Matthew Mills - Bagatelles: Piano music by Bernard Hughes (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 70:50 minutes | 974 MB
Classical | Label: Divine Art Records, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 70:50 minutes | 974 MB
Classical | Label: Divine Art Records, Official Digital Download
Experience the complete works of composer Bernard Hughes for solo piano in this exceptional collaboration with pianist Matthew Mills. This eclectic collection covers over 25 years of music, featuring a range of styles and moods that are sure to captivate. From the oldest piece dating back to Hughes’ student years at Oxford to a brand new suite transforming Baroque dance forms into something surprising and new, this album is a masterpiece of composition and performance. With pieces ranging from the large-scale Strettos and Striations to little occasional pieces written for the composer’s children, there is something for everyone on this album.
What truly makes this album special is the collaboration between Hughes and Mills. The two musicians have been working together for many years, resulting in a deep understanding of each other’s artistic vision and an unparalleled ability to bring Hughes’ compositions to life on the piano. Mills himself is an accomplished composer, founder and owner of publishing company Wild Woods Music, whilst Hughes was appointed Composer-in-Residence at St. Paul’s Girls’ School after receiving his Ph.D in composition from Royal Holloway College.
Hughes’ music has been widely performed and broadcast on BBC Radio 3 and across Europe. A recent commission, Birdchant, was chosen to receive its premiere by the BBC Singers at the 2021 Proms. He has composed operas, choral and vocal works, as well as piano music, to great acclaim.
Tracklist:
01. Song of the Walnut
02. Partita Contrafacta: I. Boogie-Woogie instead of a Prelude (after L. Couperin)
03. Partita Contrafacta: II. Tango instead of an Allemande (after J.S. Bach)
04. Partita Contrafacta: III. Landler instead of a Courante (after H. Purcell)
05. Partita Contrafacta: IV. Bolero instead of a Sarabande (after E. Jacquet de la Guerre)
06. Partita Contrafacta: V. Halling instead of a Gavotte (after J-P Rameau)
07. Partita Contrafacta: VI. Mazurka instead of a Minuet (after G.F. Handel)
08. Partita Contrafacta: VII. Tarantella instead of a Gigue (After F. Couperin)
09. Song of the Button
10. Bagatelles: I. Study for dexterity in alternating between the hands
11. Bagatelles: II.
12. Bagatelles: III.
13. Bagatelles: IV. Footprints
14. Bagatelles: V. Study for accuracy in the playing of double octaves
15. Bagatelles: VI. If Eros laughs
16. Bagatelles: VII. Bog-Face
17. Bagatelles: VIII. 26th April 1827, morning
18. Bagatelles: IX. Study for evenness in executing scale passages
19. Bagatelles: X. Grazioso
20. Bagatelles: XI.
21. Bagatelles: XII. Nocturne
22. Miniatures: I. Melody
23. Miniatures: II. Danny’s Dance
24. Miniatures: III. Simple Canon
25. Miniatures: IV. Walse
26. Miniatures: V. Dialogue
27. Miniatures: VI. Tuesday’s Tune
28. Miniatures: VII. Cat’s Cradle
29. Miniatures: VIII. Bist du
30. Miniatures: IX. Molly’s Tune
31. Miniatures: X. Fughetta
32. Miniatures: XI. Anacharsis Cloots
33. Three Studies: I. Count me out
34. Three Studies: II. The Cornice Fish Passacaglia
35. Three Studies: III. False Alarm
36. O du Liebe meiner Liebe
37. Strettos and Striations
38. Cradle Song
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2023-06-09 20:01:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Matthew Mills / Bagatelles - Piano music by Bernard Hughes
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -11.01 dB -28.00 dB 1:31 01-Song of the Walnut
DR13 -4.65 dB -23.79 dB 4:00 02-I. Boogie-Woogie instead of a Prelude (after L. Couperin)
DR13 -3.58 dB -22.10 dB 2:07 03-Partita Contrafacta: II. Tango instead of an Allemande (after J.S. Bach)
DR12 -1.23 dB -23.46 dB 2:37 04-Partita Contrafacta: III. Landler instead of a Courante (after H. Purcell)
DR14 -12.57 dB -36.22 dB 1:51 05-Partita Contrafacta: IV. Bolero instead of a Sarabande (after E. Jacquet de la Guerre)
DR11 -4.69 dB -19.59 dB 1:39 06-Partita Contrafacta: V. Halling instead of a Gavotte (after J-P Rameau)
DR12 -5.78 dB -21.55 dB 2:06 07-Partita Contrafacta: VI. Mazurka instead of a Minuet (after G.F. Handel)
DR11 -7.41 dB -21.76 dB 1:57 08-Partita Contrafacta: VII. Tarantella instead of a Gigue (After F. Couperin)
DR13 -5.50 dB -26.03 dB 1:49 09-Song of the Button
DR12 -5.36 dB -19.54 dB 1:30 10-I. Study for dexterity in alternating between the hands
DR16 -19.76 dB -43.65 dB 0:42 11-II.
