Harding, Kaufmann, Magee, Mosuc - Strauss: Ariadne Auf Naxos (original 1912 version) (2014)
Harding, Kaufmann, Magee, Mosuc - Strauss: Ariadne Auf Naxos (original 1912 version) (2014)
Full BluRay 1:1 | BDMV | 1080i MPEG-4 AVC @ 23656 kbps; 29,970 fps | 03:12:22 | 42.5 GB
Audio1: German DTS-HD MA 5.0 / 48 kHz / 3603 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio2: German LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Genre: Classical | Subtitles: English, French, German, Spanish, Korean, Chinese
Full BluRay 1:1 | BDMV | 1080i MPEG-4 AVC @ 23656 kbps; 29,970 fps | 03:12:22 | 42.5 GB
Audio1: German DTS-HD MA 5.0 / 48 kHz / 3603 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio2: German LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Genre: Classical | Subtitles: English, French, German, Spanish, Korean, Chinese
Starring Jonas Kaufmann as Bacchus and featuring Emily Magee with Daniel Harding conducting the Vienna Philharmonic, Ariadne auf Naxos was filmed at the acclaimed Salzburg Festival in 2012. “Jonas Kaufmann was spectacular as Bacchus, growing improbably stronger as he progressed. Emily Magee was scarcely less impressive in the demanding role of Ariadne.”
With great result opera director and acting director of the Salzburg Festival Sven-Erich Bechtholf at the Salzburg Festival in 2012 staged an enriched with elements of theater, comedy and dance original version of Richard Strauss's opera Ariadne auf Naxos. The premiere was hailed as a highlight of the festival, which was also due to the outstanding musical performance of all parties involved: the Vienna Philharmonic Orchestra and outstanding soloists shone under the baton of Daniel Harding. Jonas Kaufman gave a highly acclaimed debut as Bacchus and the other soloists were studded cast that includes Emily Magee (Ariadne), Elena Mosuc (Zerbinetta), Peter Mati (Steward), Cornelius Obonya (Monsieur Jourdain), Roberto Saccà, Regina Fritsch and Stefanie Dvorak.
Ariadne auf Naxos was the third collaboration by Richard Strauss and Hugo von Hofmannsthal, written directly after the great success of Der Rosenkavalier. Originally planned as a "divertissement with a small chamber orchestra", the project expanded into a grand venture combining opera, drama and ballet – and was a flop at its world premiere in 1912. Now the Salzburg Festival pledges to fulfill "the still-wonderful dream of its creators: to bring together the different genres of theater, ballet, drama, music and singing." Sven-Eric Bechtolf will direct this unconventional production, and has not only adapted Molière's play Le Bourgeois gentilhomme, which preceded the opera at the time, but has also reinstated the ballet music written for it subsequently. "A hundred years have passed since Hofmannsthal began to work on this tale with the fiercely practical and dramaturgically highly talented Strauss, one hundred years since the disastrous world premiere of Ariadne auf Naxos. We take this 'anniversary' as an opportunity to revisit the original version. And where would this make more sense than in Salzburg?" –Sven-Eric Bechtolf
Performer: Emily Magee, Jonas Kaufmann, Elena Mosuc
Conductor: Daniel Harding
Orchestra/Ensemble: Vienna Philharmonic Orchestra
More Information
Reviews: There are a number of reviews of this set on the UK site which contain what I consider at least misleading statements in their otherwise well made points.
I should have read the advance publicity for this set for it was not what I expected and I suspect that it will not be what most potential purchasers expect or want, despite its considerable strengths.
I am not in general a fan of opera on Blu-ray/DVD unless it is a production that attracts and is unavailable on cd. Thus the prospect of Kaufmann and Emily Magee in a work I love to distraction was a very attractive one, especially when the orchestra is the VPO.
As others have explained, the original 1911 version consisted of Hofmannsthal's freely adapted version of Molière's Le Bourgeois Gentilhomme presented as the full play with incidental music by Strauss somewhat based on Lully (though Strauss wrote in a letter "I've got old Lully open in front of me but there is not much I can use") followed by the opera of Ariadne auf Naxos in a version in which Mr. Jourdain, the butt of the satire makes spoken interjections.
