On April 20 2018, Universal Music released a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.The Who were in New York and nearing the end of a gruelling tour on April 4, 1968, the day that Dr Martin Luther King was assassinated. America was already a country divided; Anti-Vietnam demonstrations, civil rights disturbances and militant student activism. With this turmoil as a backdrop on Friday and Saturday, April 5 and 6, 1968 The Who performed two incendiary live sets at Bill Graham’s legendary Fillmore East on the lower East Side of Manhattan.

Live at the Eden Project is a live album by The Who released on May 29, 2026. It captures their landmark July 2023 performance at Cornwall's iconic Eden Project venue, where Pete Townshend and Roger Daltrey were joined by the Heart of England Philharmonic Orchestra.

The set list on this amazing show features both classic tracks and rarely performed songs and includes: ‘Pinball Wizard’, ‘Won’t Get Fooled Again’, ‘My Generation’, ‘Substitute’, ‘Who Are You’, ‘I Can’t Explain’, ‘See Me Feel Me’, ‘Baba O’Riley’ and many more.

With 35,000 in attendance, on September 18, 1971 The Who headlined Goodbye Summer: A Rock Concert in aid of Famine Relief for the People of Bangladesh at The Oval cricket ground in Kennington, south London. Newly mixed from the original 8-track analog multi-track tapes, this concert shows The Who continuing their dominance as the top live rock band of the era. The outstanding performance culminates in Pete Townshend and Keith Moon destroying their equipment in a grand finale.

Which brings us to the second-to-last night of this tour, when the band took to the stage of the Spectrum in Philadelphia before a sold-out house. Excerpts of this show, recorded for broadcast by the King Biscuit Flower Hour, have been the primary source of high quality recordings from this tour. The KBFH recordings from this night and the final tour stop in Largo, Maryland, have also been the source of collector confusion and the subject of debate for nearly 35 years. Ubiquitously bootlegged ever since the initial broadcasts in 1974, only those excerpts of this night’s recordings have ever circulated. Here for the first time ever is the vast majority of The Spectrum performance, from the original King Biscuit masters and sounding sonically superior to all other versions of this material in existence. Not only does this include all but one of the songs from this legendary night, but the final reel included the entirety of the encore, previously unknown to have been recorded.

The blu-ray was previously only available as part of the excellent, but expensive, super deluxe edition of Who's Next, which was released just over a year ago. It features Steven Wilson remixes of Who's Next and 14 bonus tracks. Those bonus tracks are of the highest quality and include unedited versions of singles such as 'The Seeker', 'Let's See Action' and 'Join Together' Wilson has created Dolby Atmos Mixes, dedicated 5.1 mixes and new stereo mixes of all 23 tracks on the blu-ray with the exception of 'Bargain' for which the multi-tracks unfortunately could not be found (a Penteo 'upmix' was created for that track for the spatial/surround mixes). The SDE blu-ray exclusively features Steven Wilson instrumental mixes of the album and all the bonus tracks (except 'Bargain' for the reasons stated above). These instrumentals do not features on the blu-ray in the box set.

Quadrophenia is the sixth studio album by the English rock band The Who, released as a double album in October 1973 by Track Records. It is the group's second rock opera. Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely composed by Pete Townshend. This Japanese SHM-SACD reissue uses the 2012 DSD master based on UK original analog tape.

This compilation, in celebration of the 50th anniversary of the Monterey International Pop Festival, contains previously unreleased recordings from The Grateful Dead and Laura Nyro, as well as iconic performances from the likes of Jimi Hendrix, Otis Redding, The Who and Jefferson Airplane. As the key event leading up to the Summer of Love in 1967, the Monterey International Pop Festival jumpstarted the musical culture of the 60s and 70s and continues to shape the global concert industry of today.

The Singles is a compilation of singles by The Who that was originally released by Polydor in November 1984. It was not released in the United States or Canada. This Japanese reissue expanded to 26 tracks total.

Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned "My Wife".

"Who's Next" is British rock band The Who's fifth studio album, originally released in 1971. The record hit number 1 on the UK Top 40 Albums and peaked at number 4 on the US Billboard 200 chart in 1971. The record produced hit songs "Won't Get Fooled Again", "Behind Blue Eyes" and "Baby O'Riley". Who's Next originated from songwriter Pete Townshend's multi-media rock opera "Lifehouse". The first disc of the Deluxe Edition contains the nine tracks from the original album containing the original mix, followed by six outtakes, of which "Getting in Tune" and "Won't Get Fooled Again" were previously unreleased. Each of the six outtakes was recorded during the Record Plant sessions in March 1971 before work restarted in the UK. The tracks on the second disc were recorded live on 26 April 1971 at the Young Vic Theatre, London.

Recognized as the first rock opera, The Who’s "Tommy" set a new standard for the concept album in rock. About a deaf, dumb and blind pinball master, the double album (which featured the monster hit "Pinball Wizard") shot The Who to superstardom. As well as being hugely successful, the album also established the band as one of the most ambitious and innovative groups of the 1960s and 70s. This hi-res release adds a new dimension to the rock masterpiece, making for an essential re-experience.

A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider,” “Don’t Look Away” and has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

The Who's seventh studio album, "The Who By Numbers", was originally released in 1975 and quickly received international acclaim. The album peaked at number 7 on the UK charts and made it to number 8 on the U.S. Billboard 200 album chart. The Who By Numbers features titles "Slip Kid", "Dreaming from the Waist" and hit single "Squeeze Box" that made it to number 16 on the U.S. Billboard Pop Singles and 10 on the UK Singles Chart.

The legendary debut album by one of rock’s greatest bands is finally remixed, expanded and seriously updated. Released as "The Who Sings My Generation" in the U.S. with one track change months after being issued in the U.K. as simply "My Generation", this classic album has never been previously released in real stereo anywhere and has never been remastered from the original masters. With the release of this special Deluxe Edition, these problems are resolved, and the package has now been expanded from its original twelve tracks to 30. There are 6 previously unreleased tracks, and the album’s minimal graphics have been expanded exponentially and include three sets of liner notes.