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B.B. King - His Definitive Greatest Hits (1999)

Posted By: v3122
B.B. King - His Definitive Greatest Hits (1999)

B.B. King - His Definitive Greatest Hits (1999)
2CD | Blues | EAC Rip | Flac (Image) + Cue + Log | MP3 CBR 320Kbps | 16 + 18 tracks
Covers Included | MCA Records | 0008811203825 | ~928 + 330 Mb | RS.com + Turbobit

Spectacular two disc compilation by the undisputed King of the Blues! 34 tracks, including collaborations with U2, BobbyBland, Gary Moore, and Robert Cray as well as original versions of 'The Thrill Is Gone', 'Paying The Cost To Be The Boss', 'My Lucille' & more, plus live versions of eight cuts.
B.B. King - His Definitive Greatest Hits (1999)

B.B. King Biography:

The formation of 10cc in 1970 represented the birth of a Manchester, England-based supergroup. The line-up - Eric Stewart (20 January 1945, Manchester, England; vocals/guitar), Lol Creme (b. Lawrence Creme, 19 September 1947, Manchester, England; vocals/guitar), Kevin Godley (b. 7 October 1945, Manchester, England; vocals/drums) and Graham Gouldman (b. 10 May 1946, Manchester, England; vocals/guitar) - boasted years of musical experience stretching back to the mid-60s. Stewart was a former member of both Wayne Fontana And The Mindbenders and the Mindbenders; Gouldman had played in the Mockingbirds and written many hits for such artists as Herman’s Hermits, the Yardbirds, the Hollies and Jeff Beck; Godley And Creme had worked in various session outfits, including Hotlegs, which spawned 10cc.

Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century. His bent notes and staccato picking style have influenced legions of contemporary bluesmen, while his gritty and confident voice – capable of wringing every nuance from any lyric – provides a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). Since that time, he has partnered with such musicians as Eric Clapton and U2 while managing his own acclaimed solo career, all the while maintaining his immediately recognizable style on the electric guitar.

The seeds of Riley B. King's enduring talent were sown deep in the blues-rich Mississippi Delta, where he was born in 1925 near the town of Itta Bena. He was shuttled between his mother's home and his grandmother's residence as a child, his father having left the family when King was very young. The youth put in long days working as a sharecropper and devoutly sang the Lord's praises at church before moving to Indianola – another town located in the heart of the Delta – in 1943.

Country and gospel music left an indelible impression on King's musical mindset as he matured, along with the styles of blues greats (T-Bone Walker and Lonnie Johnson) and jazz geniuses (Charlie Christian and Django Reinhardt). In 1946, he set off for Memphis to look up his cousin, a rough-edged country blues guitarist named Bukka White. For ten invaluable months, White taught his eager young relative the finer points of playing blues guitar. After returning briefly to Indianola and the sharecropper's eternal struggle with his wife Martha, King returned to Memphis in late 1948. This time, he stuck around for a while.

King was soon broadcasting his music live via Memphis radio station WDIA, a frequency that had only recently switched to a pioneering all-black format. Local club owners preferred that their attractions also held down radio gigs so they could plug their nightly appearances on the air. When WDIA DJ Maurice "Hot Rod" Hulbert exited his air shift, King took over his record-spinning duties. At first tagged "The Peptikon Boy" (an alcohol-loaded elixir that rivaled Hadacol) when WDIA put him on the air, King's on-air handle became the "Beale Street Blues Boy," later shortened to Blues Boy and then a far snappier B.B.

1949 was a four-star breakthrough year for King. He cut his first four tracks for Jim Bulleit's Bullet Records (including a number entitled "Miss Martha King" after his wife), then signed a contract with the Bihari Brothers' Los Angeles-based RPM Records. King cut a plethora of sides in Memphis over the next couple of years for RPM, many of them produced by a relative newcomer named Sam Phillips (whose Sun Records was still a distant dream at that point in time). Phillips was independently producing sides for both the Biharis and Chess; his stable also included Howlin' Wolf, Rosco Gordon, and fellow WDIA personality Rufus Thomas.

The Biharis also recorded some of King's early output themselves, erecting portable recording equipment wherever they could locate a suitable facility. King's first national R&B chart-topper in 1951, "Three O'Clock Blues" (previously waxed by Lowell Fulson), was cut at a Memphis YMCA. King's Memphis running partners included vocalist Bobby Bland, drummer Earl Forest, and ballad-singing pianist Johnny Ace. When King hit the road to promote "Three O'Clock Blues," he handed the group, known as the Beale Streeters, over to Ace.

