Tags
Language
Tags

Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)

Posted By: Designol
Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)

Johann Pachelbel - Un orage d’avril: Suites, Canon & Songs (2016)
Gli incogniti; Amandine Beyer, leader & violin; Hans Jörg Mammel, tenor

EAC | FLAC | Image (Cue&Log) ~ 460 Mb | Mp3 (CBR320) ~ 202 Mb | Scans included
Genre: Classical, Vocal | Label: Harmonia Mundi | # HMC 902238 | Time: 00:19:54

Though the bass line of a certain celebrated Canon may have made Pachelbel the most frequently heard classical composer in the world, this sparkling program shows he was not just a "one hit wonder." It is built around suites for two violins and continuo from a collection called the Musikalische Ergötzung. The title means "musical delight," and indeed one cannot but be ravished by the extraordinary sonic hedonism displayed in these works. A few songs written for special occasions add further spice to this delightful recording featuring tenor Hans-Jörg Mammel and the ensemble Gli Incogniti led by Amandine Beyer.

The title of this release and the glowering skyscape on its cover are pure marketing – the piece from which the title comes is not about April weather at all – but I don’t think anyone lured by it into buying a disc of 17th-century chamber music need feel aggrieved. We don’t get enough reminders that Pachelbel was a real composer of quality chamber music, yet here is his complete Musikalische Ergötzung of 1695, consisting of six ‘Parthien’ (or suites) for two violins and continuo. Add in a seventh, unpublished suite, six secular songs and the Canon and Gigue, and these are ‘musical pleasures’ indeed.

If April is a red herring, the presence elsewhere in the artwork of Brueghel is more apt, for Pachelbel’s music has a strong sense of connection with the world. The songs deal feelingly with death, the perfidy of princes (that’s the April showers one), ‘Good Councillor Walther’ and a nameless patron, while the suites, for all their restless counterpoint, never lose touch with their grounded choreographic roots. Fine music, then, but not rarefied.

In Gli Incogniti it finds itself in expert hands. There is depth and sweetness to their sound, clarity and busyness to their counterpoint, and buoyancy to their expression of rhythm and line. They are as able to inhabit serious melancholy (in Partie IV for instance) as to access a sense of fun for dances such as the Aria of the ‘Partie a 4’ (to which they add a rat-a-tat finger-on-wood accompaniment) or in the occasional playful burst of pizzicato. Likewise, in the unassumingly strophic songs, they can quickly summon a mood, most movingly when viola-comforted death is the subject; Hans Jörg Mammel’s clear but plangent tenor helps, though I wish he had more ease of movement. The Canon is intelligently done, its slowly changing countenance subtly observed, and closing not in grandiose climax but gentle farewell. Less chiselled than London Baroque’s muscly 1994 recording, and more in tune than that of Les Cyclopes (7/95), this release is well worth your time.

Review by Lindsay Kemp, Gramophone

Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)



Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)



Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)



Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)



Tracklist:

Partie V in C major, P374
01. Sonata (01:20)
02. Aria (01:14)
03. Treza (00:30)
04. Ciacona (03:15)

05. Wie nichtig? Ach! Wie flüchtig, P500 (08:07)

Partie II in C minor, P371
06. Sonata (01:30)
07. Gavotte (01:32)
08. Treza (00:31)
09. Aria (01:08)
10. Saraband (01:40)
11. Gigue (01:07)

12. Das Gewitter im Aprilen, P75 (03:21)

Partie VI in B flat major, P375
13. Sonata [Adagio] (01:08)
14. Aria (00:47)
15. Courante (01:07)
16. Gavotte (01:29)
17. Saraband (01:37)
18. Gigue (02:25)

Partie a 4 in G major, P450
19. Sonatina (01:46)
20. Allemand (01:23)
21. Gavott (00:41)
22. Courant (01:01)
23. Aria (00:39)
24. Saraband (01:33)
25. Gigue (01:25)
26. Finale adagio (00:54)

27. Mein Leben, dessen Creutz für mich, P360 (05:19)

Partie III in E flat major, P372
28. Sonata [Allegro] (01:09)
29. Allemand (01:29)
30. Courant (01:01)
31. Gavotte (00:45)
32. Saraband (01:49)
33. Gigue (00:59)

Partie IV in E minor, P373
34. Sonata (01:26)
35. Aria (02:21)
36. Courant (01:00)
37. Aria (00:48)
38. Ciacona (02:35)

