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Pete Josef - Colour (2015)

Posted By: aasana
Pete Josef - Colour (2015)

Pete Josef - Colour (2015)
r&b/soul, blue, electronica, jazz | 51:49 min | WEB FLAC (tracks) | 302 MB
Label: Sonar Kollektiv

A heartfelt, genre-bending combination of jazz, soul, pop, and electro, UK singer, songwriter and multi-instrumentalist Pete Josef releases his debut album “Colour” this fall via Sonar Kollektiv

The title Pete Josef picked for his debut full-length just couldn’t be more appropriate: Like a found collection of analogue photographs, sepia-tinged and covering some beautiful, intense trip, the essence of “Colour” indeed lies in its manifold shades and hues, the colourfully rich and warm soundscapes the singer, songwriter and producer presents throughout the album. At home in various genres – from jazz to soul, from downbeat to outright pop –, Pete Josef just knows how to capture the warm glow of different spheres, how to present this special kind of light in various unique frames: “Colour” is comprised of 11 sonic snapshots, and one can tell right away how deeply personal they are, how much room he’s given these ideas to mature over time.

Prior to releasing his first EP in September 2015, also called “Colour,” Pete Josef, who cut his teeth in Bristol’s buzzing music scene, already shared stages with musical greats such as Roni Size and Kelis. A few years back he formed The White Lamp, a duo with Darren Emerson (Underworld), and their single “Make It Good” turned out a proper club hit. After Berlin-based Sonar Kollektiv licensed the track in 2012, Josef joined many of the label’s artists in the studio, contributing both vocals and his unique songwriting skills to tracks by Alex Barcks, Paskal & Urban Absolutes, Marlow, and Sascha Braemer. His most recent collaboration with ComixXx, “Broken Connection,” acclaimed by German Noisey/Vice, exudes the same kind of warmth and intimacy as his forthcoming full-length.

Although the singer, who currently lives in a cottage in rural Somerset, says that nature is indeed a huge inspiration, “Colour” isn’t about physiographical details at all: Joined by a dozen friends, various drummers, double bass and wind players, he deals with emotional states, sentiments both good and bad, though one can tell that he never gives up hope for an even brighter, more colourful future. What’s more, Josef’s certainly no purist: He effortlessly blends jazz and his very own, shape-shifting take on pop, and when it’s time for some soul flavours, there’s not even a hint of irony, no cool façade – which makes him sound like an artist from the sixties or seventies rather than some hip post-R&B kid.

The combination of pure, heartfelt bliss, mixed with dashes of melancholy and nostalgia, is already in the air on album opener “Spring At Last”: piano loops, soon underpinned by bass, live drums, strings, while Pete and his vocal guest Marie Lister (who sings on five tracks) praise the “beauty of spring”. After his majestic “Mistress,” all horns and stadium-ready, almost crooner-type pop, “Move On” is another one about relationships: “I won’t lie to you I’m sad,” he confesses over playful guitars and sweet rim-shots.

Completely self-penned, self-recorded and produced, Pete Josef heads into many different sonic spheres over the course of “Colour”’s 11 tracks: There’s introspective, night-time minimalism (“Night Gospel,” “Running In Series”) and exuberant vocal jazz – the bossa-fuelled “Travelling Song,” for example, and his mantra-like “Life Your Life” (his advice: “live it well”) –, and there’s also a track like “Hope,” epically arranged and based around a poem by Emily Dickinson: At first, his stunning voice has plenty of room for itself, until the track spreads its wings and takes off majestically like some composition by The Cinematic Orchestra.

And yet, this voice sounds altogether different on “Many Signs,” almost like a latter-day Stevie Wonder, until he once again shows his love for beats on the tropically hot “Something Good”. The album ends with pure bliss – the title track “Colour”: “Wonder why/walking through flowers/it makes me high.” It’s true and soothing: Beauty lies in simple things.
It’s easily the soundtrack to this year’s Indian summer: “Colour” refracts and pools the warm afterglow of many years, and it burns brighter with each listen.

Tracklist:
01. Pete Josef - Spring At Last
02. Pete Josef - Mistress
03. Pete Josef - Night Gospel
04. Pete Josef - Move On
05. Pete Josef - Live Your Live
06. Pete Josef - The Travelling Song
07. Pete Josef - Hope
08. Pete Josef - Running In Series
09. Pete Josef - Many Signs
10. Pete Josef - Something Good
11. Pete Josef - Colour

fooCDtect - foobar2000 + auCDtect, baralgin.

