Beyond The Notes is a studio album by former Deep Purple keyboard player Jon Lord, released in 2004. It features guest appearances from Frida Lyngstad, Sam Brown (singer), Miller Anderson, Thys van Leer, Pete York, and Trondheim Soloists.

Acquiring life skills during a challenging, fragile phase of life learning to belong, to feel seen and included, learning to build friendships all of this lies at the core of the Nidaros Cathedral Girls' Choir's mission. The Requiem in Andrew Smith's version, commissioned by the choir, is loosely based on the Roman Catholic mass for the dead. Several of the texts of the traditional Requiem Mass have been replaced, however, with biblical references to the tragic fate of children, reflecting the all-too-frequent conflicts of today in which the young are innocent victims. The musical material in the Requiem takes its inspiration from Gregorian chant. Melodic fragments of the ancient Requiem mass can be heard in the background. These works add dimensions of faith, hope and love. And light too, when all seems dark. In life there are moments to treasure, and challenges to overcome.

The spirit of adventure, braggadocio and tall stories… for her second album on the Berlin Classics label, the Norwegian violinist and Hardanger fiddler Ragnhild Hemsing has chosen to focus on one of Norway’s best known and most legendary characters: Peer Gynt. Although her solo instruments are not part of the original orchestra formation, she chose various sections of the incidental music to the stage play of Peer Gynt op. 23 and had them arranged for her Hardanger fiddle and the violin with string orchestra accompaniment – thereby creating a link to the traditional story of Peer Gynt in the context of Norwegian folk music.