The soundtrack for the film “Kaibutsu” (Monster), with music by Ryuichi Sakamoto, will be released on May 31. The film “Kaibutsu” will be released on June 2 and is directed by Hirokazu Kore-eda and written by Yuji Sakamoto. The cast includes Sakura Ando, Eita Nagayama, Souya Kurokawa, Hinata Hiiragi, Mitsuki Takahata, Akihiro Kakuta, Shido Nakamura, and Yuko Tanaka. The album contains seven songs, including “20220207” and “20220302” from Ryuichi Sakamoto’s first original album in six years, “12,” as well as two songs newly written for the film.

Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshiyuki Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto’s first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto’s early development as a composer and performer, capturing a period when he was experimenting with ambient soundscapes and textured improvisation. This edition features original artwork, audio remastered by Heba Kadry and new liner notes by Andy Beta.

The first soundtrack album LP of "Tony Takitani", a film adaptation of Haruki Murakami's short story released in 2005 and directed by Jun Ichikawa! A serene and beautiful world is constructed only with piano performances, including "Solitude," which is often performed at concerts.

First collaborative album for 13 years from veteran female singer/songwriter Taeko Onuki and Ryuchi Sakamoto. In the early 1970s Onuki was a member of Sugar Babe along with Tatsuro Yamashita, during which time she first met and performed with Sakamoto. Simple album of Onuki's voice accompanied by Sakamoto's piano. Most compositions written by Sakamoto. Undertook a Japan tour in November/December 2010.

Original sountrack of the movie "Merry Christmas Mr. Lawrence" is now remastered and announced to be released as an 30th anniversary of the first publication. This first edition is limited, which includes various of unreleased versions.

Ryuichi Sakamoto's death in March, 2023 at age 71, left a gaping hole for anyone touched by his legendary compositions—a long list of people. Sakamoto initially rose to fame as a member of the much loved and pioneering Yellow Magic Orchestra, influencing virtually all genres with an electronic element, from synth pop to house to hip-hop and beyond. After YMO's hiatus in 1984, Sakamoto's focus shifted to his solo career and composing scores. He created a string of film scores for renowned directors such as Bernardo Bertolucci, Brian DePalma, Takashi Miike, Alejandro G. Iñárritu, and others, all while composing music for video games, working on collaborative albums, and even writing a song for the 1992 Barcelona Olympics.

"/04" was released in 2004. "/05" was released in 2005. These two works have been re-released as a 2-CD set with the latest remastering. This is a self-cover album that features a number of Ryuichi Sakamoto classics, including movie theme songs, commercial songs, solo works, and YMO songs, performed mainly on the piano. It can truly be called Ryuichi Sakamoto's best album performed on the piano!

Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. The album was an early example of synth-pop, a genre that the band helped pioneer. It contributed to the development of electro, hip hop, techno, and bleep techno. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds, and its sampling of video game sounds.

Ryuichi Sakamoto is a Japanese musician, composer, arranger, record producer, writer, singer, pianist, actor, and activist, based in Tokyo and New York. He began his career in the 1970s, first gaining major success in 1978 as a member of electronic music group Yellow Magic Orchestra (YMO). He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives. The album is named after Henri Michaux’s description of the feel of using mescaline in Misérable Miracle. It was recorded in about 500 hours, and Sakamoto would spend whole days without sleeping working on it.

Technodelic is the fifth studio album by Yellow Magic Orchestra. The album is notable for its experimental and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist sound compared to their previous work. It is considered the first released album to feature mostly samples and loops, influencing the heavy use of sampling and looping in popular music. Yellow Magic Orchestra's approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology.

Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Solid State Survivor was never released in the United States, but many of the songs from this album were compiled for release in the States as the US pressing of ×∞Multiplies (1980). The album was an early example of synthpop, a genre that the band helped pioneer alongside their earlier album Yellow Magic Orchestra, and it also contributed to the development of techno. Solid State Survivor won the Best Album Award at the 22nd Japan Record Awards, and it sold two million records. Several songs from the album have continued to be widely covered and sampled.

Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. The album was first released in Japan in 1978. It was released in the US on 30 May 1979 by A&M Records on the Horizon label with a new mix by Al Schmitt, new cover art and a slightly different track listing.

Initially released in 2006, Revep is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series. Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.

After Service is the second live album by Yellow Magic Orchestra, directly following their (at the time) final studio album, Service. The album features former ABC member David Palmer on additional drums. A film version was released alongside the album. After Service features "Kageki na Shukujo" (過激な淑女 "Radical Lady"), which was released in a studio version as a single, but does not feature on any of their albums (compilations excepted).

Service was the seventh and, at the time, final studio album by Yellow Magic Orchestra. The band dissolved the following year after a world tour, but would later reform in 1993 for a one-off reunion album, Technodon. Like ×∞Multiplies, it contains a mixture of YMO songs and comedy sketches performed by Super Eccentric Theater, or S.E.T. The first Dutch/German edition of the album omitted the sketches, effectively cutting the album's length in half.