It was during this era that King first named his beloved guitar "Lucille." Seems that while he was playing a joint in a little Arkansas town called Twist, fisticuffs broke out between two jealous suitors over a lady. The brawlers knocked over a kerosene-filled garbage pail that was heating the place, setting the room ablaze. In the frantic scramble to escape the flames, King left his guitar inside. He foolishly ran back in to retrieve it, dodging the flames and almost losing his life. When the smoke had cleared, King learned that the lady who had inspired such violent passion was named Lucille. Plenty of Lucilles have passed through his hands since; Gibson has even marketed a B.B.-approved guitar model under the name.

The 1950s saw King establish himself as a perennially formidable hitmaking force in the R&B field. Recording mostly in L.A. (the WDIA air shift became impossible to maintain by 1953 due to King's endless touring) for RPM and its successor Kent, King scored 20 chart items during that musically tumultuous decade, including such memorable efforts as "You Know I Love You" (1952); "Woke Up This Morning" and "Please Love Me" (1953); "When My Heart Beats like a Hammer," "Whole Lotta' Love," and "You Upset Me Baby" (1954); "Every Day I Have the Blues" (another Fulson remake), the dreamy blues ballad "Sneakin' Around," and "Ten Long Years" (1955); "Bad Luck," "Sweet Little Angel," and a Platters-like "On My Word of Honor" (1956); and "Please Accept My Love" (first cut by Jimmy Wilson) in 1958. King's guitar attack grew more aggressive and pointed as the decade progressed, influencing a legion of up-and-coming axemen across the nation.

In 1960, King's impassioned two-sided revival of Joe Turner's "Sweet Sixteen" became another mammoth seller, and his "Got a Right to Love My Baby" and "Partin' Time" weren't far behind. But Kent couldn't hang onto a star like King forever (and he may have been tired of watching his new LPs consigned directly into the 99-cent bins on the Biharis' cheapo Crown logo). King moved over to ABC-Paramount Records in 1962, following the lead of Lloyd Price, Ray Charles, and before long, Fats Domino.

In November of 1964, the guitarist cut his seminal Live at the Regal album at the fabled Chicago theater and excitement virtually leaped out of the grooves. That same year, he enjoyed a minor hit with "How Blue Can You Get," one of his many signature tunes. 1966's "Don't Answer the Door" and "Paying the Cost to Be the Boss" two years later were Top Ten R&B entries, and the socially charged and funk-tinged "Why I Sing the Blues" just missed achieving the same status in 1969.

Across-the-board stardom finally arrived in 1969 for the deserving guitarist, when he crashed the mainstream consciousness in a big way with a stately, violin-drenched minor-key treatment of Roy Hawkins' "The Thrill Is Gone" that was quite a departure from the concise horn-powered backing King had customarily employed. At last, pop audiences were convinced that they should get to know King better: not only was the track a number-three R&B smash, it vaulted to the upper reaches of the pop lists as well.

King was one of a precious few bluesmen to score hits consistently during the 1970s, and for good reason: he wasn't afraid to experiment with the idiom. In 1973, he ventured to Philadelphia to record a pair of huge sellers, "To Know You Is to Love You" and "I Like to Live the Love," with the same silky rhythm section that powered the hits of the Spinners and the O'Jays. In 1976, he teamed up with his old cohort Bland to wax some well-received duets. And in 1978, he joined forces with the jazzy Crusaders to make the gloriously funky "Never Make Your Move Too Soon" and an inspiring "When It All Comes Down." Occasionally, the daring deviations veered off-course; Love Me Tender, an album that attempted to harness the Nashville country sound, was an artistic disaster.

Although his concerts were consistently as satisfying as anyone in the field (King asserted himself as a road warrior of remarkable resiliency who gigged an average of 300 nights a year), King tempered his studio activities somewhat. Nevertheless, his 1993 MCA disc Blues Summit was a return to form, as King duetted with his peers (John Lee Hooker, Etta James, Fulson, Koko Taylor) on a program of standards. Other notable releases from that period include 1999's Let the Good Times Roll: The Music of Louis Jordan and 2000's Riding with the King, a collaboration with Eric Clapton. King celebrated his 80th birthday in 2005 with the star-studded album 80, which featured guest spots from such varied artists as Gloria Estefan, John Mayer, and Van Morrison. Live was issued in 2008; that same year, King released an engaging return to pure blues, One Kind Favor, which eschewed the slick sounds of his 21st century work for a stripped-back approach.