It was not a critical success for perhaps obvious reasons, though as to an extent in Rosenkavalier, Strauss had developed Neo-Classicism 10 years or more before it became recognised as a genre attributed to Stravinsky!
Wisely for us all, Strauss and Hofmannsthal reworked the piece into the 1915 version we know and love so well. There has been a highly successful recording, now re-issued at mid-price of a semi-reconstruction of the original version conducted by Nagano with Margaret Price, Gosta Wimbergh and -Sumi Jo!
More of her anon.
This 2012 Salzburg Production devised by " Regie Theater" Director Sven-Eric Bechtolf is a hybrid-he has adapted the original play (and shortened it thankfully!) by introducing a ubiquitous device of it " being in the mind", in this case of a visible Hofmannsthal who for once is not a mad character but is explaining the plot to cheer up a grieving Countess whom he is trying to woo.
The setting is pleasant enough, it is all terribly clever-it just lacks all the music of the later Prologue!
The Composer is a moping long-haired male loon who wants kicking-off the stage for preference, and only Strauss's brief musical interjections sustain interest.
We lose the later Overture of course, and the music, such as it is, is familiar from the later expanded and recomposed suite " Le Bourgeois Gentilhomme"-NOT to be called Der Burger Als Edelmann under Strauss's instructions.
The Opera fares better, and it is more or less the earlier version complete with Mr Jourdain and guests-and the composer, and the Countess, and Hofmannsthal, and the Major-Domo etc. making for a very crowded stage in the compact Mozart Haus!
The Vienna Philharmonic plays like angels-this was the last Salzburg Festival prior to retirement for veteran Principal Cellist Franz Bartolomey whom I was delighted to see in the pit alongside Rainer Kuchl.
Daniel Harding conducts sympathetically-perky in the style of Bohm.
The stage set is composed of melting pianos in the style of Dali, and the costumes are attractive enough-it's a decent if chaotic stage picture.
Emily Magee is a fine Ariadne, fulsome of tone and very good indeed in the acting department.
She is not as good as Janowitz, Norman, Voigt or Price but I have no complaints.
The Comedia dell' Arte troupe is excellent as are the Naiads and Echo.
Jonas Kaufmann enters dressed as a cross between Peter Pan and The Riddler from Batman, and is a very virile Bacchus indeed. His voice has become beefier and in saying less innately beautiful that is not a criticism-it is what happens to tenors as they take on more heroic and more taxing roles.
The longer duet with Ariadne holds no fears for him and he soars through it with firm upper notes-but yes, there is a hint of strain towards the end! He is human.
I have left comment about the Zerbinetta of Romanian Elena Mosuc to this point. It is perhaps unkind to advise that her costume does her no favours, but it is the voice that matters.
Back to Sumi Jo. No-one has so far commented on the fact that in the first version, Strauss set Zerbinetta's big numbers (there are 2 in this version) an OCTAVE HIGHER than in the revised version of "Grossmachtige Prinzessin" which he revised for the second version.
Sumi Jo sings it with dazzling ease at the higher pitch on the Nagano recording.
Mosuc sings it an octave lower, but I am astonished as to why no reviewers have commented on how poor her top notes are-and there are a lot more of them in the earlier version!!
Her voice spreads alarmingly near the top of the stave, undoing for me all the good characterisation she achieves otherwise. This role if any needs to be sung with technical brilliance-Gruberova, Battle, Geszty and Sumi Jo show us how, and Dessay shows us a more powerful "Marlene Dietrich" version-all brilliantly sung. Mosuc is sadly deficient.
I find the interventions of Jourdain into big numbers irritating, and the stage picture, though not offensive, is not compelling either!
So, just be careful before you order. If you want a filmed Ariadne of the 1915 Version I suggest the Bohm in the venerable Fillipo Sanjust Vienna Production with Janowitz, Gruberova and Kollo.
If you are curious about the original version, the Nagano CD version is where to start.
I had hoped that this Blu-ray would provide a sufficiently musical experience for me to want to return to it on that basis, but it doesn't especially as the operatic Prologue is missing.
The opera itself has enough drawbacks despite its many strengths also to rule it out of contention.
It's pretty enough visually with nothing to make the hackles rise, but overall a disappointment.
Sound quality is excellent as is picture on my copy
I'm not suggesting that there is no enjoyment to be had, but there should be more, so be careful which version you choose!! 3 Stars. Stewart Crowe.
