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Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Posted By: HDAtall
Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 356:53 minutes | Scans included | 12,07 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96(48) kHz | Full Scans included | 7,81 GB
Includes: A Distortion Of Love (1992), Café Blue (1994), Modern Cool (1998), Companion (1999), Nightclub (2000), Verse (2002), Smash (2013)

Patricia Barber's unique style and unusual voice made her an easy target for critics in the early days of her career. Her piano playing and singing, while inventive, never ventured close enough to the avant-garde to earn her artistic license, and her insistence on writing her own material and adapting songs from the pop world made her difficult to categorize.



Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - A Distortion Of Love (1992) [MFSL 2013 #UDSACD 2100]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:18 minutes | Scans included | 1,75 GB
or FLAC (converted with foobar2000 to tracks) 24bit/48 kHz | Full Scans included | 658 MB

Pianist and singer Patricia Barber's second album (and major-label debut) is a consistently interesting, but not always completely rewarding, array of original instrumentals, vocal standards, and surprise cover versions. The arrangement of "Summertime" that opens the program is eerie almost to the point of creepiness, and all the more effective for it: after a long instrumental prelude, Barber sings the lyrics over the most minimal bass-and-piano unison pedal point, her voice goosed with reverb and wailing softly like a ghost. "Subway Station #5," the original composition that follows, is nervous, jumpy, barely tonal, and moves niftily from a contrapuntal and polyrhythmic introduction into a straight swing section. The problem is that it lasts almost ten minutes, and by the seventh or eighth minute, its ideas seem pretty well played out. "Or Not to Be" and "Yet Another in a Long Series of Yellow Cars" suffer from similar treatment. But her singing on "You Stepped Out of a Dream" and, especially, her sweet and touching rendition of the soul classic "My Girl" are quietly spectacular. There's every reason to expect great things of her in the future.

Tracklist:

01 - Summertime
02 - Subway Station, No. 5
03 - You Stepped Out of a Dream
04 - Parts Parallels
05 - Or Not to Be
06 - Yellow Car
07 - Yet Another in a Long Series of Yellow Car
08 - I Never Went Away
09 - My Girl
10 - Be Myself

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / A Distortion of Love
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -7.97 dB -24.18 dB 6:15 01-Summertime
DR14 -5.57 dB -22.09 dB 9:33 02-Subway Station, No. 5
DR14 -5.34 dB -23.73 dB 7:38 03-You Stepped Out of a Dream
DR15 -7.91 dB -26.10 dB 5:07 04-Parts Parallels
DR14 -6.73 dB -26.38 dB 7:04 05-Or Not to Be
DR14 -5.36 dB -22.78 dB 5:51 06-Yellow Car
DR14 -8.36 dB -26.47 dB 4:28 07-Yet Another in a Long Series of Yellow Car
DR15 -6.94 dB -24.14 dB 4:39 08-I Never Went Away
DR18 -6.87 dB -27.60 dB 3:45 09-My Girl
DR15 -7.90 dB -26.56 dB 4:58 10-Be Myself
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR15

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,37 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Café Blue (1994) [MFSL 2002 #UDSACD 2002]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 63:06 minutes | Scans included | 1,89 GB
or FLAC (converted with foobar2000 to tracks) 24bit/48 kHz | Full Scans included | 717 MB

Patricia Barber, who is both a fine keyboardist and an atmospheric singer, contributes roughly half of the material to her Premonition debut. Her dark voice and the generally esoteric program takes awhile to get used to (listeners will have to be patient), but after two or three listens, this thought-provoking and rather moody set becomes more accessible. The music ranges stylewise from sophisticated pop sensitivities to the avant-garde and even touches of minimalism, while not fitting securely into any category. Barber gives a new slant to "The Thrill Is Gone," "Ode to Billy Joe," and even "A Taste of Honey," and her vocals are all quite haunting and contemporary. An added plus to this unusual music is adventurous guitarist John McLean.

Tracklist:

01 - What A Shame
02 - Mourning Grace
03 - The Thrill Is Gone
04 - Romanesque
05 - Yellow Car III
06 - Wood Is A Pleasant Thing To Think About
07 - Inch Worm
08 - Ode To Billy Joe
09 - Too Rich For My Blood
10 - A Taste Of Honey
11 - Nardis
12 - Manha De Carnaval

