The Sugar Plum Fairies - Hey Bulldog (2005) MCH PS3 ISO
The Sugar Plum Fairies - Hey Bulldog (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:31 min | Full Scans included | 3,44 GB
Features Stereo and Multichannel Surround Sound
This SACD proves that rock can have the realism of classical or jazz, according to the liner notes it was not recorded the way traditional rock music usually is, instead MDG recorded it just as they record traditional classical music. Realism and excitement are here in spades, this is sonically the best sounding recording of the bunch. Not a lot of music as it is also a test record but the music is great. The auduofiles may use this disc as test for their systems; the melomans may use this disc as entertainment.
The Sugar Plum Fairies - founded in 2000; first performance on the rooftop of a department store in the city of Bremen as a homage to The Beatles who gave their last concert on the roof top of the Apple office building on January 30th in 1969. This performance wasn't announced at all and lead to chaotic conditions on the streets. The Sugar Plum Fairies also performed without any announcement, the effect was similar.
The Sugar Plum Fairies - Hey Bulldog (2005) MCH PS3 ISO
![The Sugar Plum Fairies - Hey Bulldog (2005) MCH PS3 ISO]()
In this part of the SACD different versions of Nowhere Man are presented for an active comparison. Only for the mono (Track 6) and ping pong - stereo versions (Track 7) filters were used to come closer to the historical sound of the first releases. (In the sixties those sound filters were needed mainly to compensate the disadvantages of the transference like for example the distortions and general lacks of quality in the reproduction chain). By the way, in the consequence there were loads of different mixes of the original material; collectors have the possibility to find up to 20 different versions of the same track on LR CD etc…
Tracklist:
01. His Master's Woof
02. Nowhere Man
03. Hey Bulldog
04. Blackbirds
05. I am the walrus +Bonus-Tracks:Nowhere Man (Mono Mix 65)
06. Nowhere Man (Stereo Mix 65)
07. He(a)r(e) the Difference
08. Nowhere Man (2+2+2 Sound)
09. Awakening Nature +Specials:Sound Tests (Silence)
10. Speaker Configuration
11. Level
12. Phase
13. Turn to Nowhere
14. Set Sub Subwoofer
15. Underdogs
More correct titles - see below (DR section)
More about recording(s) - read inside the booklet (German/English languages available)
foobar2000 2.1 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Sugar Plum Fairies / Hey Bulldog
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR22 -18.62 dB -47.26 dB 0:05 01-His Master's Woof 2+2+2 RECORDING
DR13 -6.32 dB -25.97 dB 2:41 02-Nowhere Man 2+2+2 RECORDING
DR16 -5.95 dB -26.95 dB 3:46 03-Hey Bulldog 2+2+2 RECORDING
DR15 -9.91 dB -34.23 dB 3:40 04-Blackbird 2+2+2 RECORDING
DR13 -9.31 dB -28.05 dB 5:18 05-I Am the Walrus 2+2+2 RECORDING
DR14 -10.02 dB -30.18 dB 2:43 06-Nowhere Man Mono Mix 1965
DR14 -6.62 dB -29.42 dB 2:42 07-Nowhere Man Stereo Mix 1965
DR12 -10.78 dB -31.70 dB 0:14 08-He(a)r(e) the Difference: Mono 1965
DR13 -7.64 dB -29.59 dB 0:15 09-He(a)r(e) the Difference: Stereo 1965 (Ping Pong)
DR13 -7.94 dB -29.27 dB 0:40 10-He(a)r(e) the Difference: Stereo 2005
DR13 -8.35 dB -27.69 dB 0:23 11-He(a)r(e) the Difference: Quadro Stage - only front speakers
