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B. Herrmann: The Film Scores - Los Angeles Philharmonic; Esa Pekka Salonen

Posted By: waldstein
B. Herrmann: The Film Scores - Los Angeles Philharmonic; Esa Pekka Salonen

Bernard Herrmann: The Filma Scores – Los Angeles Philharmonic Orchestra; Esa Pekka Salonen, conductor
Classical | Film Music | 1 CD | EAC Rip | 357 MB | FLAC+LOG+M3U+Cue | Full scans | 3 RS links
Publisher: Sony Classical

Amazon.com essential recording
Over the years, and thanks to the CD revolution, film music has come into its own. Bernard Herrmann (1911-1975) has given us some of the most distinct film scores of any composer. As the lists of titles show, Herrmann did a number of Alfred Hitchcock movies–Psycho, Marnie, North by Northwest, Vertigo, and Torn Curtain. What is remarkable is how these works cohere as atmospheric tone poems. Fahrenheit 451: Suite for Strings, Harps, and Percussion has the same kind of atmospherics as some of Arnold Bax's tone poems of the 1930s. This music does not need a visual medium. It's that good. –Paul Cook
Amazon.com essential recording
One of the more laudable side effects of the "crossover" craze affecting (or afflicting, depending on your perspective) the classical music business has been the reclamation of film music as part of the mainstream symphonic repertoire. It's always belonged there. Before there were movies, composers wrote music for plays, and this so-called "incidental" music has given us some of out most popular classics, including Grieg's Peer Gynt, Beethoven's Egmont, Mendelssohn's A Midsummer Night's Dream, and Bizet's L'Arlesienne. Hermann was one of the great film music composers of all time, and his scores fit naturally into a great and illustrious tradition, nowhere more so than in this award-winning recording. –David Hurwitz

There is much to savour here: the thrilling sense of spectacle engendered in the brazen Prelude to The Man Who Knew Too Much (1956); the sweep and lustre of the LAPO's response in the two extended excerpts from Marnie (1964); the aural feast served up by the score rejected by Hitchcock for Torn Curtain (1966, whose characteristically unconventional instrumentation includes 16 horns, 12 flutes, nine trombones and two tubas). In the Suite from Psycho (1960) Salonen draws playing of terrific bite and menace from his Los Angeles string section. Most striking of all is the remarkable concentration this partnership brings to those pivotal slow numbers like “The Madhouse” and “The Swamp” (both of which convey such numbing dread through their indeterminate tonality). Salonen's finely sculpted realization of the suite for strings, harp and percussion from Herrmann's score to Francois Truffaut's Fahrenheit 451 (1966) has a wistfulness (especially in the poignant bars of the concluding “The Road”) that rather scores over Joel McNeely's recent Varese Sarabande version with the Seattle SO. How good, too, that room was found for Christopher Palmer's effective synthesis of Herrmann's very last composition, the magnificently sinister and moody score for Martin Scorsese's Taxi Driver (1975).
“Any grumbles at all?”, I hear you ask. Well, just a couple. In the overture to North by Northwest (1959) Salonen's chosen tempo strikes me as just a little too hectic to give quite enough lift to those obsessive fandango rhythms, whereas Herrmann's own soundtrack recording on EMI Premier conveys an altogether greater sense of menace. Salonen also tries to wring too much out of the gorgeous “Scene d'amour” from Vertigo (1958) – McNeely with the RSNO on Varese Sarabande is less self-consciously sticky and infinitely more moving as a result. Otherwise, I have nothing but praise.
A winner of a disc, in sum, resplendently played and engineered, and excellently annotated by Alex Ross. If this generous new Sony collection doesn't succeed in alerting a whole new audience to the genius of Bernard Herrmann, then nothing will." Gramophone, January 1997

