Andrew Parrott, Taverner Consort and Players - Bach: Christ lag in Todes Banden; Easter Oratorio (1994)
Andrew Parrott, Taverner Consort and Players - Bach: Christ lag in Todes Banden; Easter Oratorio (1994)
EAC | FLAC | Image (Cue & Log) ~ 237 Mb | Total time: 59:13 | Scans included
Classical | Label: Virgin Classics | 5 45011 2 | Recorded: 1993
EAC | FLAC | Image (Cue & Log) ~ 237 Mb | Total time: 59:13 | Scans included
Classical | Label: Virgin Classics | 5 45011 2 | Recorded: 1993
Andrew Parrott was the first conductor to adopt Joshua Rifkin's controversial one-singer-per-part approach to Bach's "choral" music (other than Rifkin himself, that is). On the whole, Parrott and his ensemble make a good case for both one-per-part practice and their own performances. Once the ear adjusts, the balance is excellent: the vocal parts don't dominate the orchestra (as many listeners accustomed to a chorus expect); they are equal partners with it–which suits Bach's intricate and often dense writing for instruments and voices.
The Taverner Consort and Players really shine. The opening Sinfonia of Christ lag in Todesbanden (taken surprisingly slowly) is breathtaking, as is the soprano-alto duet; the Sinfonia and opening chorus of the Easter Oratorio fairly rollick along, while Emily van Evera (sensitive and beguiling) and Caroline Trevor (athletic and almost giddy) do themselves proud in their arias, and tenor Charles Daniels, cushioned by flutes and strings, paints a magical picture of heavenly rest.–Matthew Westphal
Performer:
Emily Van Evera, soprano
Caroline Trevor, alto
Charles Daniels, tenor
Peter Kooy, baritone (BWV 249)
David Thomas, bass (BWV 4)
Taverner Consort and Players
Andrew Parrott, conductor
Track List:
Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54)
01. 1. Sinfonia
02. 2. Verses I: Christ lag in Todes Banden
03. 3. Verses II: Den Tod niemand zwingen kunnt
04. 4. Verses III: Jesus Christus, Gottes Sohn
05. 5. Verses IV: Es war ein wunderlicher Krieg
06. 6 Verses V: Hie ist das rechte Osterlamm
07. 7. Verses VI: So feiren wir das hohe Fest
08. 8. Verses VII: Wir essen und leben wohl
Kommt, eilet und laufet, BWV 249
09. No. 1. Sinfonia
10. No. 2. Adagio
11. No. 3. Chorus: Kommt, eilet und laufet
12. No. 4. Recitativo: O kalter Männer Sinn!
13. No. 5. Aria: Seele, deine Spezereien
14. No. 6. Recitativo: Hier ist die Gruft
15. No. 7. Aria: Sanfte soll mein Todeskummer
16. No. 8. Recitativo: Indessen seufzen wir
17. No. 9. Aria: Saget, saget mir geschwinde
18. No. 10. Recitativo: Wir sind erfreut
19. No. 11. Chorus: Preis und Dank
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 3. March 2020, 17:51
Emily Van Evera, Caroline Trevor, Charles Daniels, Peter Kooy, David Thomas / Bach - Christ lag in Todes Banden. Easter Oratorio
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==== Log checksum F312A8C2933A8C1C666677BCFFC2428ACAE675193E3BBB08AFF9B390044DC57E ====
Andrew Parrott, Taverner Consort and Players - Bach: Christ lag in Todes Banden; Easter Oratorio (1994)
Thanks to the original releaser