DR11 -6.50 dB -26.67 dB 0:14 12-He(a)r(e) the Difference: 2+2+2 Stage - only front speakers
DR12 -9.15 dB -26.78 dB 0:16 13-He(a)r(e) the Difference: Quadro Sound - only front speakers
DR13 -8.20 dB -26.24 dB 0:39 14-He(a)r(e) the Difference: 2+2+2 Sound - only front speakers
DR14 -7.63 dB -25.56 dB 2:41 15-He(a)r(e) the Difference: Nowhere Man 2+2+2 Sound - only front speakers
DR17 -21.52 dB -46.83 dB 4:45 16-Birds 2+2+2 RECORDING
DR11 -54.69 dB -72.98 dB 2:00 17-Silence dig. 0
DR9 -18.09 dB -41.18 dB 0:27 18-Test Speaker Configuration - Marisa At an Age of Seven
DR13 -15.95 dB -35.05 dB 0:35 19-Test Level: Pink Noise L
DR13 -17.55 dB -35.15 dB 0:34 20-Test Level: Pink Noise R
DR13 -17.47 dB -35.15 dB 0:32 21-This track cannot be played in stereo
DR13 -17.21 dB -35.18 dB 0:36 22-This track cannot be played in stereo
DR13 -17.31 dB -35.10 dB 0:36 23-This track cannot be played in stereo
DR13 -17.11 dB -35.14 dB 0:35 24-This track cannot be played in stereo
DR10 -16.17 dB -26.98 dB 5:47 25-Test Level: Pink Noise Ch 1-6 (for professional use only)
DR13 -14.19 dB -30.16 dB 0:51 26-Test Phase: L / R
DR13 -14.78 dB -29.98 dB 0:52 27-This track cannot be played in stereo
DR13 -16.87 dB -31.96 dB 0:44 28-This track cannot be played in stereo
DR13 -14.61 dB -29.91 dB 1:01 29-This track cannot be played in stereo
DR13 -14.48 dB -29.75 dB 1:06 30-This track cannot be played in stereo
DR13 -14.48 dB -30.69 dB 0:57 31-This track cannot be played in stereo
DR13 -14.71 dB -31.07 dB 1:07 32-This track cannot be played in stereo
DR11 -13.78 dB -34.68 dB 0:16 33-Turn on Nowhere: Front L / R
DR12 -11.78 dB -33.07 dB 0:14 34-This track cannot be played in stereo
DR11 -14.49 dB -33.79 dB 0:31 35-This track cannot be played in stereo
DR13 -13.15 dB -32.99 dB 0:14 36-This track cannot be played in stereo
DR15 -13.85 dB -33.57 dB 0:16 37-This track cannot be played in stereo
DR13 -11.05 dB -30.00 dB 0:30 38-This track cannot be played in stereo
DR15 -10.94 dB -30.92 dB 0:40 39-This track cannot be played in stereo
DR13 -24.96 dB -40.55 dB 1:07 40-This track cannot be played in stereo
DR13 -23.89 dB -39.91 dB 1:10 41-This track cannot be played in stereo
DR13 -23.29 dB -39.54 dB 1:07 42-This track cannot be played in stereo
DR13 -21.54 dB -39.44 dB 1:10 43-This track cannot be played in stereo
DR13 -23.27 dB -39.54 dB 1:07 44-L 1/3 Octave Band 80Hz
DR14 -21.54 dB -39.26 dB 1:07 45-L 1/3 Octave Band 100Hz
DR13 -22.24 dB -39.12 dB 1:10 46-L 1/3 Octave Band 125Hz
DR13 -6.31 dB -27.45 dB 0:30 47-Underdogs 2+2+2 RECORDING
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 47
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Sugar Plum Fairies / Hey Bulldog
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR23 -27.53 dB -52.13 dB 0:05 01-His Master's Woof 2+2+2 RECORDING
DR13 -6.33 dB -23.11 dB 2:41 02-Nowhere Man 2+2+2 RECORDING
DR15 -5.95 dB -24.07 dB 3:46 03-Hey Bulldog 2+2+2 RECORDING
DR16 -9.90 dB -31.05 dB 3:40 04-Blackbird 2+2+2 RECORDING
DR14 -9.29 dB -26.82 dB 5:18 05-I Am the Walrus 2+2+2 RECORDING
DR14 -10.02 dB -25.41 dB 2:43 06-Nowhere Man Mono Mix 1965
DR14 -6.62 dB -24.65 dB 2:42 07-Nowhere Man Stereo Mix 1965
DR13 -10.78 dB -26.93 dB 0:14 08-He(a)r(e) the Difference: Mono 1965
DR13 -7.64 dB -24.82 dB 0:15 09-He(a)r(e) the Difference: Stereo 1965 (Ping Pong)
