Diskjokke - Discolated Remixes 2007-2008 (2009)

"Staying in" was maybe an all too apt title for Diskjokke's debut album. The record seemed
to effectively perpetuate the cosmic-disco genre without necessarily adding very much.
It felt as if Diskjokke was living inside the house that Smalltown built, uninterested in
exploring the world outside. As a result, Dislocated maybe then doesn't refer to the tunes
Diskjokke has overhauled in this collection of remixes, but Diskjokke himself, as he's nudged
out of his comfort zone and forced to weave his own cosmic palette through other people's
compositions.

The results gathered here are largely promising, and some of the standout moments are when
Diskjokke explicitly flips the cosmic disco script, like the abrupt feint in the midst of "Attic"
by Harry's Gym. It starts trippily enough, but just as the pressure starts to build and you get
prepared for a jolt into the psychedelic stratosphere, the swirling clouds dissipate and a nicely
dry, uptempo shimmy emerges instead, just to keep you on your toes.

Equally unexpected is Diskjokke's take on Lykke Li's "Everybody But Me"—no starry synths on
this one, just slow-mo tribal toms that neatly match Lykke's breathy wallflower pining. The bulk
of the remixes here stitch more conventional cosmic tropes onto indie songs, and tend to sink
or swim depending on the quality of the tune. The rework of "Heartbreaker" by Metronomy works
quite nicely despite an inane vocal couplet, "I heard she broke your heart again…she's a
heartbreaker!" Then Diskjokke's mix of "Boston Food Strangler" by Ost & Jex perfectly executes
a long-form cosmic rollercoaster ride. The vocals by this duo, also responsible for the Princeisms
of Jamie Jones' "Summertime," are a bit hard to swallow here, all warbly and flush with
Sparks-style histrionics, so wisely Diskjokke lets them manifest for a brief refrain before
drowning them, like a wrathful Neptune, in a percussive tide.

Whether surprising or not, it's on his remix of cosmic disco overlord Lindstrom's "Breakfast in Heaven"
that Diskjokke falters, producing a near-stylistic self-parody: the mix is very much the trippy
juggernaut you might expect, but with its extra dollops of glistening synths, it sounds like it should
accompany a scene of Falcor, the luck dragon from The Neverending Story, in whimsical, triumphant
flight. Given that we're already talking about a style prone to exaggeration and excess, this ends up
feeling like an overdose. Cosmic disco on steroids. It's further evidence that Diskjokke is at his best
not when he's goofing indoors with his fellow cosmic Norwegian brethren, but when he's forced to
go outside and play with the neighbors.

http://www.myspace.com/diskjokke