ON THIS CD:
• The Man Who Knew Too Much, film score Prelude
• Psycho: A Suite for Strings
• Marnie, film score Suite. 1. Prelude
• Marnie, film score Suite. 2. The Hunt
• North by Northwest, film score Overture
• Vertigo, film score Suite. 1. Prelude
• Vertigo, film score Suite. 2. The Nightmare
• Vertigo, film score Suite. 3. Scène D'Amour
• Torn Curtain (filmscore) 1. Prelude
• Torn Curtain (filmscore) 2. Gromek
• Torn Curtain (filmscore) 3. The Killing
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. Prelude
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. Fire Engine
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Bedroom
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Reading
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Garden
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Nightmare
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. Flowers of Fire
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. Flamethrower
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Captain's Death
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. The Road
• Fahrenheit 451, film score Suite for Strings, Harps, and Percussion. Finale
• Taxi Driver, film score Prelude
• Taxi Driver, film score Blues
• Taxi Driver, film score Night Prowl
• Taxi Driver, film score Bloodbath
• Taxi Driver, film score Finale

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

EAC extraction logfile from 31. March 2008, 12:18

Esa-Pekka Salonen, LA Philharmonic / Bernard Herrmann Film Scores

Used drive : HL-DT-STDVDRAM GSA-4167B Adapter: 3 ID: 0

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Make use of C2 pointers : Yes

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Not detected, thus appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:40.30 | 0 | 12029
2 | 2:40.30 | 2:03.47 | 12030 | 21301
3 | 4:44.02 | 1:44.10 | 21302 | 29111
4 | 6:28.12 | 1:25.23 | 29112 | 35509
5 | 7:53.35 | 2:36.47 | 35510 | 47256
6 | 10:30.07 | 1:00.60 | 47257 | 51816
7 | 11:30.67 | 1:10.68 | 51817 | 57134
8 | 12:41.60 | 2:27.65 | 57135 | 68224
9 | 15:09.50 | 1:32.50 | 68225 | 75174
10 | 16:42.25 | 0:28.22 | 75175 | 77296
11 | 17:10.47 | 1:15.73 | 77297 | 82994
12 | 18:26.45 | 1:56.60 | 82995 | 91754
13 | 20:23.30 | 5:13.20 | 91755 | 115249
14 | 25:36.50 | 5:44.27 | 115250 | 141076
15 | 31:21.02 | 2:46.33 | 141077 | 153559
16 | 34:07.35 | 2:58.22 | 153560 | 166931
17 | 37:05.57 | 2:07.68 | 166932 | 176524
18 | 39:13.50 | 6:48.65 | 176525 | 207189
19 | 46:02.40 | 2:17.35 | 207190 | 217499
20 | 48:20.00 | 1:54.22 | 217500 | 226071
21 | 50:14.22 | 2:15.58 | 226072 | 236254
22 | 52:30.05 | 1:31.72 | 236255 | 243151
23 | 54:02.02 | 1:01.20 | 243152 | 247746
24 | 55:03.22 | 1:38.40 | 247747 | 255136
25 | 56:41.62 | 2:03.38 | 255137 | 264399
26 | 58:45.25 | 1:25.52 | 264400 | 270826
27 | 60:11.02 | 1:50.70 | 270827 | 279146
28 | 62:01.72 | 1:42.63 | 279147 | 286859
29 | 63:44.60 | 0:36.55 | 286860 | 289614
30 | 64:21.40 | 1:00.15 | 289615 | 294129
31 | 65:21.55 | 2:13.45 | 294130 | 304149
32 | 67:35.25 | 2:25.05 | 304150 | 315029
33 | 70:00.30 | 0:54.22 | 315030 | 319101
34 | 70:54.52 | 3:10.03 | 319102 | 333354
35 | 74:04.55 | 0:28.67 | 333355 | 335521
36 | 74:33.47 | 1:26.40 | 335522 | 342011
37 | 76:00.12 | 0:45.10 | 342012 | 345396


Track 1

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Track 2

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Track 29

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Track 30

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Track 31

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Track 32

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Track 33

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Track 35

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Track 36

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Track 37

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