Tracklisting:
Richard Strauss (1864-1949)
• Ariadne auf Naxos, Op. 60
1 Opening credits (0:42)
2 Le Bourgeois gentilhomme : Overture (4:08)
3 Act I : Scene 1: Liebste Gräfin, ich bitte Sie, weinen Sie nicht (6:30)
4 Arietta with violin solo (0:49)
5 Scene 2: Lass uns lieber gehen (9:35)
6 Duet: Kennst du ewig nichts als Kälte (3:12)
7 Das ist gar nicht so dumm! (4:30)
8 Fencing Master Scene (3:03)
9 Scene 3: Herr Haushofmeister, die Zerbinetta und ihre Truppe kommen doch bestimmt? (3:37)
10 Entrance and Dance of the Tailors (5:40)
11 Scenes 4 & 5 (10:10)
12 Intermezzo (3:24)
13 Act II : Scenes 1 & 2 (5:04)
14 Scene 3: First course - Second course - Third course (7:31)
15 Last course (2:31)
16 Was für ein geschickter Küchenjunge! (5:36)
17 Und wer sind die da? (4:22)
18 Wer ist Ariadne? (4:29)
19 Lieber Herr von Hofmannsthal (4:34)
20 Ariadne auf Naxos : Overture (3:44)
21 Schläft sie? (4:26)
22 Ach! Wo war ich? (2:57)
23 Ein Schönes war, hieß Theseus-Ariadne (7:14)
24 Lieben, Hassen, Hoffen, Zagen (2:08)
25 Es gibt ein Reich, wo alles rein ist (5:41)
26 Die Dame gibt mit trübem Sinn (4:57)
27 Großmächtige Prinzessin! (8:23)
28 Als ein Gott kam jeder gegangen (7:13)
29 Aber taube Ohren! - Eine Störrische zu trösten (5:29)
30 Pst, wo ist sie hin? (3:23)
31 Ein schönes Wunder! (4:10)
32 Circe, Circe, kannst du mich hören? (5:16)
33 Prinzessin! Welchen Botenlohn hab ich verdient? (5:17)
34 Theseus! Nein! Es ist der schöne stille Gott! (4:51)
35 Wie? Kennst du mich denn? (4:21)
36 Bin ich ein Gott? (4:48)
37 Gibt es kein Hinüber? (7:22)
38 Kommt der neue Gott gegangen (2:59)
39 Curtain calls and credits (7:52)
Wiener Philharmoniker
Daniel Harding musical direction
Sven-Eric Bechtolf stage director
Rolf Glittenberg set designer
Marianne Glittenberg costumes
Heinz Spoerli choreography
Ronny Dietrich dramaturgy
Jürgen Hoffmann lighting
Emily Magee (The Prima Donna/Ariadne)
Elena Moșuc (Zerbinetta)
Jonas Kaufmann (The Tenor/Bacchus)
Eva Liebau (Naiad/A Shepherdess)
Marie-Claude Chappuis (Dryad/A Shepherd)
Eleonora Buratto (Echo/A Singer)
Gabriel Bermúdez (Harlequin)
Michael Laurenz (Scaramuccio)
Tobias Kehrer (Truffaldino)
Martin Mitterrutzner (Brighella)
Peter Matić (The Major-Domo)
Cornelius Obonya (M. Jourdain)
Thomas Frank (The Composer)
Michael Rotschopf (Hofmannsthal)
Regina Fritsch (Ottonie/Dorine)
Stefanie Dvorak (Nicolina)
Johannes Lange (Flunky)
• Locations : Haus für Mozart, Salzburger Festspiele (Salzburg, Austria)
DISC INFO:
Disc Title: ARIADNE AUF NAXOS
Disc Size: 45,632,388,285 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00000.MPLS
Length: 3:12:22.764 (h:m:s.ms)
Size: 45,293,168,640 bytes
Total Bitrate: 31.39 Mbps
VIDEO:
Codec Bitrate Description
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MPEG-4 AVC Video 23656 kbps 1080i / 29.970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