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / Café Blue
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.49 dB -23.23 dB 5:24 01-What A Shame
DR16 -4.99 dB -24.70 dB 7:00 02-Mourning Grace
DR13 -7.21 dB -24.90 dB 4:40 03-The Thrill Is Gone
DR14 -6.44 dB -26.06 dB 4:27 04-Romanesque
DR16 -5.11 dB -24.69 dB 5:07 05-Yellow Car III
DR14 -8.02 dB -25.35 dB 0:57 06-Wood Is A Pleasant Thing To Think About
DR14 -8.01 dB -24.62 dB 5:07 07-Inch Worm
DR18 -5.12 dB -27.10 dB 5:21 08-Ode To Billy Joe
DR13 -5.03 dB -22.71 dB 7:59 09-Too Rich For My Blood
DR16 -5.05 dB -25.97 dB 4:30 10-A Taste Of Honey
DR17 -3.20 dB -25.47 dB 9:04 11-Nardis
DR20 -4.78 dB -27.60 dB 3:30 12-Manha De Carnaval
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR15

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,91 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Modern Cool (1998) [MFSL 2002 #UDSACD 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 73:00 minutes | Scans included | 2,15 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,63 GB

The dark, smoky voice of Patricia Barber is quite haunting. On Modern Cool, she mostly sings downbeat songs at slow tempos. All but three songs are her own originals, and they deal with such subject matter as a "homage to beauty" that seems to connect painting one's face with prostitution, loneliness, mindless conformity, the "postmodern blues" and other depressing topics. Even her treatments of "You and the Night and the Music" and "Light My Fire" make one think that she is utterly bored with life. Barber, whose piano playing is mostly very much in the background, comes across on this set as a pop/folk singer. Most of the jazz moments are provided by trumpeter Dave Douglas, who is on half of the selections and adds some much-needed excitement; guitarist John McLean, bassist Michael Arnopol, and drummer/percussionist Mark Walker complete the group. This set is definitely for specialized tastes.

Tracklist:

01 - Touch of Trash
02 - Winter
03 - You & The Night & The Music
04 - Constantinople
05 - Light My Fire
06 - Silent Partner
07 - Company
08 - Let It Rain
09 - She's A Lady
10 - Love, put on your faces
11 - Postmodern Blues
12 - Let It Rain
13 - Out Of This World

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / Modern Cool
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.89 dB -20.14 dB 5:25 01-Touch of Trash
DR13 -4.15 dB -19.98 dB 4:52 02-Winter
DR14 -4.01 dB -21.90 dB 8:03 03-You & The Night & The Music
DR16 -3.85 dB -24.42 dB 8:27 04-Constantinople
DR14 -4.27 dB -22.14 dB 5:16 05-Light My Fire
DR13 -5.47 dB -22.03 dB 5:09 06-Silent Partner
DR12 -4.00 dB -18.68 dB 5:43 07-Company
DR13 -4.24 dB -21.46 dB 5:56 08-Let It Rain
DR15 -7.42 dB -25.70 dB 4:15 09-She's A Lady
DR15 -4.29 dB -24.91 dB 5:46 10-Love, put on your faces
DR13 -3.67 dB -21.75 dB 5:49 11-Postmodern Blues
DR13 -3.84 dB -20.65 dB 3:02 12-Let It Rain
DR12 -6.69 dB -23.39 dB 5:15 13-Out Of This World
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,94 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Companion (1999) [MFSL 2003 #UDSACD 2023]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:27 minutes | Scans included | 1,57 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,15 GB

Companion was recorded in a special three-night series of shows in July, 1999 at Chicago's famed Green Mill jazz club – an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album's length – at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Café Blue album, there is an ease and creativity on Companion which makes her fans' devotion understandable. Barber has been criticized for being a jazz singer in the loosest sense – her style borrows heavily from R&B and she often covers pop songs (Sonny Bono's "The Beat Goes On" is a sheer stylish delight), and her song "If This Isn't Jazz" answers that criticism with a thumb to the nose. What many critics fail to notice, however, is the strength of her musicianship. Sexism within the industry keeps many from seeing female jazz performers playing roles other than those of vocalists – Barber's warm, breathy voice and creative phrasing are wonderful, for sure, but what really shines are her arrangements. With a talented band behind her, on Companion Barber has made magic with her compositions, her piano playing, and yes, her voice. Intended to be a companion to Modern Cool, this album of mostly previously unrecorded material serves as an excellent introduction to all of her work.

Tracklist:

01 - The Beat Goes On
02 - Use Me
03 - Like JT
04 - Let It Rain
05 - Touch of Trash
06 - If This Isn`t Jazz
07 - Black Magic Woman
08 - You Are My Sunshine

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / Companion
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.68 dB -21.23 dB 5:24 01-The Beat Goes On
DR16 -3.63 dB -23.49 dB 6:31 02-Use Me
DR15 -4.47 dB -24.34 dB 8:09 03-Like JT
DR18 -4.67 dB -28.43 dB 5:07 04-Let It Rain
DR16 -3.74 dB -23.93 dB 4:45 05-Touch of Trash
DR17 -3.72 dB -24.70 dB 5:12 06-If This Isn`t Jazz
DR14 -3.55 dB -21.24 dB 10:55 07-Black Magic Woman
DR14 -3.86 dB -22.66 dB 6:24 08-You Are My Sunshine
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR15

