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Ondekoza - Collection (2013) [Audio Meister Box Set] SACD ISO + DSD64 + Hi-Res FLAC

Posted By: HDAtall
Ondekoza - Collection (2013) [Audio Meister Box Set] SACD ISO + DSD64 + Hi-Res FLAC

Ondekoza - Collection (2013) [Audio Meister Box Set]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 326:26 minutes | Scans NOT included | 9,01 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Scans NOT included | 8,18 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | Scans NOT included | 6,81 GB

Ondekoza (鬼太鼓座) ("demon drum group"), sometimes referred to as "Za Ondekoza", is a Japanese troupe specializing in taiko drumming. Founded in 1969 by Den Tagayasu, in Sado Island, Japan. Ondekoza was influential in the rise of the kumi-daiko (group taiko) style of taiko. Not a taiko player himself, Tagayasu helped transform taiko from a festival-based music form to a virtuosic performance art performed on stage. Ondekoza's performances in North America in 1975 was the first exposure for many and helped spread interest in taiko through North America. The now widely recognized style of wearing only a 'shimekomi' ('fundoshi loincloth) was originally started by Ondekoza when Pierre Cardin suggested that the physique of the drummer be exposed. The traditional Japanese drummers do not play only in underwear. One of the keys to the group's success was the arrangement of traditional melodies and styles into stylized, artistic musical pieces. This Box Set have been released in Japan by Audio Meister as # SACG-3005~10.
Kagura (music offered to the gods) is a form of traditional performing art using giant drums, performed at festivals at temples and shrines. Ondekoza is a troupe of percussionists utilizing this and other folk arts through taiko (drum) music. Formed on Sado Island in 1969, they have pursued a rigorous and severe training and disciplined lifestyle that eventually led to some members splintering off to form the group Kodo. Ondekoza continue, however, creating lengthy and dramatic drum and percussion pieces, augmented by shakuhachi flute and koto, that build from a whisper to a scream. There is a great deal of theater to their performances, with loin-clothed drummers in highly stylized and ritualistic presentations, so any CD only conveys half the experience. However, the music itself is intense and full of drama, with the thunder of the taiko drums a formidable calling card, even for the gods.

Tracklist

Disc 1: Zaondekoza (1977)

01. Odaiko
02. Ajikan
03. Tsugarujamisen
04. Yataibayashi

Disc 2: Ondekoza New (1993)
01. Ondekobayashi
02. Hachijo
03. Shimauta Gensokyoku
04. Tsugarujamisen II
05. Battle Ship YAMATO
06. Komoriuta
07. Yataibayashi

Disc 3: Legend (1994)
01. Odaiko
02. Mikuni Gensokyoku
03. Itsuki no Komoriuta
04. Yataibayashi
05. Chindonya
06. Utsu Hachijo

Disc 4: Fujiyama (1997)
01. Ondekobayashi
02. Yumigahama
03. Fujiyama
04. Hana ya koyoi no
05. Mikuni
06. Toto
07. Aun-Jamisen
08. Myoan
09. Monochrome II

Disc 5: Doto Banri (1999)
01. Toto
02. Monochrome II
03. Hi no Mai
04. Sakiyama Bushi
05. Yuki no Ashita
06. Doto Banri

Disc 6: Kyoten Dochi (2004)
01. Taiyo no Uma
02. Kyoten Dochi
03. Ondekobayashi '04 "Chikurai"
04. Iru I "Taketorihime" II "Tsukie"
05. Yataibayashi '04 "Soten"
06. Kurenai Hachijo
07. Inori - Odaiko
08. Kawaki no Umi part IV

foobar2000 1.6.7 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Doto Banri
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.28 dB -19.10 dB 11:39 01-Toto
DR11 -3.38 dB -20.27 dB 16:05 02-Monochrome II
DR13 -5.51 dB -23.37 dB 10:26 03-Hi no Mai
DR17 -10.10 dB -29.54 dB 4:10 04-Sakiyama Bushi
DR13 -4.00 dB -24.29 dB 7:03 05-Yuki no Ashita
DR14 -3.47 dB -22.14 dB 8:17 06-Doto Banri
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Fujiyama
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.49 dB -24.15 dB 4:47 01-Ondekobayashi
DR10 -5.18 dB -17.69 dB 3:18 02-Yumigahama
DR9 -5.16 dB -18.33 dB 6:14 03-Fujiyama
DR13 -7.60 dB -25.89 dB 3:43 04-Hana ya koyoi no
DR8 -5.27 dB -17.65 dB 10:31 05-Mikuni
DR10 -5.22 dB -17.13 dB 3:47 06-Toto
DR15 -5.28 dB -23.31 dB 6:20 07-Aun-Jamisen
DR11 -8.92 dB -26.52 dB 5:31 08-Myoan
DR9 -5.33 dB -19.65 dB 16:29 09-Monochrome II
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Kyoten Dochi
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -6.69 dB -21.46 dB 5:50 01-Taiyo no Uma
DR12 -6.15 dB -22.00 dB 5:17 02-Kyoten Dochi
DR17 -6.40 dB -27.27 dB 8:18 03-Ondekobayashi '04 "Chikurai"
DR14 -5.60 dB -24.80 dB 6:18 04-Iru I "Taketorihime" II "Tsukie"
DR12 -5.09 dB -22.27 dB 9:35 05-Yataibayashi '04 "Soten"
DR15 -6.51 dB -25.61 dB 9:34 06-Kurenai Hachijo
DR11 -5.66 dB -20.50 dB 12:02 07-Inori - Odaiko
DR12 -14.81 dB -30.25 dB 3:19 08-Kawaki no Umi part IV
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Legend
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -5.28 dB -17.52 dB 12:15 01-Odaiko
DR8 -5.10 dB -17.19 dB 12:16 02-Mikuni Gensokyoku
DR11 -10.54 dB -26.53 dB 4:09 03-Itsuki no Komoriuta
DR7 -5.10 dB -16.34 dB 10:07 04-Yataibayashi
DR13 -5.20 dB -21.24 dB 5:20 05-Chindonya
DR9 -5.17 dB -17.45 dB 11:47 06-Utsu Hachijo
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Ondekoza New
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.63 dB -23.22 dB 9:14 01-Ondekobayashi
DR13 -5.64 dB -21.38 dB 10:23 02-Hachijo
DR12 -5.37 dB -22.25 dB 8:24 03-Shimauta Gensokyoku
DR18 -6.25 dB -27.28 dB 7:24 04-Tsugarujamisen II
DR8 -5.54 dB -17.76 dB 7:00 05-Battle Ship YAMATO
DR14 -7.15 dB -27.37 dB 5:41 06-Komoriuta
DR10 -5.48 dB -20.35 dB 9:27 07-Yataibayashi
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ondekoza / Zaondekoza
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.88 dB -20.67 dB 10:43 01-Odaiko
DR17 -6.70 dB -28.53 dB 6:48 02-Ajikan
DR14 -8.23 dB -25.23 dB 8:23 03-Tsugarujamisen
DR13 -5.69 dB -22.84 dB 8:29 04-Yataibayashi
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 4
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Thanks to the Original ripper!
Uncompressed SACD ISO size > 1,38 + 2,32 + 2,24 + 2,43 + 2,31 + 2,41 GB
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