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Buxtehude: Complete Harpsichord Music - Simone Stella (2012)

Posted By: peotuvave
Buxtehude: Complete Harpsichord Music - Simone Stella (2012)

Buxtehude: Complete Harpsichord Music - Simone Stella (2012)
EAC Rip | Flac (Image + cue + log) | 4 CDs | Full Scans | 1.68 GB
Genre: Classical | Label: Brilliant Classics | Catalog Number: 94312

Dietrich Buxtehude (c.1637–1707) spent his career working as an organist in churches, but was also a prolific composer of secular instrumental music and wrote far more for harpsichord than most composers of his era. Buxtehude’s position in Lübeck and fame as an organist brought him into contact with many of the greatest musicians of his day, and his style demonstrates the variety of musical influences that he was exposed to, particularly from German and Italian repertoire, which he combined to create a unique personal style.

This set of 4 CDs collects together Buxtehude’s complete music for harpsichord, including suites in the popular French style, several works that can be played effectively on both organ and harpsichord (including preludes, fugues, canzonas and choral elaborations), and variations on arias, which showcase the composer’s creativity and ability to compose music in a variety of styles.

Among the works featured are two new authentic harpsichord suites, discovered in 2004 and 2005, and the monumental La Capricciosa, one of the largest and most innovative solo keyboard works of the 17th century. Performed by Simone Stella, who has previously played Buxtehude’s complete organ music in a series of concerts, this collection is a comprehensive overview of the harpsichord music of a composer seen by many as J.S. Bach’s true predecessor.

Composer: Dietrich Buxtehude
Performer: Simone Stella

Reviews: Decisions, decisions. Does one go with the four-CD set here on Brilliant, played with the proper style by Simone Stella, or the competing set—issued piecemeal, as is their wont—on Naxos by Lars Ulrik Mortensen? Although this set is titled Complete Harpsichord Music, it does not include the aria “Wie schön leuchtet der Morgenstern,” BuxWV 223; the Prelude in G, BuxWV 162; or the Fugue in B?, BuxWV 176, which are in the Mortensen set. That’s because they were originally written for organ, so in a sense Stella is purer.


Be that as it may, there is a great deal to admire here. There’s no question that Stella has the proper Buxtehude style, which is to play with irregular meter and with the parts of both hands slightly out-of-synch much of the time, which creates a weird tension. He also dances and sparkles in several of the allemandes, particularly the one that begins the partida Auf meinen lieben Gott.


Stella is also excellent in the long sets of variations, given the deceiving titles of “arias,” in BuxWV 247 (“More Palatino”), BuxWV 246 (no title), and the more famous “La Capricciosa” (BuxWV 250), an astounding work for its time, a set of 32 variations that can rival some of Bach’s and Mozart’s in originality and complexity. I also love Stella’s daring in occasionally altering the sound of his harpsichord with the damper pedal, which makes the instrument sound very much like a lute. Of course, Mortensen is also a highly skilled harpsichordist, so in many ways I find their work complementary.


One online review of Buxtehude’s keyboard music claims that he wrote “both pedaliter and manualiter works,” but that his most famous pieces are the “praeludia and toccatas in the stylus phantasticus, which intermingles highly unpredictable free sections in virtuosic and idiomatic keyboard styles with more structured fugal sections.” How about that? I suppose this is how you write when you’re trying to impress your college professor, but I doubt whether any readers who are not professional musicians even know what a pedaliter or a manualiter is. (These terms actually refer to the organ, not the harpsichord, “manualiter” meaning works played only using the manuals and not the pedals.) I’m more interested in whether or not the music is creative, surprising, well crafted, and conveys some meaning to the listener. Buxtehude fulfills all those criteria for me, so that is why I love his pieces. Another feature of his work that I admire: There almost never seems to be even one superfluous note in anything he wrote. And yes, I can describe technically what’s going on in the music—how the notes for both hands contrast with or complement one another—without needing to break down a manualiter. I also prefer the description that one of my Fanfare colleagues gave of Buxtehude’s music when he called it “Bach in the raw.” That conveys far more to me than the stylus phantasticus in the pedaliter. How about you?