39. Guter Walther unser Raths, P180 (01:39)

Partie I in F major, P370a
40. Sonata [Allegro] (00:52)
41. Allemand (01:46)
42. Courant (01:01)
43. Ballet (00:58)
44. Saraband (01:38)
45. Gigue (01:08)


46. O großes Musenliecht, P391 (01:40)

47. Canon & Gigue P37 - Canon a 3 Violinis con Basso c. (03:34)
48. Canon & Gigue P37 - Gigue (01:21)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 1. July 2016, 22:25

Gli incogniti, Amandine Beyer / Pachelbel - Un orage d’avril

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:20.47 | 0 | 6046
2 | 1:20.47 | 1:14.61 | 6047 | 11657
3 | 2:35.33 | 0:30.24 | 11658 | 13931
4 | 3:05.57 | 3:15.23 | 13932 | 28579
5 | 6:21.05 | 8:07.55 | 28580 | 65159
6 | 14:28.60 | 1:30.09 | 65160 | 71918
7 | 15:58.69 | 1:32.15 | 71919 | 78833
8 | 17:31.09 | 0:31.30 | 78834 | 81188
9 | 18:02.39 | 1:08.50 | 81189 | 86338
10 | 19:11.14 | 1:40.49 | 86339 | 93887
11 | 20:51.63 | 1:07.03 | 93888 | 98915
12 | 21:58.66 | 3:21.17 | 98916 | 114007
13 | 25:20.08 | 1:08.68 | 114008 | 119175
14 | 26:29.01 | 0:47.43 | 119176 | 122743
15 | 27:16.44 | 1:07.69 | 122744 | 127837
16 | 28:24.38 | 1:29.59 | 127838 | 134571
17 | 29:54.22 | 1:37.00 | 134572 | 141846
18 | 31:31.22 | 2:25.38 | 141847 | 152759
19 | 33:56.60 | 1:46.13 | 152760 | 160722
20 | 35:42.73 | 1:23.27 | 160723 | 166974
21 | 37:06.25 | 0:41.56 | 166975 | 170105
22 | 37:48.06 | 1:01.24 | 170106 | 174704
23 | 38:49.30 | 0:39.45 | 174705 | 177674
24 | 39:29.00 | 1:33.60 | 177675 | 184709
25 | 41:02.60 | 1:25.34 | 184710 | 191118
26 | 42:28.19 | 0:54.70 | 191119 | 195238
27 | 43:23.14 | 5:19.15 | 195239 | 219178
28 | 48:42.29 | 1:09.42 | 219179 | 224395
29 | 49:51.71 | 1:29.15 | 224396 | 231085
30 | 51:21.11 | 1:01.25 | 231086 | 235685
31 | 52:22.36 | 0:45.32 | 235686 | 239092
32 | 53:07.68 | 1:49.28 | 239093 | 247295
33 | 54:57.21 | 0:59.14 | 247296 | 251734
34 | 55:56.35 | 1:26.33 | 251735 | 258217
35 | 57:22.68 | 2:21.61 | 258218 | 268853
36 | 59:44.54 | 1:00.43 | 268854 | 273396
37 | 60:45.22 | 0:48.73 | 273397 | 277069
38 | 61:34.20 | 2:35.74 | 277070 | 288768
39 | 64:10.19 | 1:39.51 | 288769 | 296244
40 | 65:49.70 | 0:52.63 | 296245 | 300207
41 | 66:42.58 | 1:46.58 | 300208 | 308215
42 | 68:29.41 | 1:01.70 | 308216 | 312860
43 | 69:31.36 | 0:58.38 | 312861 | 317248
44 | 70:29.74 | 1:38.68 | 317249 | 324666
45 | 72:08.67 | 1:08.04 | 324667 | 329770
46 | 73:16.71 | 1:40.26 | 329771 | 337296
47 | 74:57.22 | 3:34.37 | 337297 | 353383
48 | 78:31.59 | 1:21.68 | 353384 | 359526


Range status and errors

Selected range

Filename C:\temp\HMC902238 - Pachelbel - Un orage d'avril\Pachelbel - Un orage d’avril.wav

