"Black Byrd" is the pivotal 1973 masterpiece by jazz legend Donald Byrd. This monumental album presented Byrd’s acclaimed brand of fusion. Black Byrd is one of Blue Note’s bestselling albums of all time and highlights Byrd’s undeniable knack for sound. It reached #1 on Billboard’s Top Jazz Albums and #2 on Billboard’s Top R&B Albums. It features the thrilling self-titled single, which reached the Top Twenty on Billboard’s Top R&B Singles.

John Robert Smith, also known as Johnny "Hammond" Smith, was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning "Hammond" as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith.

A landmark album by Donald Byrd - the first one where he really started to click with jazz-funk producer Larry Mizell! Mizell and Byrd had worked together previously on the Black Byrd album - a soaring bit of futuristic jazz funk that took Byrd's career to a whole new level – but this album's the one where they really began to make the formula cook, blending together tight funky rhythms, spacey keyboards, soulful vocals, and some of Donald's best solo work of the 70s! The whole thing's a masterpiece, and all tracks sparkle – including "Lansana's Priestess", "Witch Hunt", and "Street Lady", one of the funkiest tracks ever on Blue Note. A haunting record with a beautiful spacey groove, and one of the best-ever albums on Blue Note!