DR14 -1.27 dB -19.57 dB 1:27 12-III.
DR15 -7.36 dB -27.34 dB 1:41 13-IV. Footprints
DR14 -1.10 dB -19.59 dB 0:56 14-V. Study for accuracy in the playing of double octaves
DR12 -10.39 dB -27.95 dB 1:13 15-VI. If Eros laughs
DR13 -16.45 dB -39.08 dB 1:40 16-VII. Bog-Face
DR11 -6.83 dB -26.24 dB 1:17 17-VIII. 26th April 1827, morning
DR11 -8.25 dB -24.09 dB 0:59 18-IX. Study for evenness in executing scale passages
DR14 -9.59 dB -28.84 dB 1:09 19-X. Grazioso
DR15 -1.70 dB -22.21 dB 1:48 20-XI.
DR10 -6.59 dB -27.18 dB 0:40 21-XII. Nocturne
DR11 -12.69 dB -29.45 dB 0:35 22-Miniatures: I. Melody
DR13 -11.95 dB -30.39 dB 0:48 23-Miniatures: II. Danny’s Dance
DR9 -11.25 dB -28.47 dB 0:39 24-Miniatures: III. Simple Canon
DR11 -3.00 dB -25.01 dB 0:39 25-Miniatures: IV. Walse
DR12 -10.97 dB -29.22 dB 0:57 26-Miniatures: V. Dialogue
DR10 -14.25 dB -29.32 dB 0:28 27-Miniatures: VI. Tuesday’s Tune
DR11 -9.68 dB -25.15 dB 0:34 28-Miniatures: VII. Cat’s Cradle
DR15 -17.48 dB -40.90 dB 2:41 29-Miniatures: VIII. Bist du
DR12 -3.61 dB -22.49 dB 0:35 30-Miniatures: IX. Molly’s Tune
DR12 -7.80 dB -26.70 dB 1:42 31-Miniatures: X. Fughetta
DR13 -5.82 dB -24.13 dB 1:40 32-Miniatures: XI. Anacharsis Cloots
DR14 -2.41 dB -22.47 dB 2:44 33-Three Studies: I. Count me out
DR15 -4.58 dB -24.77 dB 2:54 34-Three Studies: II. The Cornice Fish Passacaglia
DR13 -3.57 dB -22.37 dB 2:38 35-Three Studies: III. False Alarm
DR17 -1.60 dB -26.37 dB 5:51 36-O du Liebe meiner Liebe
DR15 -1.61 dB -21.34 dB 9:37 37-Strettos and Striations
DR14 -7.76 dB -30.40 dB 1:13 38-Cradle Song
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 38
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1837 kbps
Codec: FLAC
================================================================================
log date: 2023-06-09 20:01:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Matthew Mills / Bagatelles - Piano music by Bernard Hughes
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -11.01 dB -28.00 dB 1:31 01-Song of the Walnut
DR13 -4.65 dB -23.79 dB 4:00 02-I. Boogie-Woogie instead of a Prelude (after L. Couperin)
DR13 -3.58 dB -22.10 dB 2:07 03-Partita Contrafacta: II. Tango instead of an Allemande (after J.S. Bach)
DR12 -1.23 dB -23.46 dB 2:37 04-Partita Contrafacta: III. Landler instead of a Courante (after H. Purcell)