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LPCM Audio German 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
DTS-HD Master Audio German 3603 kbps 5.0 / 48 kHz / 3603 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
SUBTITLES:
Codec Language Bitrate Description
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Presentation Graphics English 28.245 kbps
Presentation Graphics French 30.622 kbps
Presentation Graphics German 31.309 kbps
Presentation Graphics Spanish 28.712 kbps
Presentation Graphics Korean 21.143 kbps
Presentation Graphics Chinese 18.095 kbps
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Disc Title: ARIADNE AUF NAXOS
Disc Size: 45,632,388,285 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00000.MPLS
Length: 3:12:22.764 (h:m:s.ms)
Size: 45,293,168,640 bytes
Total Bitrate: 31.39 Mbps
VIDEO:
Codec Bitrate Description
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MPEG-4 AVC Video 23656 kbps 1080i / 29.970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
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Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:00:42.142 19,767 kbps 32,042 kbps 00:00:27.727 27,964 kbps 00:00:27.727 26,463 kbps 00:00:29.863 82,378 bytes 462,204 bytes 00:00:35.835
2 0:00:42.142 0:04:08.615 19,441 kbps 30,207 kbps 00:01:01.961 28,263 kbps 00:00:59.559 27,659 kbps 00:00:57.757 81,084 bytes 738,079 bytes 00:04:19.092
3 0:04:50.757 0:06:30.456 18,258 kbps 42,270 kbps 00:09:26.799 31,414 kbps 00:09:26.265 27,582 kbps 00:09:21.294 76,150 bytes 763,045 bytes 00:06:22.048
4 0:11:21.213 0:00:48.915 19,943 kbps 31,138 kbps 00:11:38.497 28,137 kbps 00:11:37.029 26,907 kbps 00:11:36.996 83,179 bytes 722,331 bytes 00:11:24.216
5 0:12:10.129 0:09:36.042 20,555 kbps 50,241 kbps 00:16:52.845 35,201 kbps 00:16:52.711 28,583 kbps 00:16:52.044 85,734 bytes 735,851 bytes 00:15:23.889
6 0:21:46.171 0:03:11.991 20,332 kbps 37,040 kbps 00:24:45.383 31,672 kbps 00:24:44.082 28,693 kbps 00:24:42.180 84,801 bytes 482,910 bytes 00:21:56.481
7 0:24:58.163 0:04:30.670 22,887 kbps 41,761 kbps 00:27:46.297 33,902 kbps 00:26:52.243 29,531 kbps 00:26:50.175 95,458 bytes 732,608 bytes 00:26:31.089
8 0:29:28.833 0:03:03.650 24,055 kbps 50,337 kbps 00:29:35.240 38,482 kbps 00:29:42.547 34,253 kbps 00:29:42.547 100,331 bytes 777,913 bytes 00:29:36.841
9 0:32:32.483 0:03:37.016 20,693 kbps 41,928 kbps 00:32:36.287 28,613 kbps 00:34:17.555 25,976 kbps 00:34:13.217 86,306 bytes 557,637 bytes 00:32:59.377
10 0:36:09.500 0:05:40.440 33,753 kbps 51,257 kbps 00:37:19.437 40,664 kbps 00:37:17.301 37,862 kbps 00:40:04.235 140,777 bytes 784,349 bytes 00:38:10.087
11 0:41:49.940 0:10:10.776 29,560 kbps 57,233 kbps 00:41:50.140 40,593 kbps 00:48:40.584 37,714 kbps 00:50:15.112 123,288 bytes 766,488 bytes 00:44:17.888
12 0:52:00.717 0:03:24.304 24,397 kbps 42,680 kbps 00:54:22.892 33,432 kbps 00:54:27.063 30,296 kbps 00:54:21.992 101,758 bytes 694,434 bytes 00:54:31.968
