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Dudamel - Adams: Gospel According to the Other Mary (2014)

Posted By: peotuvave
Dudamel - Adams: Gospel According to the Other Mary (2014)

Dudamel - Adams: Gospel According to the Other Mary (2014)
EAC Rip | Flac (Tracks + cue + log) | 563 MB | MP3 320Kbps CBR | 308 MB | 2 CDs | Full Scans
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 002003402

A timely, controversial work of grand proportions, The Gospel According To The Other Mary is a new, full-scale reimagining of the Bach oratorio from composer John Adams and iconoclast writer/director Peter Sellars. Adams and Sellars’ previous collaborations included Nixon In China, the most-performed American opera since Gershwin’s Porgy and Bess, and Dr. Atomic, an opera about the invention of the atomic bomb.

Focusing on the often marginalised perspectives of Mary Magdalene and Martha, ‘The Gospel According To The Other Mary’ sets Biblical characters and events, including the resurrection of Lazarus and the passion of Christ, in a powerfully political, contemporary light.

As with the nativity oratorio El Niño (a response to Handel’s Messiah), and the opera Dr. Atomic, the libretto hsd been assembled by Peter Sellars, who has interwoven events from the New and Old Testaments with poetry reflecting themes of faith and liberation from the 12th Century mystic Hildegard von Bingen, to the 20th Century Mexican feminist poet Rosario Castellanos.

This World Premiere recording, featuring the original cast, was made in Disney Hall, Los Angeles, at performances staged by Peter Sellars - with soloists, the Los Angeles Master Chorale and the Los Angeles Philharmonic conducted by Gustavo Dudamel.

A champion of contemporary music and social engagement through art, Gustavo Dudamel commissioned ‘The Gospel…’, together with the LA Phil, as part of a long-standing creative relationship with John Adams.

This important DG release marks the 5th Anniversary of Gustavo Dudamel’s appointment as Music Director of the Los Angeles Philharmonic and the 10th Anniversary of the LA Phil’s home, Walt Disney Concert Hall.

Composer: John Adams
Performer: Nathan Medley, Daniel Bubeck, Brian Cummings, Kelley O'Connor, …
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Los Angeles Master Chorale, Los Angeles Philharmonic Orchestra

Reviews: You have no time to settle in and get comfortable. From the very opening seconds, beginning with emphatic orchestral chords, quickly followed by the “shrieks of a woman in drug withdrawal” in a jail cell, you’re pulled immediately into what proves to be a very intense drama–or series of dramatic scenes–that really doesn’t let up for this work’s entire 133 minutes. I suppose in some way it could have been an opera–except that there’s no actual plot or dialogue–rather there are episodes and utterances, described and expressed either by a chorus, a group of countertenors, or an individual character–Mary Magdalene, Martha, Lazarus. Peter Sellars chose texts from the Old and New Testaments, and from works by Dorothy Day, Louise Erdrich, Primo Levi, Rosario Castellanos, June Jordan, Hildegard von Bingen, and Rubén Dario.

John Adams’ music is gripping, charged with a relentless energy that had me thinking a lot of Stravinsky–both of the Rite’s rawness and violence and of the quirky, characterful rhythms of Les Noces. I wouldn’t call this a “passion oratorio”–you can’t really follow the passion story in the traditional sense; there are too many interruptions and imaginings (such as the totally made up idea that Mary and her sister Martha are running a home for homeless and unemployed women).

I really like the inclusion of the Lazarus scenes for their foreshadowing of Christ’s own death and resurrection and for the touching and telling portrayals of the women who are so central to this drama, and the addition of this material, along with the vivid accounts by Dorothy Day of violence, arrests, and mistreatment related to United Farm Workers demonstrations do have a direct connection to Bach’s incorporation of non-Biblical poetic texts in his oratorios. But there’s a different agenda here that takes this subject into distinctly modern territory and imposes a political message that’s completely aside from the baroque passion-oratorio model. Not that there’s anything wrong with that. Adams and Sellars have ingeniously transformed and made relevant–and maybe even a little controversial–an old, traditional, justifiably revered, and decidedly uncontroversial musical/theatrical genre. And when you hear it, you can easily understand why reviews of the concert performances tended to be so excited and positive. This is very exciting music that keeps the listener in mind–that is, Adams doesn’t seem to forget that to keep people in their seats you have to give them something not only listenable, but sensible, from a story-telling standpoint.

And of course, you need a cast of singers and an ensemble of instrumentalists who can bring it all home. There’s not really a weak link here in that regard, and my only complaint, the only place where this impressive music drama falters, is during the couple of extended Lazarus arias, which, devoid of tunes, just come off as torturous, wounded, strained utterances that go on and on until you just want them to stop. You can’t just write endless, meandering lines and expect listeners to follow happily into a thorny thicket of anguish without a reward–especially when you can’t understand anything the singer is saying. I fast-forwarded through these sections.