DR13 -7.94 dB -24.50 dB 0:40 10-He(a)r(e) the Difference: Stereo 2005
DR13 -8.35 dB -23.71 dB 0:23 11-He(a)r(e) the Difference: Quadro Stage - only front speakers
DR12 -6.50 dB -24.08 dB 0:14 12-He(a)r(e) the Difference: 2+2+2 Stage - only front speakers
DR12 -9.26 dB -24.05 dB 0:16 13-He(a)r(e) the Difference: Quadro Sound - only front speakers
DR12 -9.41 dB -24.62 dB 0:39 14-He(a)r(e) the Difference: 2+2+2 Sound - only front speakers
DR13 -8.49 dB -23.93 dB 2:41 15-He(a)r(e) the Difference: Nowhere Man 2+2+2 Sound - only front speakers
DR18 -22.56 dB -46.52 dB 4:45 16-Birds 2+2+2 RECORDING
DR12 -54.55 dB -73.09 dB 2:00 17-Silence dig. 0
DR12 -27.66 dB -48.66 dB 0:27 18-Test Speaker Configuration - Marisa At an Age of Seven
DR12 -15.93 dB -30.27 dB 0:35 19-Test Level: Pink Noise L
DR10 -17.58 dB -30.37 dB 0:34 20-Test Level: Pink Noise R
DR12 -57.33 dB -74.21 dB 0:32 21-This track cannot be played in stereo
DR11 -58.75 dB -73.94 dB 0:36 22-This track cannot be played in stereo
DR11 -56.07 dB -73.32 dB 0:36 23-This track cannot be played in stereo
DR11 -58.56 dB -73.44 dB 0:35 24-This track cannot be played in stereo
DR10 -16.39 dB -26.98 dB 5:47 25-Test Level: Pink Noise Ch 1-6 (for professional use only)
DR10 -14.20 dB -25.39 dB 0:51 26-Test Phase: L / R
DR12 -56.55 dB -73.55 dB 0:52 27-This track cannot be played in stereo
DR12 -58.39 dB -73.23 dB 0:44 28-This track cannot be played in stereo
DR12 -58.10 dB -73.29 dB 1:01 29-This track cannot be played in stereo
DR12 -54.53 dB -73.31 dB 1:06 30-This track cannot be played in stereo
DR12 -58.04 dB -73.30 dB 0:57 31-This track cannot be played in stereo
DR13 -56.19 dB -73.18 dB 1:07 32-This track cannot be played in stereo
DR13 -13.78 dB -29.90 dB 0:16 33-Turn on Nowhere: Front L / R
DR11 -55.97 dB -73.67 dB 0:14 34-This track cannot be played in stereo
DR12 -50.62 dB -73.38 dB 0:31 35-This track cannot be played in stereo
DR11 -58.46 dB -74.30 dB 0:14 36-This track cannot be played in stereo
DR11 -58.82 dB -73.04 dB 0:16 37-This track cannot be played in stereo
DR12 -57.61 dB -73.38 dB 0:30 38-This track cannot be played in stereo
DR12 -56.45 dB -73.49 dB 0:40 39-This track cannot be played in stereo
DR12 -57.90 dB -73.06 dB 1:07 40-This track cannot be played in stereo
DR12 -57.77 dB -73.12 dB 1:10 41-This track cannot be played in stereo
DR12 -58.29 dB -73.36 dB 1:07 42-This track cannot be played in stereo
DR12 -57.10 dB -73.06 dB 1:10 43-This track cannot be played in stereo
DR10 -23.27 dB -34.77 dB 1:07 44-L 1/3 Octave Band 80Hz
DR10 -21.53 dB -34.49 dB 1:06 45-L 1/3 Octave Band 100Hz
DR10 -22.22 dB -34.35 dB 1:10 46-L 1/3 Octave Band 125Hz
DR13 -13.54 dB -34.55 dB 0:30 47-Underdogs 2+2+2 RECORDING
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 47
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Sugar Plum Fairies / Hey Bulldog
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR22 -18.62 dB -47.26 dB 0:05 01-His Master's Woof 2+2+2 RECORDING
DR13 -6.32 dB -25.97 dB 2:41 02-Nowhere Man 2+2+2 RECORDING
DR16 -5.95 dB -26.95 dB 3:46 03-Hey Bulldog 2+2+2 RECORDING
DR15 -9.91 dB -34.23 dB 3:40 04-Blackbird 2+2+2 RECORDING
DR13 -9.31 dB -28.05 dB 5:18 05-I Am the Walrus 2+2+2 RECORDING
DR14 -10.02 dB -30.18 dB 2:43 06-Nowhere Man Mono Mix 1965
