Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4

Gary Wood - Aviary - Birds in Poetry and Song (2019)

Posted By: varrock
Gary Wood - Aviary - Birds in Poetry and Song (2019)

Gary Wood - Aviary - Birds in Poetry and Song (2019)
WEB FLAC (tracks) - 177 MB | Tracks: 20 | 49:35 min
Style: Classical | Label: MSR Classics

It all started with William Butler Yates' poem, The Wild Swans at Coole. One October day, as I was reading and reflecting on this wonderful poem, a melody for the opening line (The trees are in their Autumn Beauty) came to me. Several hours later, seated at the piano, I had written the opening to the song. In the following days, as I worked on it, the idea came up to write a song-cycle of poems on the subject of birds.

After a bit of searching, I came across a beautiful book edited by Billy Collins, former American poet laureate, called Bright Wings: An Illustrated Anthology of Poems About Birds. The book, which features more than 100 works by authors from Catullus and Chaucer to those of today and wonderful illustrations by David Allen Sibley, offered me a wealth of material from which to choose.

I decided to take on Wallace Stevens' classic Thirteen Ways of Looking at a Blackbird. In addition to being a great work, the haiku-like structure of the poems gave me an opportunity to express a wide range of musical voices. The listener will hear echoes of composers whose music has influenced me greatly, including Stravinsky, Bartok, Copland and Bernstein. The other poem I chose to set was a lovely piece by Annie Finch, Great Grey Owl. This work has a more popular, jazz-influenced feel to it; think Alec Wilder.

From the inception of this project, I had a performer in mind, my friend and colleague, Gary Wood to whom these songs are dedicated. Gary has a lovely baritone voice and sings in a variety of styles As the idea of the album developed, I thought to include a few jazz tunes that reference birds. As with the world of poetry, I discovered a wealth of material! Gary and I settled on four standards: Skylark, A Nightingale Sang in Berkeley Square, Baltimore Oriole and Lady Bird. On the spur of the moment, we decided to add a solo piano piece to serve as a transition from my cycle to the jazz tunes. I played one of my favorites, Peace by Horace Silver. Later that day I realized that even though we hadn't planned it, the tune has a bird link, the Dove, the bird of peace. Serendipity!

Gary Wood has maintained a long career as teacher, choral conductor and vocal performer. A native Midwesterner, Wood first discovered music-making with family and friends, collecting influences from country, folk, pop, gospel, jazz and classical traditions. His primary work over the years has been as a teacher and choral conductor in university and college settings complemented with experience as conductor of community choruses and church choirs. Wood has been active as a vocalist in classical, popular and jazz traditions with forays as a recital and club performer, and has sung actively in church choirs. He has also composed and arranged sacred choral works and sacred jazz tunes. Dr. Wood, who earned a Doctor of Musical Arts in Choral Conducting from the University of Illinois, recently retired from Salem State University in Salem, Massachusetts, where he had primary responsibilities as a choral conductor and teacher.

Philip Swanson has a wide-ranging career as a composer, pianist, trombonist, organist and teacher. Swanson served as principal trombonist with the Miami Philharmonic in Florida under Alain Lombard, and has played with the Boston Symphony Orchestra and Boston Pops, among numerous other orchestras and chamber ensembles. As a pianist, he has performed and recorded in both the classical and jazz traditions. His compositions consist primarily of song cycles for solo voice and piano, chamber music for brass and a large body of works for solo piano. An active recording artist, Swanson has released seven highly regarded albums on the MSR label. He is currently Professor of Music at Salem State University in Salem, Massachusetts and the Organist and Choir Director at the First Congregational Church in Rockport, MA.

Tracklist:

01. 13 Ways of Looking at a Blackbird: I. Among Twenty Snowy Mountains
02. 13 Ways of Looking at a Blackbird: II. I Was of Three Minds
03. 13 Ways of Looking at a Blackbird: III. The Blackbird Whirled in the Autumn Winds
04. 13 Ways of Looking at a Blackbird: IV. A Man and a Woman
05. 13 Ways of Looking at a Blackbird: V. I Do Not Know Which to Prefer
06. 13 Ways of Looking at a Blackbird: VI. Icicles Filled the Long Window
07. 13 Ways of Looking at a Blackbird: VII. O Thin Men of Haddam
08. 13 Ways of Looking at a Blackbird: VIII. I Know Noble Accents
09. 13 Ways of Looking at a Blackbird: IX. When the Blackbird Flew out of Sight
10. 13 Ways of Looking at a Blackbird: X. At the Sight of Blackbirds
11. 13 Ways of Looking at a Blackbird: XI. He Rode Over Connecticut
12. 13 Ways of Looking at a Blackbird: XII. The River is Moving
13. 13 Ways of Looking at a Blackbird: XIII. It Was Evening All Afternoon
14. Great Grey Owl
15. The Wild Swans At Coole
16. Peace
17. Skylark
18. Baltimore Oriole
19. A Nightingale Sang In Berkeley Square
20. Lady Bird



