Elton John - 5 Classic Albums 1970-1973 (2012) 5CD Box Set

Elton John's Classic Album Selection (1970-73) box set is comprised of five of the music legend's most influential and critical acclaimed albums: Elton John, Tumbleweed Connection, Madman Across The Water, Honky Chateau, and Don’t Shoot Me I’m Only The Piano Player. These albums (now including selected bonus tracks) provided the backbone of Elton’s early career and were the source of a series of breakthrough hits which would propel him to become one of the most successful British artists of all time.

Released in the U.K. in the summer of 2012, Classic Album Selection boxes five of Elton John's classic early albums beginning with 1970's Elton John and running through 1973's Don't Shoot Me I'm Only the Piano Player, all presented in their mid-'90s expanded editions with bonus tracks and packaged as mini-LPs. That's five albums in just over three years, a remarkably prolific run that becomes even more impressive when the quality of the five records is considered. Goodbye Yellow Brick Road, the double-album that followed Don't Shoot Me by a few months in 1973, was the record that turned Elton into an international superstar, but these albums provide the foundation for his entire career, establishing his breadth as a singer/songwriter and containing his most enduring songs, including the hits "Your Song," "Tiny Dancer," "Levon," "Honky Cat," "Mona Lisas and Mad Hatters," "Daniel," "Crocodile Rock," and numerous other songs just as strong. Most Elton fans likely own these albums but anybody looking to get John's very best in a convenient – and very affordable – fashion shouldn't ignore this handsome little box set.

Review by Stephen Thomas Erlewine, Allmusic.com

Empty Sky was followed by Elton John, a more focused and realized record that deservedly became his first hit. John and Bernie Taupin's songwriting had become more immediate and successful; in particular, John's music had become sharper and more diverse, rescuing Taupin's frequently nebulous lyrics. "Take Me to the Pilot" might not make much sense lyrically, but John had the good sense to ground its willfully cryptic words with a catchy blues-based melody. Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster's grandiose string arrangements. Buckmaster's orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy. Instead, they fit the ambitions of John and Taupin, as the instant standard "Your Song" illustrates. Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records. [The CD reissue includes the bonus tracks "Bad Side of the Moon," "Grey Seal," and "Rock n Roll Madonna."]

Review by Stephen Thomas Erlewine, Allmusic.com

Instead of repeating the formula that made Elton John a success, John and Bernie Taupin attempted their most ambitious record to date for the follow-up to their breakthrough. A loose concept album about the American West, Tumbleweed Connection emphasized the pretensions that always lay beneath their songcraft. Half of the songs don't follow conventional pop song structures; instead, they flow between verses and vague choruses. These experiments are remarkably successful, primarily because Taupin's lyrics are evocative and John's melodic sense is at its best. As should be expected for a concept album about the Wild West, the music draws from country and blues in equal measures, ranging from the bluesy choruses of "Ballad of a Well-Known Gun" and the modified country of "Country Comfort" to the gospel-inflected "Burn Down the Mission" and the rolling, soulful "Amoreena." Paul Buckmaster manages to write dramatic but appropriate string arrangements that accentuate the cinematic feel of the album.

Review by Stephen Thomas Erlewine, Allmusic.com

Trading the cinematic aspirations of Tumbleweed Connection for a tentative stab at prog rock, Elton John and Bernie Taupin delivered another excellent collection of songs with Madman Across the Water. Like its two predecessors, Madman Across the Water is driven by the sweeping string arrangements of Paul Buckmaster, who gives the songs here a richly dark and haunting edge. And these are songs that benefit from grandiose treatments. With most songs clocking in around five minutes, the record feels like a major work, and in many ways it is. While it's not as adventurous as Tumbleweed Connection, the overall quality of the record is very high, particularly on character sketches "Levon" and "Razor Face," as well as the melodramatic "Tiny Dancer" and the paranoid title track. Madman Across the Water begins to fall apart toward the end, but the record remains an ambitious and rewarding work, and John never attained its darkly introspective atmosphere again.

Review by Stephen Thomas Erlewine, Allmusic.com

Considerably lighter than Madman Across the Water, Honky Chateau is a rollicking collection of ballads, rockers, blues, country-rock, and soul songs. On paper, it reads like an eclectic mess, but it plays as the most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote. The skittering boogie of "Honky Cat" and the light psychedelic pop of "Rocket Man" helped send Honky Chateau to the top of the charts, but what is truly impressive about the album is the depth of its material. From the surprisingly cynical and nasty "I Think I'm Gonna Kill Myself" to the moving ballad "Mona Lisas and Mad Hatters," John is at the top of his form, crafting immaculate pop songs with memorable melodies and powerful hooks. While Taupin's lyrics aren't much more comprehensible than before, John delivers them with skill and passion, making them feel more substantial than they are. But what makes Honky Chateau a classic is the songcraft, and the way John ties disparate strands of roots music into distinctive and idiosyncratic pop – it's one of the finest collections of mainstream singer/songwriter pop of the early '70s.

Review by Stephen Thomas Erlewine, Allmusic.com

Elton John became a true superstar with 1972's Honky Chateau. He followed that album with Don't Shoot Me I'm Only the Piano Player, his most direct, pop-oriented album to date. Designed as a pastiche of classic and contemporary pop styles, the album almost sounds like an attempt to demonstrate the diversity of the John/Taupin team. Though the hits are remarkable – "Daniel" is a moving ballad and "Crocodile Rock" is a sly take on '50s rock & roll – the album is slightly uneven. Several of the album tracks, particularly the knowing "I'm Gonna Be a Teenage Idol" and the rocking "Elderberry Wine," are as strong as anything John had recorded, but there are too many melodies that simply don't catch hold. Nevertheless, the singles were strong enough to keep the album at the top of the charts, and at its best, it is a very enjoyable piece of well-crafted pop/rock. [The CD reissue includes the bonus tracks "Screw You (Young Man's Blues)," "Jack Rabbit," "Whenever You're Ready (We'll Go Steady Again)," and the piano version of "Skyline Pigeon."]

Review by Stephen Thomas Erlewine, Allmusic.com