Peak level 95.3 %
Extraction speed 2.3 X
Range quality 100.0 %
Test CRC DFD0EB8E
Copy CRC DFD0EB8E
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [B4EC7FE7] (AR v2)
Track 2 accurately ripped (confidence 2) [9645AD47] (AR v2)
Track 3 accurately ripped (confidence 2) [4AADCFA2] (AR v2)
Track 4 accurately ripped (confidence 2) [ED61D2CB] (AR v2)
Track 5 accurately ripped (confidence 2) [B05CC556] (AR v2)
Track 6 accurately ripped (confidence 2) [CABC7E0C] (AR v2)
Track 7 accurately ripped (confidence 2) [6D8BF39B] (AR v2)
Track 8 accurately ripped (confidence 2) [6A11C9E5] (AR v2)
Track 9 accurately ripped (confidence 2) [B10C5163] (AR v2)
Track 10 accurately ripped (confidence 2) [58374FA2] (AR v2)
Track 11 accurately ripped (confidence 2) [8C3F27EE] (AR v2)
Track 12 accurately ripped (confidence 2) [2C8B6E39] (AR v2)
Track 13 accurately ripped (confidence 2) [BBA4DF6A] (AR v2)
Track 14 accurately ripped (confidence 2) [A3C81A06] (AR v2)
Track 15 accurately ripped (confidence 2) [A8815123] (AR v2)
Track 16 accurately ripped (confidence 2) [E192D8FD] (AR v2)
Track 17 accurately ripped (confidence 2) [6983E764] (AR v2)
Track 18 accurately ripped (confidence 2) [68588BAD] (AR v2)
Track 19 accurately ripped (confidence 2) [1CD08C64] (AR v2)
Track 20 accurately ripped (confidence 2) [07F8AC91] (AR v2)
Track 21 accurately ripped (confidence 2) [075FCF56] (AR v2)
Track 22 accurately ripped (confidence 2) [34C04616] (AR v2)
Track 23 accurately ripped (confidence 2) [D8EF798F] (AR v2)
Track 24 accurately ripped (confidence 2) [D08A5514] (AR v2)
Track 25 accurately ripped (confidence 2) [98A4F72F] (AR v2)
Track 26 accurately ripped (confidence 2) [D4A1BDF0] (AR v2)
Track 27 accurately ripped (confidence 2) [2A57B1CE] (AR v2)
Track 28 accurately ripped (confidence 2) [A8E43962] (AR v2)
Track 29 accurately ripped (confidence 2) [FEB282C3] (AR v2)
Track 30 accurately ripped (confidence 2) [7479D16B] (AR v2)
Track 31 accurately ripped (confidence 2) [280E9AAD] (AR v2)
Track 32 accurately ripped (confidence 2) [6D32772B] (AR v2)
Track 33 accurately ripped (confidence 2) [F3106D9C] (AR v2)
Track 34 accurately ripped (confidence 2) [9071BE6F] (AR v2)
Track 35 accurately ripped (confidence 2) [64C09F1D] (AR v2)
Track 36 accurately ripped (confidence 2) [DA356830] (AR v2)
Track 37 accurately ripped (confidence 2) [B71C2217] (AR v2)
Track 38 accurately ripped (confidence 2) [02B3CF2E] (AR v2)
Track 39 accurately ripped (confidence 2) [2DAE7F03] (AR v2)
Track 40 accurately ripped (confidence 2) [98521A28] (AR v2)
Track 41 accurately ripped (confidence 2) [B2E54B7B] (AR v2)
Track 42 accurately ripped (confidence 2) [A2222A59] (AR v2)
Track 43 accurately ripped (confidence 2) [9C3464CF] (AR v2)
Track 44 accurately ripped (confidence 2) [88EF7CA1] (AR v2)
Track 45 accurately ripped (confidence 2) [D8F78599] (AR v2)
Track 46 accurately ripped (confidence 2) [EFA49467] (AR v2)
Track 47 accurately ripped (confidence 2) [B478C818] (AR v2)
Track 48 accurately ripped (confidence 2) [0F3BF3F1] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 2339D8F622406E36380A2AA8DAC29A90FD5207CA40D54250FCC95BE488B859EB ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-07-18 17:45:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Gli incogniti, Amandine Beyer / Pachelbel - Un orage d’avril
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.92 dB -17.45 dB 1:21 01-Partie V in C major - Sonata
DR12 -4.35 dB -18.80 dB 1:15 02-Partie V in C major - Aria
DR13 -2.94 dB -18.64 dB 0:30 03-Partie V in C major - Treza