13 0:55:25.021 0:05:04.370 27,242 kbps 54,680 kbps 00:57:30.580 40,578 kbps 00:56:22.145 37,593 kbps 00:59:50.753 113,624 bytes 768,493 bytes 00:57:34.317
14 1:00:29.392 0:07:31.350 28,602 kbps 56,141 kbps 01:02:25.141 40,561 kbps 01:06:17.006 37,639 kbps 01:03:42.652 119,295 bytes 766,248 bytes 01:02:09.292
15 1:08:00.743 0:02:40.627 29,391 kbps 55,096 kbps 01:10:16.845 40,639 kbps 01:08:44.687 37,043 kbps 01:08:40.382 122,585 bytes 624,200 bytes 01:09:08.644
16 1:10:41.370 0:05:36.969 28,682 kbps 54,301 kbps 01:11:18.807 40,605 kbps 01:16:07.596 37,792 kbps 01:16:03.425 119,629 bytes 736,985 bytes 01:16:11.800
17 1:16:18.340 0:04:22.262 27,218 kbps 58,443 kbps 01:18:43.852 40,759 kbps 01:17:15.530 37,777 kbps 01:17:15.397 113,520 bytes 734,724 bytes 01:17:15.697
18 1:20:40.602 0:04:29.402 26,775 kbps 59,097 kbps 01:24:16.284 39,195 kbps 01:22:40.355 34,989 kbps 01:21:47.102 111,674 bytes 649,410 bytes 01:21:57.612
19 1:25:10.004 0:04:34.140 23,302 kbps 48,116 kbps 01:26:44.199 39,404 kbps 01:28:06.214 37,847 kbps 01:28:02.810 97,188 bytes 772,673 bytes 01:28:49.791
20 1:29:44.145 0:03:43.890 23,755 kbps 35,146 kbps 01:33:17.892 31,727 kbps 01:33:15.623 29,601 kbps 01:29:57.592 99,078 bytes 466,536 bytes 01:29:59.293
21 1:33:28.035 0:04:26.299 22,903 kbps 32,918 kbps 01:36:04.425 29,390 kbps 01:36:04.425 28,969 kbps 01:36:04.425 95,512 bytes 655,416 bytes 01:34:17.785
22 1:37:54.335 0:02:57.310 20,691 kbps 48,733 kbps 01:39:44.178 32,972 kbps 01:39:43.344 29,172 kbps 01:39:41.775 86,299 bytes 733,486 bytes 01:39:45.846
23 1:40:51.645 0:07:14.801 20,406 kbps 43,854 kbps 01:44:12.579 34,627 kbps 01:44:11.812 28,540 kbps 01:44:06.773 85,116 bytes 755,211 bytes 01:47:17.230
24 1:48:06.446 0:02:07.393 19,860 kbps 32,016 kbps 01:49:54.521 24,526 kbps 01:49:53.987 22,945 kbps 01:49:53.987 82,831 bytes 577,244 bytes 01:49:00.300
25 1:50:13.840 0:05:41.340 18,674 kbps 30,864 kbps 01:55:54.180 24,446 kbps 01:55:50.176 23,264 kbps 01:50:46.973 77,884 bytes 524,141 bytes 01:54:01.100
26 1:55:55.181 0:04:57.897 21,910 kbps 45,564 kbps 01:59:00.299 37,194 kbps 01:58:58.898 32,785 kbps 01:59:21.654 91,383 bytes 507,146 bytes 02:00:48.207
27 2:00:53.079 0:08:23.336 19,876 kbps 34,121 kbps 02:02:27.339 30,106 kbps 02:02:23.335 29,210 kbps 02:02:18.330 82,893 bytes 438,716 bytes 02:04:14.713
28 2:09:16.415 0:07:13.566 20,451 kbps 39,979 kbps 02:10:17.109 34,339 kbps 02:10:13.972 32,017 kbps 02:10:12.137 85,297 bytes 488,331 bytes 02:10:40.632
29 2:16:29.981 0:05:29.128 21,009 kbps 41,254 kbps 02:21:24.843 32,689 kbps 02:21:23.808 26,390 kbps 02:21:18.369 87,623 bytes 445,267 bytes 02:18:19.858
30 2:21:59.110 0:03:22.902 20,118 kbps 31,068 kbps 02:22:05.617 27,688 kbps 02:22:05.650 26,680 kbps 02:22:05.116 83,922 bytes 430,951 bytes 02:22:17.495
31 2:25:22.013 0:04:09.983 24,495 kbps 40,890 kbps 02:26:35.219 32,674 kbps 02:25:56.347 31,403 kbps 02:25:56.013 102,165 bytes 649,152 bytes 02:27:12.390