DR14 -6.62 dB -29.42 dB 2:42 07-Nowhere Man Stereo Mix 1965
DR12 -10.78 dB -31.70 dB 0:14 08-He(a)r(e) the Difference: Mono 1965
DR13 -7.64 dB -29.59 dB 0:15 09-He(a)r(e) the Difference: Stereo 1965 (Ping Pong)
DR13 -7.94 dB -29.27 dB 0:40 10-He(a)r(e) the Difference: Stereo 2005
DR13 -8.35 dB -27.69 dB 0:23 11-He(a)r(e) the Difference: Quadro Stage - only front speakers
DR11 -6.50 dB -26.67 dB 0:14 12-He(a)r(e) the Difference: 2+2+2 Stage - only front speakers
DR12 -9.15 dB -26.78 dB 0:16 13-He(a)r(e) the Difference: Quadro Sound - only front speakers
DR13 -8.20 dB -26.24 dB 0:39 14-He(a)r(e) the Difference: 2+2+2 Sound - only front speakers
DR14 -7.63 dB -25.56 dB 2:41 15-He(a)r(e) the Difference: Nowhere Man 2+2+2 Sound - only front speakers
DR17 -21.52 dB -46.83 dB 4:45 16-Birds 2+2+2 RECORDING
DR11 -54.69 dB -72.98 dB 2:00 17-Silence dig. 0
DR9 -18.09 dB -41.18 dB 0:27 18-Test Speaker Configuration - Marisa At an Age of Seven
DR13 -15.95 dB -35.05 dB 0:35 19-Test Level: Pink Noise L
DR13 -17.55 dB -35.15 dB 0:34 20-Test Level: Pink Noise R
DR13 -17.47 dB -35.15 dB 0:32 21-This track cannot be played in stereo
DR13 -17.21 dB -35.18 dB 0:36 22-This track cannot be played in stereo
DR13 -17.31 dB -35.10 dB 0:36 23-This track cannot be played in stereo
DR13 -17.11 dB -35.14 dB 0:35 24-This track cannot be played in stereo
DR10 -16.17 dB -26.98 dB 5:47 25-Test Level: Pink Noise Ch 1-6 (for professional use only)
DR13 -14.19 dB -30.16 dB 0:51 26-Test Phase: L / R
DR13 -14.78 dB -29.98 dB 0:52 27-This track cannot be played in stereo
DR13 -16.87 dB -31.96 dB 0:44 28-This track cannot be played in stereo
DR13 -14.61 dB -29.91 dB 1:01 29-This track cannot be played in stereo
DR13 -14.48 dB -29.75 dB 1:06 30-This track cannot be played in stereo
DR13 -14.48 dB -30.69 dB 0:57 31-This track cannot be played in stereo
DR13 -14.71 dB -31.07 dB 1:07 32-This track cannot be played in stereo
DR11 -13.78 dB -34.68 dB 0:16 33-Turn on Nowhere: Front L / R
DR12 -11.78 dB -33.07 dB 0:14 34-This track cannot be played in stereo
DR11 -14.49 dB -33.79 dB 0:31 35-This track cannot be played in stereo
DR13 -13.15 dB -32.99 dB 0:14 36-This track cannot be played in stereo
DR15 -13.85 dB -33.57 dB 0:16 37-This track cannot be played in stereo
DR13 -11.05 dB -30.00 dB 0:30 38-This track cannot be played in stereo
DR15 -10.94 dB -30.92 dB 0:40 39-This track cannot be played in stereo
DR13 -24.96 dB -40.55 dB 1:07 40-This track cannot be played in stereo
DR13 -23.89 dB -39.91 dB 1:10 41-This track cannot be played in stereo
DR13 -23.29 dB -39.54 dB 1:07 42-This track cannot be played in stereo
DR13 -21.54 dB -39.44 dB 1:10 43-This track cannot be played in stereo
DR13 -23.27 dB -39.54 dB 1:07 44-L 1/3 Octave Band 80Hz
DR14 -21.54 dB -39.26 dB 1:07 45-L 1/3 Octave Band 100Hz
DR13 -22.24 dB -39.12 dB 1:10 46-L 1/3 Octave Band 125Hz
DR13 -6.31 dB -27.45 dB 0:30 47-Underdogs 2+2+2 RECORDING
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 47
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Sugar Plum Fairies / Hey Bulldog
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR23 -27.53 dB -52.13 dB 0:05 01-His Master's Woof 2+2+2 RECORDING
DR13 -6.33 dB -23.11 dB 2:41 02-Nowhere Man 2+2+2 RECORDING
DR15 -5.95 dB -24.07 dB 3:46 03-Hey Bulldog 2+2+2 RECORDING
