Wojciech Blazejczyks music feeds on scientific theories, internet streams and civilization waves or scrap; it sometimes looks like a nerds diary. Full of different colours and fonts, notes, charts, exclamations and underlined words. This diary is the composers reaction to what surrounds him every day.

Aleksandra Gryka is undoubtedly one of the most enigmatic and fascinating figures of the young generation of Polish composers. She does not comment on her works, does not give interviews, and does not provide critics with an insight into her scores (which even causes the occasional international scandal).

Hans Winterberg grew up in Prague where he was one of a whole cadre of composers in the new Czech musical tradition. He is one of the few Jewish composers who survived the terror of World War II. His tale of survival is complicated and involved him, as a Czech Jew, having to seek refuge in post-war Germany, whereas contemporaries and colleagues like Viktor Ullmann, Erwin Schulhoff, and Hans Krása died in the concentration camps. He saw his music as “a bridge” between the Slavic East and the West and admitted at one point that his musical starting point was Schoenberg.