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,12 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Nightclub (2000) [MFSL 2002 #UDSACD 2004]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:34 minutes | Scans included | 1,67 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,24 GB

Chicago native and classically trained pianist Patricia Barber's sixth album is a collection of downtempo standards, perfect for a rainy day. Taking on classics like "Autumn Leaves," "I Fall in Love Too Easily," "Bye Bye Blackbird," or even "Alfie" is always a risk, but her confident vocals and interpretations eradicate any doubt that she is a master. Her production is spare, allowing her to sing with such melancholy it's almost eerie. Not many performers can relay such harrowing feeling without over-emoting, but Barber makes it seem effortless. Nightclub is an appropriate title; listening to these love songs is like being in a smoky room, courted by a lounge singer. This is a classy, solid effort.

Tracklist:

01 - Bye Bye Blackbird
02 - Invitation
03 - Yesterdays
04 - Just For A Thrill
05 - You Don't Know Me
06 - Alfie
07 - Autumn Leaves
08 - Summer Samba
09 - All Or Nothing At All
10 - So In Love
11 - A Man & A Woman
12 - I Fall In Love Too Easily
13 - Santa Claus Is Coming To Town

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / Nightclub
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -3.86 dB -24.60 dB 4:03 01-Bye Bye Blackbird
DR13 -5.01 dB -24.36 dB 4:59 02-Invitation
DR15 -4.00 dB -23.31 dB 6:40 03-Yesterdays
DR14 -5.90 dB -23.80 dB 3:21 04-Just For A Thrill
DR13 -7.78 dB -25.34 dB 3:46 05-You Don't Know Me
DR12 -4.44 dB -19.38 dB 4:51 06-Alfie
DR16 -3.64 dB -25.26 dB 5:05 07-Autumn Leaves
DR13 -7.04 dB -23.51 dB 3:45 08-Summer Samba
DR12 -6.65 dB -22.04 dB 3:26 09-All Or Nothing At All
DR12 -9.32 dB -26.52 dB 3:43 10-So In Love
DR12 -7.83 dB -23.02 dB 4:19 11-A Man & A Woman
DR13 -9.84 dB -27.72 dB 3:26 12-I Fall In Love Too Easily
DR15 -7.46 dB -28.63 dB 6:11 13-Santa Claus Is Coming To Town
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,32 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Verse (2002) [MFSL 2005 #UDSACD 2027]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 51:29 minutes | Scans included | 1,53 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,15 GB

Pianist/vocalist Patricia Barber is the Alanis Morissette of the jazz world. Her serpentine, poetic songs teeter between deftly witty and awkwardly Latinate. Each album is more ambitious than the last, taking her deeper into avant-garde territory both lyrically and instrumentally. Verse is no exception. Case in point: "I Could Eat Your Words," a canny bit of word play in the tradition of "Peel Me a Grape," in which Barber barely gets away with words like "provocation" and "syllogistically," only to sum things up with the devastating line, "sip the spit from your bittersweet rhyme." The indelible track here, though, has to be "If I Were Blue," featuring the line, "If I were blue, like David Hockney's pool/Dive into me and glide under a California sky/Inside your mouth and nose and eyes am I." It's perhaps the best thing Barber has ever written – it could be considered serious modern poetry if only it didn't rhyme. About the biggest complaint one can lodge against Barber is her insistent denial of melody. Her voice is soft, almost matter-of-fact, and she more or less hints at singing. Obviously, lyrical intent is more important to Barber than how she carries a tune, and her voice does seem more suited to whispering torch songs cabaret-style, such as on "Dansons la Gigue," than delivering any vocal gymnastics. It's just that sometimes her songs could be showcased better with a consistently delivered vocal melody. However, she makes up for her lack of sonorousness (to use a Barber kind of word) with intricate musical arrangements, this time around augmented by the Miles Davis-cum-Lester Bowie trumpet of Dave Douglas. Barber's is a world of cloaked intentions, and Douglas' playful vibrato works like the flame of a candle illuminating her soft, shadowy corners.