32 2:29:31.996 0:05:16.749 19,514 kbps 34,233 kbps 02:33:14.451 31,845 kbps 02:33:14.451 30,405 kbps 02:33:13.450 81,383 bytes 669,307 bytes 02:33:23.460
33 2:34:48.746 0:05:19.552 20,919 kbps 33,577 kbps 02:38:15.052 31,592 kbps 02:38:15.052 27,170 kbps 02:38:12.115 87,258 bytes 500,630 bytes 02:38:15.152
34 2:40:08.298 0:04:51.057 23,567 kbps 39,439 kbps 02:40:16.006 32,813 kbps 02:40:12.703 29,442 kbps 02:43:59.863 98,283 bytes 483,714 bytes 02:40:11.435
35 2:44:59.356 0:04:21.294 25,817 kbps 53,033 kbps 02:46:44.627 35,092 kbps 02:46:43.660 32,477 kbps 02:47:42.051 107,691 bytes 773,517 bytes 02:46:45.628
36 2:49:20.650 0:04:47.887 25,341 kbps 39,095 kbps 02:53:45.982 35,951 kbps 02:53:43.579 33,162 kbps 02:53:40.276 105,693 bytes 486,306 bytes 02:49:48.545
37 2:54:08.538 0:07:22.875 27,476 kbps 46,243 kbps 02:58:47.016 40,180 kbps 02:58:46.782 37,060 kbps 02:58:46.582 114,590 bytes 774,146 bytes 02:58:54.156
38 3:01:31.413 0:02:59.312 25,303 kbps 49,525 kbps 03:04:18.113 39,995 kbps 03:02:48.824 34,303 kbps 03:02:48.924 105,537 bytes 525,421 bytes 03:02:51.427
39 3:04:30.726 0:07:52.038 24,837 kbps 53,400 kbps 03:08:55.791 40,680 kbps 03:08:55.791 35,211 kbps 03:08:51.653 103,606 bytes 749,233 bytes 03:05:28.383
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00000.M2TS 4113 (0x1011) 0x1B AVC 5384.045 25,162 16,934,343,865 92,128,935
00000.M2TS 4352 (0x1100) 0x80 LPCM deu (German) 5384.045 2,310 1,554,942,520 8,614,640
00000.M2TS 4353 (0x1101) 0x86 DTS-HD MA deu (German) 5384.045 3,556 2,393,366,208 13,846,882
00000.M2TS 4608 (0x1200) 0x90 PGS eng (English) 5384.045 40 27,103,005 154,019
00000.M2TS 4609 (0x1201) 0x90 PGS fra (French) 5384.045 44 29,720,206 168,242
00000.M2TS 4610 (0x1202) 0x90 PGS deu (German) 5384.045 46 30,825,749 174,271
00000.M2TS 4611 (0x1203) 0x90 PGS spa (Spanish) 5384.045 42 28,086,451 159,354
00000.M2TS 4612 (0x1204) 0x90 PGS kor (Korean) 5384.045 30 20,223,553 116,627
00000.M2TS 4613 (0x1205) 0x90 PGS zho (Chinese) 5384.045 25 17,156,118 99,956
00001.M2TS 4113 (0x1011) 0x1B AVC 6158.519 22,339 17,197,098,218 93,570,124
00001.M2TS 4352 (0x1100) 0x80 LPCM deu (German) 6158.519 2,310 1,778,628,228 9,853,896
00001.M2TS 4353 (0x1101) 0x86 DTS-HD MA deu (German) 6158.519 3,643 2,804,586,672 16,202,397
00001.M2TS 4608 (0x1200) 0x90 PGS eng (English) 6158.519 18 13,650,224 77,189
00001.M2TS 4609 (0x1201) 0x90 PGS fra (French) 6158.519 19 14,462,431 81,616
00001.M2TS 4610 (0x1202) 0x90 PGS deu (German) 6158.519 19 14,347,790 80,998
00001.M2TS 4611 (0x1203) 0x90 PGS spa (Spanish) 6158.519 17 13,340,886 75,507
00001.M2TS 4612 (0x1204) 0x90 PGS kor (Korean) 6158.519 13 10,281,953 58,880
00001.M2TS 4613 (0x1205) 0x90 PGS zho (Chinese) 6158.519 12 8,952,724 51,665
Harding, Kaufmann, Magee, Mosuc - Strauss: Ariadne Auf Naxos (original 1912 version) (2014)
Harding, Kaufmann, Magee, Mosuc - Strauss: Ariadne Auf Naxos (original 1912 version) (2014)