Perhaps the strongest element in Stella’s favor is the price. On ArkivMusic’s website, Brilliant is selling this boxed set for $19.99, while Mortensen’s single discs sell for $9.99 apiece. As for me, I give a very slight edge to Mortensen in performance quality, but not enough to warrant double the price. I say go for this one.

Tracklisting:

1. Variations (32) for Harpsichord in G major BuxWV 250 "La Capricciosa" by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

2. Toccata for keyboard in G major, BuxWV 165 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

3. Suite for Harpsichord no 7 in D minor, BuxWV 234 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

4. Suite for Harpsichord no 6 in D minor, BuxWV 233 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

5. Suite for Harpsichord no 5 in C major, BuxWV 230 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

6. Suite for Harpsichord no 4 in C major, BuxWV 229 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)

7. Suite for Harpsichord no 3 in C major, BuxWV 228 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)

8. Suite for Harpsichord no 2 in C major, BuxWV 227 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)

9. Suite for Harpsichord no 19 in A major, BuxWV 243 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

10. Suite for Harpsichord no 13 in F major, BuxWV 238 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

11. Suite for Harpsichord no 11 in E minor, BuxWV 236 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

12. Suite for Harpsichord no 10 in E minor, BuxWV 235 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

13. Suite for Harpsichord no 1 in C major, BuxWV 226 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

14. Suite for Harpsichord in G minor, BuxWV 242 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

15. Suite for Harpsichord in G minor, BuxWV 241 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

16. Suite for Harpsichord in G major, BuxWV 240 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

17. Suite for Harpsichord in F major, BuxWV 239 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

18. Suite for Harpsichord in E minor, BuxWV 237 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

19. Suite for Harpsichord in D major, BuxWV 232 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

20. Suite for Harpsichord in C major, BuxWV 231 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

21. Suite for Harpsichord in A minor, BuxWV 244 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

22. Praeludium for keyboard in G minor, BuxWV 163 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: circa 1690; Germany

23. Courante for Harpsichord in d minor, BuxWV Anh. 6 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque

24. Courant zimble for Harpsichord in A minor, BuxWV 245 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

25. Canzonetta for Organ in D minor, BuxWV 168 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

26. Canzona for Organ in C major, BuxWV 166 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

27. Auf meinen lieben Gott, BuxWV 179 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

28. Aria and Variations (3) for Harpsichord in D minor, BuxWV 248 "Rofilis" by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

29. Aria and Variations (3) for Harpsichord in A minor, BuxWV 249 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

30. Aria and Variations (10) for Keyboard in C major, BuxWV 246 by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

31. Aria and Variations (10) for Harpsichord, in C major BuxWV 247 "More Palatino" by Dietrich Buxtehude
Performer: Simone Stella (Harpsichord)
Period: Baroque
Written: Germany

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 30. January 2012, 17:28

Simone Stella / Buxtehude - Complete Harpsichord Music - CD1

Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2

Read mode : Secure
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Defeat audio cache : Yes
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Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : Yes
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Additional command line options : -V -8 %source%


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Test CRC 534CA24F
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Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 31. January 2012, 10:33

Simone Stella / Buxtehude - Complete Harpsichord Music - CD2

Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
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Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


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Test CRC 32AE9B6F
Copy CRC 32AE9B6F
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No errors occurred

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Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 31. January 2012, 13:34

Simone Stella / Buxtehude - Complete Harpsichord Music - CD3

Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


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Test CRC 9CECE6F3
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Copy OK

No errors occurred

End of status report

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Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 31. January 2012, 14:19

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Quality : High
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Additional command line options : -V -8 %source%


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Extraction speed 5.1 X
Range quality 100.0 %
Test CRC 3E38ABAA
Copy CRC 3E38ABAA
Copy OK

No errors occurred

End of status report

==== Log checksum 18774A5AFA5EE5F0BF4A577BE8B174F9F352AC3997CCD77B0C3AE379F1D66E1D ====


Thanks to the original releaser

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CD01: Part 1 | Part 2
CD02: Part 1 | Part 2
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CD04: Part 1 | Part 2
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