Tracklist:

01 - The Moon
02 - Lost In This Love
03 - Clues
04 - Pieces
05 - I Could Eat Your Words
06 - The Fire
07 - Regular Pleasures
08 - Dansons La Gigue
09 - You Gotta' Go Home
10 - If I Were Blue

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / " Verse "
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -4.38 dB -25.46 dB 6:02 01-The Moon
DR15 -4.42 dB -21.78 dB 3:01 02-Lost In This Love
DR14 -4.71 dB -23.64 dB 4:59 03-Clues
DR17 -4.73 dB -24.46 dB 5:35 04-Pieces
DR16 -4.41 dB -24.81 dB 7:47 05-I Could Eat Your Words
DR15 -4.58 dB -23.69 dB 4:52 06-The Fire
DR15 -4.19 dB -21.58 dB 5:41 07-Regular Pleasures
DR13 -4.57 dB -21.83 dB 4:18 08-Dansons La Gigue
DR16 -4.40 dB -23.91 dB 3:16 09-You Gotta' Go Home
DR15 -5.01 dB -26.17 dB 5:56 10-If I Were Blue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR15

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,08 GB


Patricia Barber - MFSL's SACD Collection (7x SACD 1992-2013) [MFSL Remasters 2002-2013] PS3 ISO + Hi-Res FLAC

Patricia Barber - Smash (2013) [MFSL]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 55:04 minutes | Scans included | 1,58 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,23 GB
Mobile Fidelity Sound Lab # UDSACD 2136

Patricia Barber is a crack jazz pianist, an innovative composer, a singular vocal stylist, and among the most original lyricists/song-poets to come down the pipe in 40 years. Her use of metaphor and metonymy is woven inextricably into her trademark melodies, which create mental and sonic images that evoke insight and emotion. Smash, Barber's debut for Concord, is comprised of original material performed by an excellent band that includes guitarist John Kregor, bassist Larry Kohut, and drummer Jon Deitemyer. The predominant subject matter of these songs is love's loss: the frustrated desire, grief, acceptance, longing, and healing its aftermath brings. Barber is as empathic and insightful as a depth psychologist. Her language is rich, precise, and devoid of trite sentimentality. Lyrically, these songs are wound with the elastic imagery of poetry, but their rhyme schemes are taut, given air by the fluidity of her jazz. Opener "Code Cool" is introduced by Deitemyer's snare and hi-hat in a constant thrum that emulates the pulse of electronic dance music. It's underscored by a one-note vamp from Kohut. Barber's piano illustrates with a series of glissando chords as Kregor fills the space expressionistically, highlighting the well of images and urgency in lyrics which reference science, Keats, and medical treatment before concluding she is "…Michaelangelo's David/Tested and worn…" Barber employs space between sections, stilling the proceeding with a single chord, before that pulse returns to her protagonist's realization that she needs to fake it until she makes it: "I will live/As if/I were loving." "The Wind Song" is a brooding, mysterious ballad, whose lyric drama is spacious, highlighted by brushed symbols, acoustic guitar, nearly gossamer pianism, and a physical bassline to bind it to earth. In the title track's first half, the piano and bass offer the tender illustration of "the sound of a heart breaking…" But at the halfway point, the physical fury of that emotion is laid bare by Kregor's screaming electric guitar solo, which allows for the held, breathless emotional power in this and all the previous songs, release. The companion piece is "Scream," where a jazz piano ballad opens into a nearly full-blown rocker. "Redshift" is a crystalline bossa nova; its lyrics unite love's loss with physics in clever, hip associations punctuated by a syncopated groove. "Bashful" is a swinging post-bop instrumental that features great soloing by everyone. "Missing" is introduced by Kregor's acoustic and Barber's sparse piano. It's a musically metaphorical illustration of the tune's subject matter: waiting in vain, hoping against hope that the truth of loss isn't, in fact, true. It's raw, vulnerable, and fearful. Kregor's gorgeous solo and Kohut's economical bassline offer room for Barber's piano to illuminate the lyric with tenderness. Smash is an extraordinary achievement. Here, jazz is popular music without being anything other than itself. Its depth, creativity, searing poetry, and artisan musicianship make it a peerless accomplishment.

Tracklist:

01. Code Cool
02. The Wind Song
03. Romanesque
04. Smash
05. Redshift
06. Spring Song
07. Devil's Food
08. Scream
09. The Swim
10. Bashful
11. The Storyteller
12. Missing

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Patricia Barber / Smash
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.98 dB -24.25 dB 5:21 01-Code Cool
DR14 -8.31 dB -26.34 dB 3:43 02-The Wind Song
DR14 -11.14 dB -29.86 dB 2:24 03-Romanesque
DR16 -5.89 dB -25.70 dB 4:21 04-Smash
DR14 -8.67 dB -25.68 dB 4:26 05-Redshift
DR13 -11.25 dB -27.71 dB 4:42 06-Spring Song
DR14 -6.81 dB -23.32 dB 5:09 07-Devil's Food
DR14 -6.28 dB -26.50 dB 5:45 08-Scream
DR15 -7.11 dB -26.29 dB 4:25 09-The Swim
DR16 -5.84 dB -26.58 dB 6:11 10-Bashful
DR13 -15.21 dB -29.78 dB 3:16 11-The Storyteller
DR14 -10.81 dB -28.40 dB 5:20 12-Missing
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR14

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Uncompressed SACD ISO size > 2,2 GB
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