FILE: 01. 13 Ways of Looking at a Blackbird_ I. Among Twenty Snowy Mountains.flac
Size: 6087600 Hash: 0C097F85E0D4A0A1203D9823735041B9 Accuracy: -m0
Conclusion: CDDA 100%
Signature: B7EAF573CBEAAC74A5B1B797CB46561F089F9192
FILE: 02. 13 Ways of Looking at a Blackbird_ II. I Was of Three Minds.flac
Size: 3754295 Hash: 3CFAA9B7A1A1B1CE0E1E64CE3DC5DE70 Accuracy: -m0
Conclusion: CDDA 100%
Signature: F549410F0F5AB54026B48BD5927B82C0035FBBBF
FILE: 03. 13 Ways of Looking at a Blackbird_ III. The Blackbird Whirled in the Autumn Winds.flac
Size: 5807254 Hash: F03496240A25DFA680F76261F5313FDE Accuracy: -m0
Conclusion: CDDA 100%
Signature: 20E481F0900B4CF845F475A44A28D770699517DF
FILE: 04. 13 Ways of Looking at a Blackbird_ IV. A Man and a Woman.flac
Size: 8987452 Hash: F79215BCE8B470C7F34B6CD156ADAB4D Accuracy: -m0
Conclusion: CDDA 87%
Signature: AF07286385BEBED40B688CD7B7ED626641F493EB
FILE: 05. 13 Ways of Looking at a Blackbird_ V. I Do Not Know Which to Prefer.flac
Size: 6177295 Hash: 0B7658E653D8D00703EDC0605F75FC02 Accuracy: -m0
Conclusion: CDDA 87%
Signature: 9A2429E16288BBC79C9BD22D0DB75FEAE017B085
FILE: 06. 13 Ways of Looking at a Blackbird_ VI. Icicles Filled the Long Window.flac
Size: 9123877 Hash: 878634D42D0BD34F80B1C901B908359E Accuracy: -m0
Conclusion: CDDA 76%
Signature: 4B29BF63E6A0C932C70DD7A3DBB6EAFEC0F5A9EE
FILE: 07. 13 Ways of Looking at a Blackbird_ VII. O Thin Men of Haddam.flac
Size: 7107854 Hash: CE9336A664F61573E67958010920388C Accuracy: -m0
Conclusion: CDDA 100%
Signature: 5AC1DF25B3968DDF7E0F2E49DFF993445BC0F2A5
FILE: 08. 13 Ways of Looking at a Blackbird_ VIII. I Know Noble Accents.flac
Size: 5653619 Hash: 6EC0B09A29BC1076CDF21547A53462B4 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 22895930B890150E399C709A092BF102230967FE
FILE: 09. 13 Ways of Looking at a Blackbird_ IX. When the Blackbird Flew out of Sight.flac
Size: 4122394 Hash: CA7EAF98B0AC4523CCC76559EED74DC9 Accuracy: -m0
Conclusion: CDDA 100%
Signature: D8DDA98412FEF53843FF015E7476AFCF67A46E99
FILE: 10. 13 Ways of Looking at a Blackbird_ X. At the Sight of Blackbirds.flac
Size: 4288282 Hash: 4AE689BFFE8A1BB7CAB2CAC2EADE9E43 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 19A729CA11611E9AA8B86981FF48492A5D522E0F
FILE: 11. 13 Ways of Looking at a Blackbird_ XI. He Rode Over Connecticut.flac
Size: 6251314 Hash: 999A83DE2E7FCBF832FD74FF6A3B81CA Accuracy: -m0
Conclusion: CDDA 100%
Signature: 77F8493778668DF3A66F47932F9F2D7CBCD051E8
FILE: 12. 13 Ways of Looking at a Blackbird_ XII. The River is Moving.flac
Size: 5361006 Hash: 21DCAB72C0AAB661469B6C5AC553880B Accuracy: -m0
Conclusion: CDDA 100%
Signature: 8CCF973611F2C986A6221E8E4184D8496481A90C
FILE: 13. 13 Ways of Looking at a Blackbird_ XIII. It Was Evening All Afternoon.flac
Size: 6193326 Hash: EC1A9348FF964C0BCF031AF9633BF76E Accuracy: -m0
Conclusion: CDDA 100%
Signature: B69B5254C0A88C614E8C6F3450728822E1F7A92B
FILE: 14. Great Grey Owl.flac
Size: 10836995 Hash: F607E5A6AC78C932C0BC845677D04B27 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 155B766F55B55537A4EC8CD86DEB42B15CDBCEFD
FILE: 15. The Wild Swans At Coole.flac
Size: 34230150 Hash: 25D1FBC10A7745FB831DCA366BB180DE Accuracy: -m0
Conclusion: CDDA 87%
Signature: 2C35B4D67F4CF84A769809842B23F8CEBFD58701
FILE: 16. Peace.flac
Size: 11488011 Hash: D851D858568B81243461D234299242B8 Accuracy: -m0
Conclusion: CDDA 43%
Signature: 8A65343B4A34B8172686973D3D0304C0AEF998BE
FILE: 17. Skylark.flac
Size: 9087749 Hash: CE62C489BD6AA4759851E7BCA9078122 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 47F4A0AF664F449BA5548912CA0882CD49CB26D0
FILE: 18. Baltimore Oriole.flac
Size: 20848309 Hash: 8A30DE3FD36DD097627D6B79C4CEB497 Accuracy: -m0
Conclusion: CDDA 100%
Signature: EE9054A7D109C11F7056D0E11F50551625E608B2
FILE: 19. A Nightingale Sang In Berkeley Square.flac
Size: 10711857 Hash: 57A85E6C1A509426C49286B900796C73 Accuracy: -m0
Conclusion: CDDA 100%
Signature: CE7F49F0BF1D2FBB85DD8DAC6B2905FD56E3075D
FILE: 20. Lady Bird.flac
Size: 10246875 Hash: D2A012B78EA4A2D0E17F22B573AFD677 Accuracy: -m0
Conclusion: CDDA 99%
Signature: 89356CED924C1ADAC4FCA55C254B03F68F2277AA