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

mode: 0

===========================================
Track: 04. Pete Josef - Move On

Processing file: [04. Pete Josef - Move On.aucdtect]
Detected average hi-boundary frequency: 2.048193e+004 Hz
Detected average lo-boundary frequency: 1.447014e+004 Hz
Detected average hi-cut frequency: 2.192926e+004 Hz
Detected average lo-cut frequency: 1.391052e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.598572e-001
First order smothness: 5.056818e-001
Second order smothness: 6.713517e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%

===========================================
Track: 02. Pete Josef - Mistress

Processing file: [02. Pete Josef - Mistress.aucdtect]
Detected average hi-boundary frequency: 2.064766e+004 Hz
Detected average lo-boundary frequency: 1.620961e+004 Hz
Detected average hi-cut frequency: 2.179222e+004 Hz
Detected average lo-cut frequency: 1.078013e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.352282e-001
First order smothness: 4.070240e-001
Second order smothness: 5.353050e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%

===========================================
Track: 01. Pete Josef - Spring At Last

Processing file: [01. Pete Josef - Spring At Last.aucdtect]
Detected average hi-boundary frequency: 2.051095e+004 Hz
Detected average lo-boundary frequency: 1.513855e+004 Hz
Detected average hi-cut frequency: 2.189962e+004 Hz
Detected average lo-cut frequency: 1.371923e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.217412e-001
First order smothness: 4.058515e-001
Second order smothness: 7.281590e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 03. Pete Josef - Night Gospel

Processing file: [03. Pete Josef - Night Gospel.aucdtect]
Detected average hi-boundary frequency: 2.042294e+004 Hz
Detected average lo-boundary frequency: 1.264961e+004 Hz
Detected average hi-cut frequency: 2.194817e+004 Hz
Detected average lo-cut frequency: 1.434089e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 5.266680e-001
First order smothness: 5.430698e-001
Second order smothness: 6.728111e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%

===========================================
Track: 05. Pete Josef - Live Your Live

Processing file: [05. Pete Josef - Live Your Live.aucdtect]
Detected average hi-boundary frequency: 2.038457e+004 Hz
Detected average lo-boundary frequency: 1.486740e+004 Hz
Detected average hi-cut frequency: 2.186386e+004 Hz
Detected average lo-cut frequency: 1.246516e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.464693e-001
First order smothness: 3.875042e-001
Second order smothness: 6.311067e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 06. Pete Josef - The Travelling Song

Processing file: [06. Pete Josef - The Travelling Song.aucdtect]
Detected average hi-boundary frequency: 2.051791e+004 Hz
Detected average lo-boundary frequency: 1.463172e+004 Hz
Detected average hi-cut frequency: 2.190849e+004 Hz
Detected average lo-cut frequency: 1.305442e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.058670e-001
First order smothness: 4.595386e-001
Second order smothness: 5.349689e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 07. Pete Josef - Hope

Processing file: [07. Pete Josef - Hope.aucdtect]
Detected average hi-boundary frequency: 2.057063e+004 Hz
Detected average lo-boundary frequency: 1.518555e+004 Hz
Detected average hi-cut frequency: 2.189288e+004 Hz
Detected average lo-cut frequency: 1.502740e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.378822e-001
First order smothness: 4.426774e-001
Second order smothness: 7.004510e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 08. Pete Josef - Running In Series

Processing file: [08. Pete Josef - Running In Series.aucdtect]
Detected average hi-boundary frequency: 2.045502e+004 Hz
Detected average lo-boundary frequency: 1.454012e+004 Hz
Detected average hi-cut frequency: 2.180375e+004 Hz
Detected average lo-cut frequency: 1.184916e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.554949e-001
First order smothness: 4.051871e-001
Second order smothness: 7.028061e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%

===========================================
Track: 09. Pete Josef - Many Signs

Processing file: [09. Pete Josef - Many Signs.aucdtect]
Detected average hi-boundary frequency: 2.023853e+004 Hz
Detected average lo-boundary frequency: 1.297482e+004 Hz
Detected average hi-cut frequency: 2.116633e+004 Hz
Detected average lo-cut frequency: 8.840211e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.443344e-001
First order smothness: 4.103526e-001
Second order smothness: 6.481620e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 10. Pete Josef - Something Good

Processing file: [10. Pete Josef - Something Good.aucdtect]
Detected average hi-boundary frequency: 2.106970e+004 Hz
Detected average lo-boundary frequency: 1.707258e+004 Hz
Detected average hi-cut frequency: 2.194934e+004 Hz
Detected average lo-cut frequency: 1.674630e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.190062e-001
First order smothness: 6.852190e-001
Second order smothness: 6.125304e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================
Track: 11. Pete Josef - Colour

Processing file: [11. Pete Josef - Colour.aucdtect]
Detected average hi-boundary frequency: 2.023441e+004 Hz
Detected average lo-boundary frequency: 1.464388e+004 Hz
Detected average hi-cut frequency: 2.190781e+004 Hz
Detected average lo-cut frequency: 1.071700e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.155546e-001
First order smothness: 4.146608e-001
Second order smothness: 5.858862e-001

––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%

===========================================