~ Bill Dahl, All Music Guide

B.B. King - His Definitive Greatest Hits (1999) - CD1:

B.B. King - His Definitive Greatest Hits (1999)

Tracklist:

1. B.B. King - The Thrill Is Gone (5:27)
2. B.B. King - Paying the Cost to Be the Boss (2:35)
3. B.B. King - Don't Answer the Door, Pts. 1 & 2 (5:11)
4. B.B. King - I Like to Live the Love (3:31)
5. B.B. King - How Blue Can You Get? (2:43)
6. B.B. King - Why I Sing the Blues (8:39)
7. B.B. King - Chains and Things (4:55)
8. B.B. King - To Know You Is to Love You (3:51)
9. B.B. King - When Love Comes to Town [7" Edit and Mix] (4:15)
10. B.B. King - Playin' With My Friends (5:20)
11. B.B. King - Never Make a Move Too Soon (5:32)
12. B.B. King - Better Not Look Down (3:24)
13. B.B. King - There Must Be a Better World Somewhere (3:47)
14. B.B. King - Hummingbird (4:35)
15. B.B. King - Every Day I Have the Blues [Live] (2:39)
16. B.B. King - Sweet Little Angel [Live] (3:46)

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 25. February 2010, 11:20

B.B. King / His Definitive Greatest Hits (CD 1)

Used drive : MATSHITAUJ-840D Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 5:27.22 | 0 | 24546
2 | 5:27.22 | 2:35.28 | 24547 | 36199
3 | 8:02.50 | 5:11.72 | 36200 | 59596
4 | 13:14.47 | 3:32.10 | 59597 | 75506
5 | 16:46.57 | 2:43.45 | 75507 | 87776
6 | 19:30.27 | 8:39.58 | 87777 | 126759
7 | 28:10.10 | 4:55.57 | 126760 | 148941
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9 | 36:57.67 | 4:15.35 | 166342 | 185501
10 | 41:13.27 | 5:20.68 | 185502 | 209569
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14 | 59:19.07 | 4:35.73 | 266932 | 287629
15 | 63:55.05 | 2:40.10 | 287630 | 299639
16 | 66:35.15 | 3:46.32 | 299640 | 316621


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Filename C:\Documents and Settings\Liliya\Мои документы\B.B. King - His Definitive Greatest Hits\B.B. King - His Definitive Greatest Hits (CD 1).wav

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Suspicious position 0:33:02
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Suspicious position 1:03:47 - 1:03:52
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Suspicious position 1:06:31 - 1:06:33
Suspicious position 1:10:18 - 1:10:21

Peak level 99.8 %
Range quality 98.5 %
Test CRC F2C71BD8
Copy CRC 2A36801F
Copy finished

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Track 2 accurately ripped (confidence 10) [BC4CE0CE]
Track 3 accurately ripped (confidence 10) [042C1C76]
Track 4 accurately ripped (confidence 10) [DA70D5BB]
Track 5 accurately ripped (confidence 10) [50328446]
Track 6 accurately ripped (confidence 10) [9E61BFDB]
Track 7 accurately ripped (confidence 10) [BE0AEE94]
Track 8 cannot be verified as accurate (confidence 17) [746AA37C], AccurateRip returned [C8F90924]
Track 9 accurately ripped (confidence 10) [B7E54593]
Track 10 cannot be verified as accurate (confidence 18) [F1A182DB], AccurateRip returned [F03929AF]
Track 11 cannot be verified as accurate (confidence 18) [B67B0D51], AccurateRip returned [C0ED7A84]
Track 12 cannot be verified as accurate (confidence 18) [0B4640D9], AccurateRip returned [B8BBB247]
Track 13 cannot be verified as accurate (confidence 18) [EB4ACE13], AccurateRip returned [7AD0C90F]
Track 14 cannot be verified as accurate (confidence 18) [57C5E9F9], AccurateRip returned [F6FCA565]
Track 15 cannot be verified as accurate (confidence 18) [34B6C620], AccurateRip returned [48FAA4F0]
Track 16 cannot be verified as accurate (confidence 18) [1933582A], AccurateRip returned [BF1F2058]

8 track(s) accurately ripped
8 track(s) could not be verified as accurate

Some tracks could not be verified as accurate

End of status report


AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD 1

1 -=- B.B. King - His Definitive Greatest Hits (CD 1).flac -=- CDDA (100%)

