Although the thought of an Orb live album may raise some eyebrows, the resulting two-CD set is amazing, a complete representation of the group in concert and living proof that techno is indeed a live, as well as recorded, art form. Besides, the consistent Pink Floyd jokes on the record (as well as the brilliant cover art) are hilarious.

Haynes have been creating the ultimate manuals for the last fifty years and believe they know a thing or two about keeping your car running smoothly. Knowing just how important it is to have the best mix of music on the stereo to enhance the performance of your car, Haynes have worked with Sony to create in-car compilations to make driving just that little bit more enjoyable. This 3-CD compilations owns extra class, especially for those who get into this type of music for the first time. It's truly the ultimate guide to Northern Soul music! All 59 tracks are originbal recordings made between 1963-1979.

The follow-up to Believe It should have been titled "I Can't Believe It." Fans who were so impressed with the first recording must have checked the personnel listing here several times for accuracy. Like many of the fusion stars of the '70s, the eventual sellout to disco/funk became inevitable for drummer Tony Williams. While he may have been able to pull this off due to his impressive talents, doing so with Allan Holdsworth was not a good idea. Bassist Tony Newton had a significant amount of input into this session and contributes some less than memorable vocals. Fortunately, this entire session has been re-released as the second part of the Collection recording, which also includes Believe It. This was a nice gesture on Columbia's part, as they satisfied fans' curiosity and interest in this legendary group without making them pay extra for this embarrassing recording.

The five years from the beginning of 1958 to the end of 1962 were crucial to the genesis of country music as it moved away from a traditional hillbilly and western sound to something altogether more cosmopolitan in construction.

In chronological order, this six-CD collection presents the entirety of Otis Redding's performances over three nights at the famed Whisky A Go Go, on LA's Sunset Strip. The seven sets, recorded Friday, April 8th, through Sunday, April 10th, feature the singer's popular songs of the time, including 'Respect,''I've Been Loving You Too Long' and his cover of The Rolling Stones' '(I Can t Get No) Satisfaction.' Several of these recordings -all remixed and remastered from the original analog tapes- will be released for the very first time.

By '75, Williams had signed with a new label, pieced together a New Tony Williams Lifetime, and moved in a little more conventional jazz-rock direction. But unlike so many fusion records of the time, Believe It managed to be powerful without the bombastic pyrotechnics of bands like Return to Forever.

Arturs Maskats was born on December 20th, 1957 in Valmiera. He studied at the Jāzeps Mediņš Music School, where among his teachers were Jānis Līcītis (harmony) and Marija Mediņa (the musical form, instrumentation) – a representative of a notable family of Latvian composers and the spiritual motivator of Arturs Maskats’s further progress. He finished the composition class with Valentīns Utkins (1982) at the Latvian State Conservatory, and, during his years of study, he received the top award at the All Nations Young Composer Festival (1981) in Yerevan, Armenia.

Composer David Arnold’s soundtrack to the highly anticipated TV adaptation of Neil Gaiman and Terry Pratchett’s 1990 comic fable that packs a punch…