There’s one other thing: the title. Sellars and Adams obviously intend their reference to “the other Mary” to mean Mary Magdalene. However, this is at odds with actual Biblical citations. Six Marys are mentioned in the New Testament, and among them Mary the mother of Jesus and Mary Magdalene are always clearly identified. In the book of Matthew there are several references to Mary Magdalene and “the other Mary”. This “other Mary” happens to be the mother of James, a sister of Mary the mother of Jesus. Those familiar with these well-known Biblical references will just have to accept that either Adams and Sellars chose to ignore them for some artistic purpose or were truly ignorant of them.

None of this takes away from the powerful musical/dramatic show these seasoned collaborators–plus their talented cohort Gustavo Dudamel and his choral and orchestral forces–bring to bear. It’s a grand work that, well, really rocks. And I’m sure that its greatest benefits would be realized by seeing it performed live. You can sense the potential on these CDs, but you suspect that what’s been created is much bigger than can be contained in your home sound system.

Tracklisting:

CD 1: Adams: The Gospel According To The Other Mary

John Adams (1947 - )
The Gospel According To The Other Mary
The Gospel According to the Other Mary
Act 1
Scene 1 - Jail / House Of Hospitality
1. "The Next Day In The City Jail" 4:09
Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
2. "Now A Certain Woman Named Martha" 2:44
Scene 2 - Mary
3. "And She Had A Sister Named Mary" 1:41
Brian Cummings, Daniel Bubeck, Nathan Medley, Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel
4. "I Am Surprised That I Am Beginning To Pray Daily" 3:26
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
5. "En un día de amor yo bajé hasta la tierra" 4:17
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 3 - Lazarus
6. "Now A Certain Man Was Sick" 4:01
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
7. Lazarus Dies While The Sisters Await Jesus 2:04
Los Angeles Philharmonic, Gustavo Dudamel
8. "Why Standest Thou Afar Off, O Lord?" 2:27
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
9. "In My Own Quietly Explosive Here" 2:49
Kelley O'Connor, Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
10. "Don't Touch My Left Arm" 1:53
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
11. "When Mary Was Come Where Jesus Was" 3:42
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
12. "Jesus Said, Take Ye Away The Stone" 1:52
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
13. "And When He Thus Had Spoken" 4:19
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
14. "Drop Down, Ye Heavens, From Above" 3:08
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 4 - Supper At Bethany
15. "Then Jesus Six Days Before The Passover" 0:43
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
16. "For The Grave Cannot Praise Thee" 6:39
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
17. "Then Took Mary A Pound Of Ointment" 4:46
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 5 - Passover
18. "And There Were Some That Had Indignation" 1:40
Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
19. "We Know There Will Be No Utopias" 5:20
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
20. "Tell Me: How Is This Night Different" 9:29
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
Total Playing Time 1:11:09

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CD 2: Adams: The Gospel According To The Other Mary

John Adams (1947 - )
The Gospel According To The Other Mary
The Gospel According to the Other Mary
Act 2
1. "Who Rips His Own Flesh Down The Seams" 3:49
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 1 - Police Raid
2. "Martha And Mary, Not Knowing" 5:40
Brian Cummings, Daniel Bubeck, Nathan Medley, Russell Thomas, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 2 - Arrest Of The Women
3. Instrumental Introduction 2:26
Los Angeles Philharmonic, Gustavo Dudamel
4. "Up At Two A.M., Picketed All Day" 1:29
Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel
5. "The Said Defendants" 2:54
Tamara Mumford, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
6. "Jesús, incomparable perdonador de injurias" 3:02
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 3 - Golgotha
7. "And They Were Come Unto A Place Called Golgotha" 6:14
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
8. "Daughters Of Jerusalem, Weep Not For Me" 3:03
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
9. "Now There Stood By The Cross Of Jesus" 1:27
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
10. "When Jesus Saw His Mother" 2:13
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Scene 4 - Night
11. "When The Rain Began To Fall" 7:35
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
12. "His Son Cried Out To Him" 1:32
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
Scene 5 - Burial / Spring
13. "Now In The Place Where He Was Crucified" 4:35
Brian Cummings, Daniel Bubeck, Nathan Medley, Gustavo Dudamel, Los Angeles Philharmonic
14. Mary Awakens On The Third Morning 2:08
Los Angeles Philharmonic, Gustavo Dudamel
15. "It Is Spring" 4:02
Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Scene 6 - Earthquake And Recognition
16. "And, Behold, There Was A Great Earthquake" 3:18
17. "Why Seek Ye The Living Among The Dead?" 6:25
Kelley O'Connor, Tamara Mumford, Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Total Playing Time 1:01:52

X Lossless Decoder version 20130720 (144.0)

XLD extraction logfile from 2014-03-24 13:17:59 -0400

Kelley O'Connor, Tamara Mumford, Etc.; Gustavo Dudamel: Los Angeles Philharmonic Orchestra, Los Angeles Master Chorale / Adams: The Gospel According To The Other Mary

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2 | 03:49:26 | 05:40:34 | 17201 | 42734
3 | 09:29:60 | 02:25:48 | 42735 | 53657
4 | 11:55:33 | 01:29:16 | 53658 | 60348
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14 | 46:00:38 | 02:08:23 | 207038 | 216660
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16 | 52:10:35 | 03:17:49 | 234785 | 249608
17 | 55:28:09 | 06:25:01 | 249609 | 278484

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