The first album of a very special duet… Antoine Boyer and Samuelito were both selected as Revelation by Guitarist Acoustic magazine. As a duet, they won the 4th European Guitar Award in Dresden. Antoine comes from gypsy jazz, Samuelito from the world of flamenco, and their meeting has given birth to a fabulous music drawing on various origins and inspirations. In this album, enjoy 4 compositions and 4 unreleased arrangements and get a taste of the extraordinary musical achievements of this duet !

Retrospective singles collection of the one and only Primal Scream. Titled Maximum Rock’n’Roll, the record features releases from across their lifetime as a band. “Right from our 1985 debut All Fall Down onward we’ve approached singles as an aesthetic choice, a statement of where we are as a band,” says Bobby Gillespie. “We grew up with Suffragette City and Metal Guru flying out of the radio. The four Sex Pistols singles were great. Public Image by PiL sounded like nothing else. Prince and Madonna made amazing hits. That has been our approach. I’ve always loved Top 40 pop radio, I love greatest hits albums like The Who’s Meaty, Beaty, Big and Bouncy. I remember Alan McGee saying of Higher Than The Sun: it won’t be a hit, but it will be a statement. Great singles can get out into the world and show people an alternative way of thinking. They make you feel less alone.”

Naughty is the second solo album by American R&B/funk singer Chaka Khan, released on Warner Bros. Records in 1980. Three singles were released from Naughty: the club hit "Clouds" (penned by Ashford & Simpson who also wrote Chaka's "I'm Every Woman"). "Clouds" features background vocals performed by a 16-year-old Whitney Houston and her mother Cissy Houston (US R&B #10), "Get Ready, Get Set" (#48) and the big hit "Papillon (a.k.a. Hot Butterfly)" (#22). The album track "Our Love's in Danger" featured prominent background vocals from Luther Vandross and Whitney Houston. On Billboard's charts, the album reached #6 on Black Albums, #43 on Pop Albums. Naughty garnered Khan her first American Music Award nomination for Favorite Soul/R&B Female Artist at the 8th American Music Awards in 1981.

From one of the few rock acts recording for Enoch Light's Project 3 label during the late '60s – the Free Design were the most notable – the self-titled record by Rain held high promise for fans of Baroque pop. The group, led by Cobb Bussinger and Michael Kennedy, featured the same heavenly harmonies as the Zombies and Left Banke, with each member of the quartet contributing…

A set of previously unreleased recordings — in Paris between 1957 and 1962 — that Oscar Peterson made in the margins of the famous «Jazz At The Philharmonic» tours organized by impresario Norman Granz. The pianist was a JATP mainstay, and his Trio (featuring bassist Ray Brown with guitarist Herb Ellis or drummer Ed Thigpen), one of the greatest in the history of jazz. The set’s accompanying booklet by Michel Brillié is fi lled with interviews and anecdotes dealing with Oscar and his peers, providing valuable insight, and the music is arguably his best, with its unbeatable groove, unrivalled power, and all the generosity one associates with the Trio’s live performances. This album is a must for jazz fans, newcomers and purists alike. Patrick FRÉMEAUX The Live in Paris collection by Michel Brillié allows listeners to hear previously-unreleased recordings (made at concerts and private- or radio-sessions) by the great 20th stars in jazz, rock & roll and song. These “live” takes, and the artists’ rapport with their audiences, gives these performances an additional soul and sensibility in counterpoint to the rigorous demands of studio recordings. Particular care was taken when restoring the sound of these tapes in order to meet CD standards while preserving the original colours of the period.