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Chuck Berry - Live At The Fillmore Auditorium - 1967 (1994)

Posted By: mfrwiz
Chuck Berry - Live At The Fillmore Auditorium - 1967 (1994)

Chuck Berry - Live At The Fillmore Auditorium - 1967 (1994)
Lossless (Flac Individual Files + Cue + Log + Audiochecker Log): 306 Mb| EAC Secure Mode Rip | Mp3 (CBR 320 kbps): 130 Mb | HQ Scans
Audio CD (April 16, 1995) - Original Release Date: 1994 - Number of Discs: 1 - Format: Live, Original Recording Reissued, Original Recording Remastered - Label: Rebound Records - Catalog Number: 314-520-203-2
Rock, Pop/Rock, Blues

Product Description: During June of 1967, while the Sgt. Pepper's album was redefining the meaning of rock music in peoples' minds, Berry was playing a series of gigs in San Francisco with the Steve Miller Band, highlights of which appeared on this album released the following October. As a live album and a historical document, this is a worthwhile recording, because Berry's shows were still exciting. One of the few '50s rockers to continue to work regularly and effectively in the late '60s, Berry shows here the strategy that he used to survive before the nostalgia boom took him up and turned him into an oldies act – he became a bluesman again, and played relatively little of his classic rock & roll. But that was okay because Berry started out as a bluesman – the slow blues "Wee Wee Hours," not the rollicking "Maybelline," which was done as a parody, represented his "real" music in 1955. Among the standards represented here are Pete Chatman's "Everyday I Have the Blues," Willie Dixon's "Hoochie Coochie Man," Chuck Willis' "C.C. Rider" (done as a slow blues), and a variation on John Lee "Sonny Boy" Williamson's "Good Morning Little Schoolgirl." He plays a few familiar rockers, including a relatively uncensored "Reelin' and Rockin'" and "My Ding-a-Ling" (in a version far shorter than the subsequent hit off of the London Sessions album).

Chuck Berry - Live At The Fillmore Auditorium - 1967 (1994)

Review: How strangely a matter of fate it is that the first album recorded live in San Francisco should be at the Fillmore Auditorium, that it should be of Chuck Berry who created this all and that he should be backed up by a group of musicians who have learned it from him, grown up and migrated to San Francisco to breathe new life into what Berry and all of them laid down so many years ago.
The promotion man laid a slightly defective copy of it on us, so we can't hear all of Bill Graham's spoken introduction, but, then, that's fate too. Facts: the album was done over a six-day period this summer. The personnel of the Miller Band at that time included Curly Jim Cooke who has since left the group. Chuck Berry: do you really know all about him?
Unfortunately this album does not tell us much. Berry has already recorded one re-make of his great hits and it was poor. If you're looking for the Chuck Berry standards, the album you must get is a two record set with 24 songs Chuck Berry's Golden Decade, Chess LPS 1514D.
Berry was wise not to attempt a live re-creation of his standards. Since his limited return to show-biz, though, he has not come up with any singularly new material. What he did was great, but since that time the generation that he raised has learned well and, as he would no doubt applaud, moved far ahead. Consequently, what is new on the record is not interesting as material; the style is familiar but old, and since Berry — one of the most original guitarists of his time — never was and still isn't a very good technician, the guitar playing is just not very interesting.
On this record Berry pretty much sticks to Chicago style blues. The most interesting cuts are the instrumentals where Berry applies his rock guitar to Chicago blues and the Steve Miller Band comes into the foreground.
"Driftin' Blues," is a Paul Butterfield Band-type number, and not badly done here. "It Hurts Me Too," a duet with Steve, is the most successful of the tracks, although Steve seems to be pushing into the foreground. The closing track is a gas; the French goodbye which flashes into "Johnny B. Good" is so much a part of Berry's ever-present beauty—the elegance, the aura, his own self-confidence and Johnny B. Good who is, in fact, Chuck Berry himself.
The main interest of the recording is in the backing and as a curiosity. If you judge the album on the basis of what's happening today, the judgment isn't favorable.
Chuck Berry - Live At The Fillmore Auditorium - 1967 (1994)
Track Listing:
01 - Medley:Rockin' At The Fillmore/Everyday I Have The Blues - 8:36
02 - C.C. Rider - 4:14
03 - Driftin' Blues - 3:56
04 - Feelin' It - 4:03
05 - Flying Home - 2:42
06 - Hootchi' Coochi' Man - 5:53
07 - It Hurts Me Too (Duet With Steve Miller) - 4:49
08 - Good Morning Little School Girl - 2:50
09 - Fillmore Blues - 3:28
10 - Reelin' And Rockin' - 5:58
11 - My Ding-A-Ling - 4:36
12 - Johnny B. Goode - 3:16