DR14 -12.57 dB -36.22 dB 1:51 05-Partita Contrafacta: IV. Bolero instead of a Sarabande (after E. Jacquet de la Guerre)
DR11 -4.69 dB -19.59 dB 1:39 06-Partita Contrafacta: V. Halling instead of a Gavotte (after J-P Rameau)
DR12 -5.78 dB -21.55 dB 2:06 07-Partita Contrafacta: VI. Mazurka instead of a Minuet (after G.F. Handel)
DR11 -7.41 dB -21.76 dB 1:57 08-Partita Contrafacta: VII. Tarantella instead of a Gigue (After F. Couperin)
DR13 -5.50 dB -26.03 dB 1:49 09-Song of the Button
DR12 -5.36 dB -19.54 dB 1:30 10-I. Study for dexterity in alternating between the hands
DR16 -19.76 dB -43.65 dB 0:42 11-II.
DR14 -1.27 dB -19.57 dB 1:27 12-III.
DR15 -7.36 dB -27.34 dB 1:41 13-IV. Footprints
DR14 -1.10 dB -19.59 dB 0:56 14-V. Study for accuracy in the playing of double octaves
DR12 -10.39 dB -27.95 dB 1:13 15-VI. If Eros laughs
DR13 -16.45 dB -39.08 dB 1:40 16-VII. Bog-Face
DR11 -6.83 dB -26.24 dB 1:17 17-VIII. 26th April 1827, morning
DR11 -8.25 dB -24.09 dB 0:59 18-IX. Study for evenness in executing scale passages
DR14 -9.59 dB -28.84 dB 1:09 19-X. Grazioso
DR15 -1.70 dB -22.21 dB 1:48 20-XI.
DR10 -6.59 dB -27.18 dB 0:40 21-XII. Nocturne
DR11 -12.69 dB -29.45 dB 0:35 22-Miniatures: I. Melody
DR13 -11.95 dB -30.39 dB 0:48 23-Miniatures: II. Danny’s Dance
DR9 -11.25 dB -28.47 dB 0:39 24-Miniatures: III. Simple Canon
DR11 -3.00 dB -25.01 dB 0:39 25-Miniatures: IV. Walse
DR12 -10.97 dB -29.22 dB 0:57 26-Miniatures: V. Dialogue
DR10 -14.25 dB -29.32 dB 0:28 27-Miniatures: VI. Tuesday’s Tune
DR11 -9.68 dB -25.15 dB 0:34 28-Miniatures: VII. Cat’s Cradle
DR15 -17.48 dB -40.90 dB 2:41 29-Miniatures: VIII. Bist du
DR12 -3.61 dB -22.49 dB 0:35 30-Miniatures: IX. Molly’s Tune
DR12 -7.80 dB -26.70 dB 1:42 31-Miniatures: X. Fughetta
DR13 -5.82 dB -24.13 dB 1:40 32-Miniatures: XI. Anacharsis Cloots
DR14 -2.41 dB -22.47 dB 2:44 33-Three Studies: I. Count me out
DR15 -4.58 dB -24.77 dB 2:54 34-Three Studies: II. The Cornice Fish Passacaglia
DR13 -3.57 dB -22.37 dB 2:38 35-Three Studies: III. False Alarm
DR17 -1.60 dB -26.37 dB 5:51 36-O du Liebe meiner Liebe
DR15 -1.61 dB -21.34 dB 9:37 37-Strettos and Striations
DR14 -7.76 dB -30.40 dB 1:13 38-Cradle Song
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 38
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1837 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!