Tim Burgess - Typical Music (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 88:29 minutes | 1,75 GB
Indie Rock | Label: Bella Union, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 88:29 minutes | 1,75 GB
Indie Rock | Label: Bella Union, Official Digital Download
Tim Burgess – as self-effacing a band leader, solo star, label runner, repeat memoirist and all-round caffeinated can-do kid as you’ll find – would certainly shrink from the latter accolade. “A hero??” he’d likely mutter with a shake of his boyish mop. “For playing some records?”
Yes, Tim, we would say that. And not just because with the May 2020, mid-lockdown appearance of I Love The New Sky, his fifth solo album, he undauntedly pushed on with releasing an album that brought much-needed sunshine to a world enveloped in gloom.
Typical Music is a 22-track double album, a blockbuster set of songs that are as expansive and diverse as they are rich: “OK, we all know about double albums, right?” begins Burgess, a keen as mustard a student of pop and rock history. “Historically, they’ve been thought of as indulgent. But I came to the conclusion that what I was doing was the opposite of that. I wanted to give people everything that I’d done. And everything that I brought to the studio and worked on with the guys, I coloured them all in equally. Every idea was treated as if it was the best thing and had to be treated with extreme care. I wanted to give everything of myself. That was it.”
The studio was Rockfield, the storied farmyard recording establishment in Wales that held memories both good and bad for Burgess. Good, because The Charlatans recorded some of their greatest moments there (including 1997’s Tellin’ Stories, led by landmark single ‘One To Another’). Bad, because during the recording of that fifth album, the band’s original keyboard player Rob Collins died in a car crash at the bottom of the lane. Burgess hadn’t properly been back to Rockfield in almost 25 years, but now it was time.
Burgess spent 30 days in the studio with Thighpaulsandra and Daniel O’Sullivan. The former is the authentically legendary keyboard, synthesiser and production wizard who’s played with Coil, Julian Cope and Spiritualized. The latter is the ex-Grumbling Fur multi-instrumentalist who’s released records on Burgess’s O Genesis label and is a member of his live band. Dave Fridmann then sprinkled his magic over the album, mixing all 22 tracks.
“I just wanted more,” smiles this hyperactive polymath. “I wanted to challenge us all. I wanted to do more electronic things. I wanted to expand the sound. We were limited in what we could do because of Covid, but we had orchestras in our brains. But we just did it as the three of us.”
Where did they go? Where didn’t they go? To highlight but three songs from Typical Music: ‘Revenge Through Art’ is loose-hipped, chewy funk. ‘Kinetic Connection’ offers up sparkling psyche-pop, wiggy electronics weaving in and out of rippling piano. ‘Take Me With You’ is a space-soul love song.
“I fell in love with the world again,” he explains of the latter’s lyrical origins. “During Covid, I read a pile of books, got better on guitar. I had new perspective. I wanted to learn how to be Tim Burgess who makes solo records. People have a vision of me as the singer in The Charlatans. That’s not going to change. Then there’s me as the Twitter guy. But I just fell in love with the world again and wanted the world to take me with them.”
Elsewhere there are songs for his young son, and for his dad, who passed away in April 2020. There is, too, the twangy gallop of the title track. Or, as the encyclopaedically-minded Burgess puts it, excitedly: “It’s definitely sci-fi, and primal as well. Brian Jones on teardrop guitar. Or Will Sergeant, early Bunnymen. Banshees, even. Daft Punk! And then ‘Sooner Than Yesterday’ is the same,” he adds of another moment of absolute torch’n’twang, “but in monochrome. It’s more English.”
Overall, that fed into his vision for Typical Music, to wit: “I wanted to write sci-fi punk songs, or sci-fi surf songs. I was listening to a lot of Joe Meek and Kim Fowley, and lots of the songs are two minutes long. I think the average length is just over three minutes. I like that.”
Together Burgess, “Thipes” and O’Sullivan – let’s call them The Rockfield Three – have crafted a colourful, kaleidoscopic cosmos, created when the world outside was so black and white and beaten down. “That was totally the goal,” affirms Tim Burgess. “In my most far-out thoughts, I thought of it as like we built a spaceship that was hermetically sealed, a crew of three. And we just wanted to transcend the mire.” With Typical Music, it promises to be some trip.