106091668

B.B. King - His Definitive Greatest Hits (1999) - CD2:

B.B. King - His Definitive Greatest Hits (1999)

Tracklist:

1. B.B. King - Help the Poor (2:39)
2. B.B. King - So Excited (5:35)
3. B.B. King - Broken Heart (2:45)
4. B.B. King - Ghetto Woman (5:16)
5. B.B. King - Ain't Nobody Home (3:16)
6. B.B. King - Darlin' You Know I Love You (4:49)
7. B.B. King - In the Midnight Hour (3:23)
8. B.B. King - Into the Night (4:11)
9. B.B. King - My Lucille (3:41)
10. B.B. King - The Blues Come over Me (5:15)
11. B.B. King - Since I Met You Baby (2:53)
12. B.B. King - I'm Moving On (4:17)
13. B.B. King - Let the Good Times Roll [Live] (5:30)
14. B.B. King - Woke up This Morning (My Baby's Gone) [Live] (1:49)
15. B.B. King - Three O'Clock Blues [Live] (3:16)
16. B.B. King - Please Love Me [Live] (3:03)
17. B.B. King - Caldonia [Live] (4:00)
18. B.B. King - Rock Me Baby [Live] (3:27)

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 25. February 2010, 12:15

B.B. King / B.B. King - His Definitive Greatest Hits (CD 2)

Used drive : MATSHITAUJ-840D Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:39.45 | 0 | 11969
2 | 2:39.45 | 5:36.05 | 11970 | 37174
3 | 8:15.50 | 2:45.57 | 37175 | 49606
4 | 11:01.32 | 5:16.50 | 49607 | 73356
5 | 16:18.07 | 3:16.48 | 73357 | 88104
6 | 19:34.55 | 4:49.50 | 88105 | 109829
7 | 24:24.30 | 3:24.12 | 109830 | 125141
8 | 27:48.42 | 4:11.35 | 125142 | 144001
9 | 32:00.02 | 3:41.38 | 144002 | 160614
10 | 35:41.40 | 5:15.25 | 160615 | 184264
11 | 40:56.65 | 2:53.35 | 184265 | 197274
12 | 43:50.25 | 4:17.27 | 197275 | 216576
13 | 48:07.52 | 5:31.08 | 216577 | 241409
14 | 53:38.60 | 1:49.67 | 241410 | 249651
15 | 55:28.52 | 3:16.73 | 249652 | 264424
16 | 58:45.50 | 3:03.25 | 264425 | 278174
17 | 61:49.00 | 4:00.47 | 278175 | 296221
18 | 65:49.47 | 3:27.43 | 296222 | 311789


Range status and errors

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Filename C:\Documents and Settings\Liliya\Мои документы\B.B. King - His Definitive Greatest Hits\B.B. King - B.B. King - His Definitive Greatest Hits (CD 2).wav

Copy aborted

End of status report

––––––––––––––––––––––––––––––

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 25. February 2010, 12:17

B.B. King / B.B. King - His Definitive Greatest Hits (CD 2)

Used drive : MATSHITAUJ-840D Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s
Use compression offset : 6


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:39.45 | 0 | 11969
2 | 2:39.45 | 5:36.05 | 11970 | 37174
3 | 8:15.50 | 2:45.57 | 37175 | 49606
4 | 11:01.32 | 5:16.50 | 49607 | 73356
5 | 16:18.07 | 3:16.48 | 73357 | 88104
6 | 19:34.55 | 4:49.50 | 88105 | 109829
7 | 24:24.30 | 3:24.12 | 109830 | 125141
8 | 27:48.42 | 4:11.35 | 125142 | 144001
9 | 32:00.02 | 3:41.38 | 144002 | 160614
10 | 35:41.40 | 5:15.25 | 160615 | 184264
11 | 40:56.65 | 2:53.35 | 184265 | 197274
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13 | 48:07.52 | 5:31.08 | 216577 | 241409
14 | 53:38.60 | 1:49.67 | 241410 | 249651
15 | 55:28.52 | 3:16.73 | 249652 | 264424
16 | 58:45.50 | 3:03.25 | 264425 | 278174
17 | 61:49.00 | 4:00.47 | 278175 | 296221
18 | 65:49.47 | 3:27.43 | 296222 | 311789


Range status and errors

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Filename C:\Documents and Settings\Liliya\Мои документы\B.B. King - His Definitive Greatest Hits\B.B. King - B.B. King - His Definitive Greatest Hits (CD 2).wav

