV special, 2016's effusively delivered concert album Tony Bennett Celebrates 90 finds vocalist Tony Bennett marking his 90th birthday with an all-star concert at Radio City Music Hall in New York City. A lavish event, the concert showcased Bennett performing a handful of his most famous songs, with the legendary singer joined by a bevy of musical guests including Andrea Bocelli, Michael Bublé, Lady Gaga, k.d. lang, Kevin Spacey, Stevie Wonder, and many others.

It might seem like an unusual move, a double live album. Especially within the scene we are from but the live album was once a staple of most bands career and something we all grew up with in our collection. Pouring over tour dates, gear information and killer live pics. Ok so it's not 'Live After Death' but you can see the attraction and taste the romance involved, right? Fact is though we hadn't planned it, it was basically a happy coincidence, the good people at Bang Your head who took such a risk booking us the first time on a more traditional old school rock festival had us back for the fourth time, gave us a proper headlining set length and happened to mention afterwards that they had a mobile recording device rigged up and ready to go.

[From this exceptional event, of enormous historical and performative proportions, the documentary film "Paolo Conte alla Scala, The Maestro is in the soul" was born.
The historic concert is both its predominant fulcrum and a pretext to enter the soul of the Maestro, observe him behind the scenes and during rehearsals, and question him in his relationship with music and musicians, with words and his passions. The voice of today's Maestro then mixes with that of the young Paolo Conte, through repertoire images from the family archive that tell "under the stars of jazz, how much night has passed".