Tracklist:
1. Here Comes the Weekend (04:38)
2. Curiosity (03:10)
3. Time That We Call Time (03:47)
4. Flamingo (03:20)
5. Revenge Through Art (02:13)
6. Kinectic Connection (03:40)
7. Typical Music (03:03)
8. Take Me With You (02:25)
9. After This (04:24)
10. The Centre of Me (Is a Symphony of You) (04:25)
11. When I See You (06:58)
12. Magic Rising (04:56)
13. Tender Hooks (03:30)
14. L.O.S.T Lost / Will You Take a Look At My Hand Please (07:10)
15. A Bloody Nose (03:20)
16. In May (03:05)
17. Slacker (Than I've Ever Been) (04:11)
18. View From Above (05:09)
19. A Quarter to Eight (03:57)
20. Sooner Than Yesterday (02:45)
21. Sure Enough (03:26)
22. What's Meant For You Won't Pass By You (04:47)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-09-22 00:33:13
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tim Burgess / Typical Music
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR4 -0.12 dB -5.04 dB 4:38 01-Here Comes The Weekend
DR4 -0.11 dB -5.03 dB 3:11 02-Curiosity
DR6 -0.11 dB -7.70 dB 3:47 03-Time That We Call Time
DR4 -0.11 dB -6.05 dB 3:20 04-Flamingo
DR4 -0.11 dB -4.73 dB 2:13 05-Revenge Through Art
DR5 -0.11 dB -6.55 dB 3:41 06-Kinectic Connection
DR3 -0.11 dB -4.26 dB 3:04 07-Typical Music
DR3 -0.11 dB -5.62 dB 2:25 08-Take Me With You
DR4 -0.11 dB -6.23 dB 4:24 09-After This
DR6 -0.12 dB -7.31 dB 4:26 10-The Centre of Me (Is a Symphony of You)
DR5 -0.11 dB -7.67 dB 6:58 11-When I See You
DR4 -0.11 dB -7.08 dB 4:57 12-Magic Rising
DR4 -0.11 dB -5.47 dB 3:30 13-Tender Hooks
DR4 -0.11 dB -6.01 dB 7:10 14-L.O.S.T Lost / Will You Take A Look At My Hand Please
DR5 -0.11 dB -5.85 dB 3:20 15-A Bloody Nose
DR4 -0.11 dB -6.03 dB 3:06 16-In May
DR5 -0.11 dB -6.09 dB 4:12 17-Slacker (Than I've Ever Been)
DR5 -0.11 dB -7.36 dB 5:10 18-View From Above
DR4 -0.11 dB -5.93 dB 3:58 19-A Quarter to Eight
DR5 -0.11 dB -6.79 dB 2:45 20-Sooner Than Yesterday
DR4 -0.11 dB -4.94 dB 3:26 21-Sure Enough
DR5 -0.12 dB -6.61 dB 4:47 22-What's Meant For You Won't Pass By You
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR4
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2625 kbps
Codec: FLAC
================================================================================
log date: 2022-09-22 00:33:13
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tim Burgess / Typical Music
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR4 -0.12 dB -5.04 dB 4:38 01-Here Comes The Weekend
DR4 -0.11 dB -5.03 dB 3:11 02-Curiosity
DR6 -0.11 dB -7.70 dB 3:47 03-Time That We Call Time
DR4 -0.11 dB -6.05 dB 3:20 04-Flamingo
DR4 -0.11 dB -4.73 dB 2:13 05-Revenge Through Art
DR5 -0.11 dB -6.55 dB 3:41 06-Kinectic Connection
DR3 -0.11 dB -4.26 dB 3:04 07-Typical Music
DR3 -0.11 dB -5.62 dB 2:25 08-Take Me With You
DR4 -0.11 dB -6.23 dB 4:24 09-After This
DR6 -0.12 dB -7.31 dB 4:26 10-The Centre of Me (Is a Symphony of You)
DR5 -0.11 dB -7.67 dB 6:58 11-When I See You
DR4 -0.11 dB -7.08 dB 4:57 12-Magic Rising
DR4 -0.11 dB -5.47 dB 3:30 13-Tender Hooks
DR4 -0.11 dB -6.01 dB 7:10 14-L.O.S.T Lost / Will You Take A Look At My Hand Please
DR5 -0.11 dB -5.85 dB 3:20 15-A Bloody Nose
DR4 -0.11 dB -6.03 dB 3:06 16-In May
DR5 -0.11 dB -6.09 dB 4:12 17-Slacker (Than I've Ever Been)
DR5 -0.11 dB -7.36 dB 5:10 18-View From Above
DR4 -0.11 dB -5.93 dB 3:58 19-A Quarter to Eight
DR5 -0.11 dB -6.79 dB 2:45 20-Sooner Than Yesterday
DR4 -0.11 dB -4.94 dB 3:26 21-Sure Enough
DR5 -0.12 dB -6.61 dB 4:47 22-What's Meant For You Won't Pass By You
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR4
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2625 kbps
Codec: FLAC
================================================================================
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