Paul Van Dyk - For An Angel
MP3 | House | 2009 | VBR avg 320 Kbps | 100.02 MB
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For the first time ever EMI Classics are making available, in two handsome sets, the complete recordings that Karajan made for EMI between the years 1946 to 1984. The first set of 88 CDs comprises all the orchestral and concerto recordings and the second set, of 72 CDs, the Choral and Opera recordings. Both sets can be acquired at bargain prices, presenting a rare opportunity to add these historically important recordings to your collection. The last discs in each set (88 & 72 respectively) contain all the libretti, sung texts, a selection of photographs and a series of interviews with musicians who knew and worked with Karajan.
MusicWeb
Originally issued in May 1997 and one of the clear successes of EMI's Debut series, this disc was a major contributory factor to Adès' success. It is still difficult to believe that Adès was born as recently as 1971, such is the sureness of the compositional hand at work in these pieces. Since then awards and commissions have followed each other in bullet-like succession (he was the youngest ever recipient of the Grawemeyer Prize for his orchestral work Asyla, Op. 17, for example). He has acted as the Hallé's Composer-in-Residence (which in fact resulted in Asyla, as well as The Origin of the Harp) and he has produced an opera, Powder her Face, of international significance. In addition, he has let his talents as pianist and conductor develop (his solo piano disc on CDC5 57051-2 is an impressive achievement). Being in possession of such enviable pianistic gifts makes Adès the ideal interpreter of his own piano music. He makes the complexities of Traced Overhead (1996) seem easy (other pianists performances reveal this clearly not to be the case). Darknesse Visible, a 'recomposing' of Dowland's In darknesse let me dwell, likewise exhibits an astonishing variety of textures. In short, there is plenty to provoke thought here, and much to make one wonder in which this direction this composer will travel in the future.—Colin Clarke
Long out of print, Dynasty represents an interesting period in the artistic life of Getz, well out of pure bop, in between his commercial successes with Brazilian music, and on the verge of another phase of his life with fusion pioneers like Chick Corea. This is highly recommended, a solid effort from top to bottom.