Sebastian Knüpfer is yet another Baroque composer whose reputation and popularity have been overshadowed by J S Bach. Little of Knüpfer's music has previously been transcribed from its many manuscripts, let alone published. However, in his day Knüpfer was a respected and highly sought-after composer; his compositions were admired by his contemporaries and, according to his obituary, he 'composed quotations of the Psalms and other Biblical books with such sweetness and skilfulness that he delighted even the saddest hearts, and his name is spoken with admiration not only in Leipzig but also outside'.

The latest album from Christina Pluhar and her instrumental ensemble L’Arpeggiata sheds new light on the chamber cantatas of 17th century Italian composer, Luigi Rossi. He wrote more than 300 of these works and Christina Pluhar’s new double album includes an impressive number of 21 world premiere recordings, which are the fruit of Christina Pluhar’s research among music manuscripts held in the Bibliothèque Nationale de France and the Vatican Library.

The Colourful Telemann presents works from different periods of Georg Philipp Telemanns life, reflecting his lively personality and exploring his seemingly unlimited invention over a wide variety of styles and genres. A contemporary of Bach and Handel, Telemann wrote music that stands out for its delightful and remarkably generous character, each piece like a leisurely walk with a good friend. From the German and French influences of the earlier Sonata to the dignified Sinfonia Melodica, possibly composed in the year of his death, this is Telemann at his best. Barthold Kuijken is an eminent leader in the field of early music.

János Kőrössy (1926-2013) was a Romanian jazz musician of Hungarian descent. He was a piano player, composer and arranger.
Kőrössy's first name is spelled in many different ways: Hansel, Jancy, Jancsy, Iancsi, Yancy and Yancey. He became a well known jazz musician in the European Eastern bloc in the 1960s, appearing at the International Jazz Festivals in Prague (1960), Warsaw (1961) and Budapest (1962). In 1969 he moved to West Germany and subsequently relocated to the United States, settling in Atlanta, Georgia. He played in Atlanta and in 1981 performed with Zoot Sims. After the Romanian Revolution, he returned to Romania, appearing in 1993 at the Costineşti and Galaţi jazz festivals and 2001 at the International Jazz Festival in Bucharest.

Known primarily as a hard rock/blues rock group, the Groundhogs have become a legend in the world of rock, they never set out to become a Prog rock band though during 1970-1972 created some imaginative experimental music born from the pen of Tony McPhee, and made much of the band's work interesting material for followers of Prog - social, mindwarp, ecological and psyche/space rock themes and unusual instruments found their way into the band's albums made during this their most progressive and arguably most fruitful period, featuring many regard as the classic Groundhogs line-up of Tony (T.S.) McPhee guitar/vocals, Pete Cruikshank on bass guitar and Ken Pustelnik on drums.

Pete Namlook was one of the most influential protagonists of ambient music during the 1990s. Inspired by Oskar Sala, one of the pioneers of electronic music, Namlook focused on the untapped potential of analogue synthesizers, often developed or extended in his laboratory.