Classy debut album of horizon-scanning but intimate chamber compositions by Elori Saxl, seamlessly weaving a range of classical orchestration with field recordings and electronics.

Albert Alan Owen was born in Wales in 1948 to Welsh and Latvian parents. His family subsequently emigrated to Zimbabwe, where his father worked as a teacher. Here, he grew up profoundly influenced by the local music and culture, as well as American RnB and jazz. It was also during this time that Owen became aware of the violent inequalities of British colonial rule, forging a lifelong commitment to socialism and a hatred of racism.

Notes by Mr Dorgon: How does it feel? This collection of Intuitive, Counter-Intuitive + Non-Intuitive compositions as realized by Jamie Saft is the first time a performer other than myself has grappled with my work at length in a solo setting.

‘The Letdown’ from multi-instrumentalist William Ryan Fritch kicks off Lost Tribe Sound’s new label series “Built Upon A Fearful Void.” The series introduces fifteen new albums to the label’s roster over the next year, five of which will come courtesy of Fritch, including a new release as his alter ego, Vieo Abiungo.

FLOAT proudly welcomes their second artist into the fold. UK electronic artist and Szun Waves band member Luke Abbott, presents a special 10-track album to celebrate Piano Day 2019 – an international event series initiated by Nils Frahm which acts as a platform for piano-related projects.

Equipped with a variety of trumpets, a ridiculous array of percussion instruments, and far too many electronics, Wim Van Hasselt and Koen Plaetinck combine to create an entirely new musical space. Presenting brand-new commissions as well as arrangements, they stretch the boundaries of classical music into a unique world of sounds and visuals, infused with traditional music, electro-underground, improvisation and – above all – their own vivid personalities. What if dreaming became reality? The imaginary tangible? When living a fairy-tale the fantastic is the concrete…

The first cooperation album of the Italian composer, arranger, producer and guitarist Eraldo Bernocchi with the Berlin-based Japanese violinist, composer, electronic producer and TANGERINE DREAM member Hoshiko Yamane.

4 pieces from a live performance in September 2020 at the Jewish Museum in Šabac, and a binaural piece based on harp sounds.

Solidum, is an album of unexpected stillness and negative space from William Ryan Fritch, a composer most known for his lush, dense arrangements that teem with a raw kinetic sense of energy.

Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

A legendary artist at a legendary location: Tripping with Nils Frahm captures one of the world’s most sought-after live acts performing at one of Berlin’s most iconic buildings.

haruka nakamura’s new solo album entitled “still life” released on 24th April 2020. 10 years passed since he released his important solo album “Twilight” in 2010. This album is also his first PIANO SOLO album.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

In a Word, the sixteenth installment of the intergenerational collaboration series FRKWYS, brings together postminimalist composer Daniel Lentz with vocalist and sound artist Ian William Craig for an album that embraces erosion and the fertility of the loam left behind. A document of shared transformation, Lentz’s elegant piano figures and Craig’s trembling tenor are wilted, warbled, and looped through manipulated tape machines in a real time composition that evokes a strange warmth and layered beauty.

Athens Of The North team were stunned by the luminous beauty and creativity at play in this work. Falling between genres and time, it stands next to 60s British Jazz, effortlessly blending notes of Library and soundtracks with dashes of British Folk.