"The most unusual project was perhaps Electrochronicle which I worked on from 1972-1974. The floating, the vibration of a standing interval, played on an organ and relayed through several sound converting appliances joined together, created original, independent melodies and rhythms. These sounds can be compared to the ripples made by a pebble thrown into water, where one can admire the beauty of the ripples running to meet each other and the laws that produce them at the same time. Electrochronicle is not improvised nor composed music; its beauty lies in the richness of the microscopic musical movements." Peter Eötvös

Gonzalo De Olavide - Orchestral Works - Tamayo (RTVE)
EAC 099pb4 Rip | APE+CUE, LOGs | 51:38 min | 172 MB 300 dpi PDF Complete Scans
Genre: Classical - Contemporary| Label: RTVE Música

Olavide studied composition initially with Victorino Echevarría at the Conservatorio Superior de Madrid, then in Belgium at the conservatories of Antwerp and Brussels. He attended the Darmstadt Internationale Ferienkurse für Neue Musik where he worked with Pierre Boulez and Luciano Berio, and later studied with Karlheinz Stockhausen and Henri Pousseur at the Second, Third, and Fourth Cologne Courses for New Music in 1964–65, 1965–66, and 1966–67. For twenty years he lived and worked in Geneva, returning to Spain in 1991. Olavide composed orchestral, chamber, solo, and electronic music. In 1986 he received the Premio Nacional de Música, and in 2001 the Premio Reina Sofia.

Castagnoli has always been receptive to Scelsi's approach to composition and to his art, unlike many others over the years who have shown no interest whatever in Scelsi's music. Common to all five pieces on the present recording is the idea of a natural, organic development of form - the development of a single, complex sound starts from within the sound itself and its duration is stretched out over a far longer period than one would expect. The complexity of this single note and single sound leads the listener to hear the entire work as one sound moving within itself, rather than "going somewhere".
…..
Giulio Castagnoli was born in Rome into a family of physicists. He attended Turin University where he read classics and archeology. He obtained a degree in music history and diplomas in composition under Gilberto Bosco and in pianoforte with Maria Golia. He went on to complete his musical studies at the Hochschule fur Musik in Freiburg under Brian Ferneyhough (1986) and Franco Donatoni at the Accademia di Santa Cecilia in Rome (1987). Since 1984 he has lectured in composition at the Giuseppe Verdi College of Music in Turin and in 1999 was appointed professor at Turin University. He was composer in residence in Berlin, a guest of the DAAD (1998–9).
He worked on music education with Sergio Liberovici whose unfinished opera Malzel he orchestrated with Luciano Berio in 1995. Like Giacinto Scelsi, Castagnoli employs a sophisticated style directed towards timbral inventiveness, and it was to Scelsi that Castagnoli dedicated not only his first orchestral work Klang, but also an analytical essay for the series Quaderni di Musica Nuova which he founded in 1987.

Martin Wilkening from the attached booket

VA - I Love Disco Diamonds Collection Vol. 2
Release: 2001 | Label: Blanco y Negro | Number: MXCD 1106
Genre: Italo Disco | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + CUE + Flac + Full Covers
Size: 588 MB | RAR files | RS.com

"Joe Maran - Give Me a Break", "Den Harrow - Mad Desire", "Tom Hooker - Looking for Love", "Paul Sharada - Keep Your Love Alive" and more... are the songs which included on the second volume of "I Love Disco Diamonds", released in 2001 by Spain's Blanco y Negro label. This is part of one of the most extensive Euro-dance (Italo Disco) series available. Since the series is so extensive, you can bet there's plenty of filler, and that's definitely the case here.