DR16 -9.90 dB -31.05 dB 3:40 04-Blackbird 2+2+2 RECORDING
DR14 -9.29 dB -26.82 dB 5:18 05-I Am the Walrus 2+2+2 RECORDING
DR14 -10.02 dB -25.41 dB 2:43 06-Nowhere Man Mono Mix 1965
DR14 -6.62 dB -24.65 dB 2:42 07-Nowhere Man Stereo Mix 1965
DR13 -10.78 dB -26.93 dB 0:14 08-He(a)r(e) the Difference: Mono 1965
DR13 -7.64 dB -24.82 dB 0:15 09-He(a)r(e) the Difference: Stereo 1965 (Ping Pong)
DR13 -7.94 dB -24.50 dB 0:40 10-He(a)r(e) the Difference: Stereo 2005
DR13 -8.35 dB -23.71 dB 0:23 11-He(a)r(e) the Difference: Quadro Stage - only front speakers
DR12 -6.50 dB -24.08 dB 0:14 12-He(a)r(e) the Difference: 2+2+2 Stage - only front speakers
DR12 -9.26 dB -24.05 dB 0:16 13-He(a)r(e) the Difference: Quadro Sound - only front speakers
DR12 -9.41 dB -24.62 dB 0:39 14-He(a)r(e) the Difference: 2+2+2 Sound - only front speakers
DR13 -8.49 dB -23.93 dB 2:41 15-He(a)r(e) the Difference: Nowhere Man 2+2+2 Sound - only front speakers
DR18 -22.56 dB -46.52 dB 4:45 16-Birds 2+2+2 RECORDING
DR12 -54.55 dB -73.09 dB 2:00 17-Silence dig. 0
DR12 -27.66 dB -48.66 dB 0:27 18-Test Speaker Configuration - Marisa At an Age of Seven
DR12 -15.93 dB -30.27 dB 0:35 19-Test Level: Pink Noise L
DR10 -17.58 dB -30.37 dB 0:34 20-Test Level: Pink Noise R
DR12 -57.33 dB -74.21 dB 0:32 21-This track cannot be played in stereo
DR11 -58.75 dB -73.94 dB 0:36 22-This track cannot be played in stereo
DR11 -56.07 dB -73.32 dB 0:36 23-This track cannot be played in stereo
DR11 -58.56 dB -73.44 dB 0:35 24-This track cannot be played in stereo
DR10 -16.39 dB -26.98 dB 5:47 25-Test Level: Pink Noise Ch 1-6 (for professional use only)
DR10 -14.20 dB -25.39 dB 0:51 26-Test Phase: L / R
DR12 -56.55 dB -73.55 dB 0:52 27-This track cannot be played in stereo
DR12 -58.39 dB -73.23 dB 0:44 28-This track cannot be played in stereo
DR12 -58.10 dB -73.29 dB 1:01 29-This track cannot be played in stereo
DR12 -54.53 dB -73.31 dB 1:06 30-This track cannot be played in stereo
DR12 -58.04 dB -73.30 dB 0:57 31-This track cannot be played in stereo
DR13 -56.19 dB -73.18 dB 1:07 32-This track cannot be played in stereo
DR13 -13.78 dB -29.90 dB 0:16 33-Turn on Nowhere: Front L / R
DR11 -55.97 dB -73.67 dB 0:14 34-This track cannot be played in stereo
DR12 -50.62 dB -73.38 dB 0:31 35-This track cannot be played in stereo
DR11 -58.46 dB -74.30 dB 0:14 36-This track cannot be played in stereo
DR11 -58.82 dB -73.04 dB 0:16 37-This track cannot be played in stereo
DR12 -57.61 dB -73.38 dB 0:30 38-This track cannot be played in stereo
DR12 -56.45 dB -73.49 dB 0:40 39-This track cannot be played in stereo
DR12 -57.90 dB -73.06 dB 1:07 40-This track cannot be played in stereo
DR12 -57.77 dB -73.12 dB 1:10 41-This track cannot be played in stereo
DR12 -58.29 dB -73.36 dB 1:07 42-This track cannot be played in stereo
DR12 -57.10 dB -73.06 dB 1:10 43-This track cannot be played in stereo
DR10 -23.27 dB -34.77 dB 1:07 44-L 1/3 Octave Band 80Hz
DR10 -21.53 dB -34.49 dB 1:06 45-L 1/3 Octave Band 100Hz
DR10 -22.22 dB -34.35 dB 1:10 46-L 1/3 Octave Band 125Hz
DR13 -13.54 dB -34.55 dB 0:30 47-Underdogs 2+2+2 RECORDING
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 47
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
Thanks to the Original ripper!
Uncompressed SACD ISO size > 3,28 GB
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