Personnel:
Steve Miller - Guitar, Harmonica, Harp, Vocals
Jim Peterman - Organ, Piano (Electric)
Lonnie Turner - Bass
Tim Davis - Drums
Chuck Berry - Guitar, Vocals, Main Performer

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\Chuck Berry Live At The Filmore Auditorium-San Francisco

01 -=- 01 - Medley-Rockin' At The Fillmore,Everyday I Have The Blues.flac -=- CDDA (100%)
02 -=- 02 - C.C. Rider.flac -=- CDDA (100%)
03 -=- 03 - Driftin' Blues.flac -=- CDDA (100%)
04 -=- 04 - Feelin' It.flac -=- CDDA (100%)
05 -=- 05 - Flying Home.flac -=- CDDA (100%)
06 -=- 06 - Hootchi' Coochi' Man.flac -=- CDDA (100%)
07 -=- 07 - It Hurts Me Too (Duet With Steve Miller).flac -=- CDDA (100%)
08 -=- 08 - Good Morning Little School Girl.flac -=- CDDA (99%)
09 -=- 09 - Fillmore Blues.flac -=- CDDA (100%)
10 -=- 10 - Reelin' And Rockin'.flac -=- CDDA (100%)
11 -=- 11 - My Ding-A-Ling.flac -=- CDDA (100%)
12 -=- 12 - Johnny B. Goode.flac -=- CDDA (100%)

Summary 99,92% CDDA

104679908

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 14. May 2009, 10:34

Chuck Berry / Live At The Fillmore Auditorium

Used drive : PLEXTOR CD-R PX-W2410A Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 98
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Not detected, thus appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 8:35.70 | 32 | 38726
2 | 8:36.27 | 4:14.08 | 38727 | 57784
3 | 12:50.35 | 3:55.40 | 57785 | 75449
4 | 16:46.00 | 4:02.50 | 75450 | 93649
5 | 20:48.50 | 2:41.67 | 93650 | 105791
6 | 23:30.42 | 5:52.53 | 105792 | 132244
7 | 29:23.20 | 4:48.45 | 132245 | 153889
8 | 34:11.65 | 2:50.10 | 153890 | 166649
9 | 37:02.00 | 3:28.25 | 166650 | 182274
10 | 40:30.25 | 5:57.70 | 182275 | 209119
11 | 46:28.20 | 4:36.37 | 209120 | 229856
12 | 51:04.57 | 3:15.38 | 229857 | 244519


Track 1

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Track 2

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Peak level 70.0 %
Track quality 100.0 %
Copy CRC 8E8815D6
Cannot be verified as accurate (confidence 2) [7D7B61C1], AccurateRip returned [C62FDE19]
Copy OK

Track 3

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Peak level 87.0 %
Track quality 100.0 %
Copy CRC BA7B921A
Cannot be verified as accurate (confidence 2) [DA63C9A9], AccurateRip returned [60ED3F8E]
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Track 4

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Peak level 73.5 %
Track quality 100.0 %
Copy CRC F7DDE0CD
Cannot be verified as accurate (confidence 2) [E8DB67E1], AccurateRip returned [E4DFAA47]
Copy OK

Track 5

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\05 - Flying Home.wav

Peak level 77.6 %
Track quality 100.0 %
Copy CRC B20035D9
Track not present in AccurateRip database
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Track 6

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\06 - Hootchi' Coochi' Man.wav

Peak level 89.1 %
Track quality 100.0 %
Copy CRC AC810120
Cannot be verified as accurate (confidence 2) [D92DA339], AccurateRip returned [72A5AF0B]
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Track 7

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\07 - It Hurts Me Too (Duet With Steve Miller).wav

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Track quality 100.0 %
Copy CRC F2D9E54F
Cannot be verified as accurate (confidence 2) [67D7291F], AccurateRip returned [31FEBB3D]
Copy OK

Track 8

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\08 - Good Morning Little School Girl.wav

Peak level 69.1 %
Track quality 100.0 %
Copy CRC ABC22739
Cannot be verified as accurate (confidence 2) [A20CC9DA], AccurateRip returned [74C4033D]
Copy OK

Track 9

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\09 - Fillmore Blues.wav

Peak level 63.1 %
Track quality 100.0 %
Copy CRC BFB4CF08
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Copy OK

Track 10

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\10 - Reelin' And Rockin'.wav

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Track quality 99.9 %
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Track not present in AccurateRip database
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Track 11

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\11 - My Ding-A-Ling.wav

Peak level 72.4 %
Track quality 100.0 %
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Track not present in AccurateRip database
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Track 12

Filename L:\New FolderXX\Chuck Berry\Live At The Filmore Auitorium-San Francisco\12 - Johnny B. Goode.wav

Peak level 83.1 %
Track quality 100.0 %
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Cannot be verified as accurate (confidence 2) [65542542], AccurateRip returned [76C87829]
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9 track(s) could not be verified as accurate
3 track(s) not present in the AccurateRip database

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

No errors occurred

End of status report