DR11 -2.20 dB -16.35 dB 3:15 04-Partie V in C major - Ciacona
DR11 -2.23 dB -18.08 dB 1:30 06-Partie II in C minor - Sonata
DR12 -2.92 dB -18.75 dB 1:32 07-Partie II in C minor - Gavotte
DR11 -2.36 dB -19.07 dB 0:31 08-Partie II in C minor - Treza
DR12 -5.03 dB -20.96 dB 1:09 09-Partie II in C minor - Aria
DR11 -1.80 dB -18.12 dB 1:41 10-Partie II in C minor - Saraband
DR13 -1.57 dB -18.01 dB 1:07 11-Partie II in C minor - Gigue
DR13 -2.01 dB -18.53 dB 1:09 13-Partie VI in B flat major - Sonata [Adagio]
DR12 -1.61 dB -17.00 dB 0:48 14-Partie VI in B flat major - Aria
DR12 -2.86 dB -17.89 dB 1:08 15-Partie VI in B flat major - Courante
DR13 -0.44 dB -16.98 dB 1:30 16-Partie VI in B flat major - Gavotte
DR12 -2.40 dB -18.97 dB 1:37 17-Partie VI in B flat major - Saraband
DR13 -0.44 dB -16.83 dB 2:26 18-Partie VI in B flat major - Gigue
DR11 -0.44 dB -17.01 dB 1:46 19-Partie a 4 in G major - Sonatina
DR12 -0.44 dB -15.98 dB 1:23 20-Partie a 4 in G major - Allemand
DR11 -0.44 dB -16.60 dB 0:42 21-Partie a 4 in G major - Gavott
DR11 -7.69 dB -22.05 dB 1:01 22-Partie a 4 in G major - Courant
DR12 -0.44 dB -17.58 dB 0:40 23-Partie a 4 in G major - Aria
DR11 -2.41 dB -18.04 dB 1:34 24-Partie a 4 in G major - Saraband
DR12 -1.01 dB -17.01 dB 1:25 25-Partie a 4 in G major - Gigue
DR9 -2.73 dB -18.90 dB 0:55 26-Partie a 4 in G major - Finale adagio
DR12 -0.50 dB -17.74 dB 1:10 28-Partie III in E flat major - Sonata [Allegro]
DR14 -0.99 dB -17.66 dB 1:29 29-Partie III in E flat major - Allemand
DR13 -1.68 dB -19.10 dB 0:45 31-Partie III in E flat major - Gavotte
DR12 -2.16 dB -19.09 dB 1:49 32-Partie III in E flat major - Saraband
DR14 -0.43 dB -17.63 dB 0:59 33-Partie III in E flat major - Gigue
DR12 -0.45 dB -17.07 dB 1:26 34-Partie IV in E minor - Sonata
DR12 -1.72 dB -17.84 dB 2:22 35-Partie IV in E minor - Aria
DR13 -3.31 dB -18.47 dB 1:01 36-Partie IV in E minor - Courant
DR14 -2.68 dB -19.10 dB 0:49 37-Partie IV in E minor - Aria
DR13 -0.44 dB -16.96 dB 2:36 38-Partie IV in E minor - Ciacona
DR13 -0.44 dB -16.59 dB 1:40 39-Guter Walther unser Raths
DR11 -0.45 dB -17.52 dB 0:53 40-Partie I in F major - Sonata [Allegro]
DR13 -3.23 dB -17.75 dB 1:47 41-Partie I in F major - Allemand
DR12 -3.56 dB -18.38 dB 1:02 42-Partie I in F major - Courant
DR13 -1.75 dB -17.41 dB 0:59 43-Partie I in F major - Ballet
DR13 -1.77 dB -18.28 dB 1:39 44-Partie I in F major - Saraband
DR12 -1.72 dB -17.41 dB 1:08 45-Gigue
DR12 -0.44 dB -16.56 dB 3:34 47-Canon & Gigue - Canon a 3 Violinis con Basso c.
DR12 -1.55 dB -17.87 dB 1:22 48-Canon & Gigue - Gigue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 43
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 773 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Hans Jörg Mammel, Gli incogniti, Amandine Beyer / Pachelbel - Un orage d’avril
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.89 dB -20.70 dB 8:08 05-Wie nichtig? Ach! Wie flüchtig
DR13 -0.42 dB -16.17 dB 3:21 12-Das Gewitter im Aprilen
DR15 -0.74 dB -18.76 dB 5:19 27-Mein Leben, dessen Creutz für mich
DR13 -0.56 dB -17.28 dB 1:01 30-Partie III in E flat major - Courant
DR14 -0.43 dB -17.66 dB 1:40 46-O grosses Musenliecht
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 5
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 773 kbps
Codec: FLAC
================================================================================

Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)

All thanks to original releaser

More interesting music in My Blog