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McCoy Tyner - Tender Moments (Blue Note Tone Poet Series Vinyl) (1968/2020) [24bit/192kHz]

Posted By: delpotro
McCoy Tyner - Tender Moments (Blue Note Tone Poet Series Vinyl) (1968/2020) [24bit/192kHz]

McCoy Tyner - Tender Moments (Blue Note Tone Poet Series Vinyl) (1968/2020)
Vinyl Rip | FLAC (tracks) 24-bit/192 kHz | Time - 37:53 minutes | 1,3 GB | Artwork - 89 MB
Jazz, Post-Bop | Label: Blue Note Records

On his second Blue Note album Tender Moments, pianist and composer McCoy Tyner explored the colors and textures available in a nonet setting with some of the finest musicians of the time: Lee Morgan on trumpet, Julian Priester on trombone, Bennie Maupin on tenor saxophone, James Spaulding on alto saxophone and flute, Bob Northern on French horn, Howard Johnson on tuba, Herbie Lewis on bass, and Joe Chambers on drums. Highlights of the session include dedications to John Coltrane (“Mode to John”) and Thelonious Monk (“The High Priest”) as well as the stunning ballad “All My Yesterdays.”

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

Tracklist:
A1 – Mode To John (05:35)
A2 – Man From Tanganyika (06:47)
A3 – The High Priest (06:05)
B1 – Utopia (07:40)
B2 – All My Yesterdays (06:00)
B3 – Lee Plus Three (05:35)

foobar2000 1.5.5 / Dynamic Range Meter 1.1.1
log date: 2021-02-22 19:04:01

––––––––––––––––––––––––––––––––––––––––
Analyzed: McCoy Tyner / Tender Moments
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -17.03 dB 5:41 A1-Mode To John
DR14 0.00 dB -18.04 dB 6:53 A2-Man From Tanganyika
DR15 -0.02 dB -19.50 dB 6:05 A3-The High Priest
DR14 0.00 dB -17.21 dB 7:37 B1-Utopia
DR15 0.00 dB -20.81 dB 6:02 B2-All My Yesterdays
DR15 0.00 dB -18.23 dB 5:36 B3-Lee Plus Three
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR14

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4893 kbps
Codec: FLAC
================================================================================

Lineage:

Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.


Processing:

24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +5 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.

Scans:

Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.

Thanks to the Original customer!