Copy aborted

End of status report

––––––––––––––––––––––––––––––

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 25. February 2010, 22:43

B.B. King / B.B. King - His Definitive Greatest Hits (CD 2)

Used drive : MATSHITAUJ-840D Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s
Use compression offset : 6


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:39.45 | 0 | 11969
2 | 2:39.45 | 5:36.05 | 11970 | 37174
3 | 8:15.50 | 2:45.57 | 37175 | 49606
4 | 11:01.32 | 5:16.50 | 49607 | 73356
5 | 16:18.07 | 3:16.48 | 73357 | 88104
6 | 19:34.55 | 4:49.50 | 88105 | 109829
7 | 24:24.30 | 3:24.12 | 109830 | 125141
8 | 27:48.42 | 4:11.35 | 125142 | 144001
9 | 32:00.02 | 3:41.38 | 144002 | 160614
10 | 35:41.40 | 5:15.25 | 160615 | 184264
11 | 40:56.65 | 2:53.35 | 184265 | 197274
12 | 43:50.25 | 4:17.27 | 197275 | 216576
13 | 48:07.52 | 5:31.08 | 216577 | 241409
14 | 53:38.60 | 1:49.67 | 241410 | 249651
15 | 55:28.52 | 3:16.73 | 249652 | 264424
16 | 58:45.50 | 3:03.25 | 264425 | 278174
17 | 61:49.00 | 4:00.47 | 278175 | 296221
18 | 65:49.47 | 3:27.43 | 296222 | 311789


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Filename C:\Documents and Settings\Liliya\Мои документы\B.B. King - His Definitive Greatest Hits\B.B. King - B.B. King - His Definitive Greatest Hits (CD 2).wav

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Suspicious position 0:16:15
Suspicious position 0:24:22
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Suspicious position 0:43:48 - 0:43:50
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Suspicious position 0:58:43 - 0:58:46
Suspicious position 1:01:46 - 1:01:49
Suspicious position 1:05:47 - 1:05:50
Suspicious position 1:09:16

Peak level 99.8 %
Range quality 98.6 %
Copy CRC 1F6B8095
Copy finished

There were errors


AccurateRip summary

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Track 2 accurately ripped (confidence 10) [BFBD6CF0]
Track 3 cannot be verified as accurate (confidence 17) [2088E0C7], AccurateRip returned [1A0376DF]
Track 4 cannot be verified as accurate (confidence 17) [8B92C66C], AccurateRip returned [EF9708D1]
Track 5 accurately ripped (confidence 10) [7F0801B7]
Track 6 accurately ripped (confidence 10) [B32882A4]
Track 7 cannot be verified as accurate (confidence 17) [E19B2088], AccurateRip returned [2B41F3C7]
Track 8 accurately ripped (confidence 10) [1A57666A]
Track 9 accurately ripped (confidence 10) [2D935EAB]
Track 10 accurately ripped (confidence 10) [C2777368]
Track 11 cannot be verified as accurate (confidence 17) [DDA3FEF4], AccurateRip returned [1F9AE515]
Track 12 cannot be verified as accurate (confidence 17) [E1F44940], AccurateRip returned [6EBAA3AF]
Track 13 cannot be verified as accurate (confidence 16) [799EF45C], AccurateRip returned [982F063A]
Track 14 cannot be verified as accurate (confidence 17) [7FD56230], AccurateRip returned [54CE3EBC]
Track 15 cannot be verified as accurate (confidence 15) [F4DFFC2B], AccurateRip returned [4F835697]
Track 16 cannot be verified as accurate (confidence 16) [501711F6], AccurateRip returned [040FF332]
Track 17 cannot be verified as accurate (confidence 17) [215715CF], AccurateRip returned [B53AEACA]
Track 18 cannot be verified as accurate (confidence 17) [63AF3FF8], AccurateRip returned [1C477AAF]

7 track(s) accurately ripped
11 track(s) could not be verified as accurate

Some tracks could not be verified as accurate

End of status report


AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD 2

1 -=- B.B. King - B.B. King - His Definitive Greatest Hits (CD 2).flac -=- CDDA (99%)

110443348

Additional info:

Covers - 4 jpg files, total size - 382 Kb.


Download B.B. King - His Definitive Greatest Hits (1999):

RS.com - All links:
B.B. King - His Definitive Greatest Hits - All RS links

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B.B. King - His Definitive Greatest Hits - part1
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B.B. King - His Definitive Greatest Hits - One file

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